logo

98 pages 3 hours read

George Orwell

1984

Fiction | Novel | Adult | Published in 1949

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Literary Devices

Contradiction

Contradiction, as a literary device, involves presenting opposing ideas or elements within a narrative to highlight complexities about the novel’s world. In 1984, the Party’s three main slogans—“WAR IS PEACE. FREEDOM IS SLAVERY. IGNORANCE IS STRENGTH” (6)—are contradictions. By juxtaposing these conflicting concepts and presenting them as truths rather than absurdities, the novel emphasizes the Party’s goal of controlling its citizens’ minds until they no longer accept any logic outside of what the Party dictates. This is the essence of doublethink, which requires members to accept opposing concepts as truths and highlights the theme of Propaganda, Emotional Manipulation, and Conformity. The same technique is used when juxtaposing the names and functions of the ministries: the Ministry of Truth creates propaganda, Ministry of Love inflicts punishment and torture; the Ministry of Peace creates war; and the Ministry of Plenty keeps society impoverished. These deliberate contradictions reinforce totalitarianism’s moral corruption, contributing to the novel’s dystopian framework.

Neologisms

The novel uses neologisms, or invented words and expressions, to emphasize the Party’s control over all aspects of its members’ lives. Neologisms in literature aid in world-building, providing insight into the novel’s culture, norms, and time period, especially in science fiction and fantasy. For instance, giving Oceania’s language the name Newspeak, highlights the Party’s desire for ideological control over its population. It is the mouthpiece of Ingsoc (English Socialism), which is really totalitarianism by another name.

Neologisms also aid in fictionalizing the novel’s world and separating from readers’ real-world context. Using the term “doublethink” instead of “hypocrisy” or “lies” distances the concept of misinformation as applying to a fictional society, rather than being a direct criticism the novel’s real-world political system. Even the name Big Brother is created as a euphemism for a police state, making constant surveillance seem like a loving and protective act rather than an oppressive force. Terms like telescreens point to the novel’s distant technological reality and add texture to its embodied world.

Repetition

Repetition as a literary device involves deliberately using the same words or phrases multiple times within a text to emphasize a point, create rhythm, or enhance the narrative's emotional impact. This technique can reinforce key themes, create atmosphere, and aid in memorability. By drawing attention to specific elements through repetition, authors can ensure these aspects resonate more deeply with readers.

One key example in 1984 is the repetition of the phrase “BIG BROTHER IS WATCHING YOU.” It is a constant reminder of the ever-present surveillance in Oceania and the punishment it implies. This repetition builds suspense by maintaining a mood of apprehension in the text. Specifically, it focuses on Winston’s storyline and whether he will maintain his resistance or succumb to the Party’s mind control. In the end, the phrase, “He loved Big Brother” (376) transforms the slogan into a statement of the Party’s victory over Winston and solidifies the novel’s dystopian ending. It highlights The Psychological Toll of Constant Surveillance by showing how an independent individual was ultimately made to conform.

blurred text
blurred text
blurred text
blurred text