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O. HenryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Foreshadowing is a narrative device in which the author drops hints or plants warnings about events still to come in the story. In “A Retrieved Reformation,” the opening scene shows Jimmy Valentine “assiduously stitching uppers” (1) in the prison shoe-shop, which foreshadows his opening a shoe store in Elmore as Ralph D. Spencer.
In the same scene, the warden tells Jimmy he’s “not a bad fellow at heart” and advises him to “stop cracking safes and live straight” (1). When Jimmy decides to stay in Elmore, he does exactly that—and saving little Agatha from the safe confirms that he actually is a good fellow at heart. Likewise, in the story’s final scenes, Ben Price appears in the Elmore bank. He says he’s just waiting for someone he knows, foreshadowing an eventual meeting with Jimmy.
In literature, irony subverts readers’ expectations about what should happen. Situational irony refers to situations in which events take a turn that’s completely different from the expected outcome, while verbal irony occurs when words take on a meaning that’s the opposite of what’s expected. “A Retrieved Reformation” includes both types.
Jimmy’s dialogue is full of verbal irony. When the warden tells Jimmy to go straight, Jimmy feigns innocence: “‘Me?’ said Jimmy, in surprise. ‘Why, I never cracked a safe in my life’” (1). Likewise, when Mike Dolan asks about Jimmy’s plans, Jimmy again feigns innocent ignorance: “‘Me?’ said Jimmy, in a puzzled tone. ‘I don’t understand. I’m representing the New York Amalgamated Short Snap Biscuit Cracker and Frazzled Wheat Company’” (2).
Even Jimmy’s name might be considered a form of verbal irony. Valentine suggests love and tenderness, not the toughness of a hardened criminal—and it also suggests the role love will play in transforming him into the upstanding Mr. Ralph Spencer.
Situational irony prevails in the story’s ending. Jimmy is preparing a trip to get rid of his beloved safecracking tools, but he can’t do so until he visits the bank with Annabel’s family. Because he still has the tools, he can use them to free Agatha from the vault.
Using his tools to free Agatha exposes Jimmy’s real identity, but Ben Price chooses not to arrest him, even though Jimmy (and readers) expect that he will. In the final scene, Jimmy is reconciled to giving up his new life as Ralph Spencer and returning to prison, but Price pretends he doesn’t recognize him and simply walks away, leaving Jimmy free to resume that life. Ironically, it is already too late because Jimmy has cast away his future in Elmore by saving Agatha.
A metaphor is a figure of speech in which the qualities of one thing are applied to another completely dissimilar thing for the purposes of crafting a descriptive, indirect comparison. When Jimmy easily cracks a safe full of money, it’s likened to an erupting volcano: “Then an old-fashioned bank-safe in Jefferson City became active and threw out of its crater an eruption of bank-notes amounting to five thousand dollars” (2). This dramatic imagery underscores Jimmy’s effect as a master bank robber.
Jimmy’s distinctive style of safecracking is described as “Dandy Jim Valentine’s autograph” (2). This metaphor quickly and vividly conveys Jimmy’s status as a skilled bank thief and implies that he takes considerable pride in his work. He doesn’t change his modus operandi to avoid the notice of law enforcement.
Jimmy’s transformation is metaphorically visualized in “Mr. Ralph Spencer, the phoenix that arose from Jimmy Valentine’s ashes” (3). The mythical phoenix is a bird that perished in flames but rose from the ashes, whole and ready to fly again. This metaphor denotes the death of “Jimmy Valentine” and the birth of his new identity as Ralph D. Spencer, which Jimmy believes is the only identity that will live on. However, at the story’s end, Jimmy rises from Spencer’s ashes to save Agatha.
Like metaphors, similes use the characteristics of one thing to describe another thing that is completely different. In similes, the comparison is overt, with words such as “like or “as.” O. Henry uses similes to enrich descriptions by evoking vivid images. In one of Jimmy’s exploits since leaving prison, “a patented, improved, burglar-proof safe in Logansport was opened like a cheese to the tune of fifteen hundred dollars, currency; securities and silver untouched” (2). Comparing the safe to a cheese that can be easily cut emphasizes the ease with which Jimmy opened it.
Later, when describing Jimmy’s professional safecracking skill, Price says, “Look at that combination knob—jerked out as easy as pulling up a radish in wet weather” (2). This folksy simile references life in smalltown America, where farms and gardens are common, and everyone knows how easy it is to pull up plants when the soil is soft.
By O. Henry