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66 pages 2 hours read

T. Kingfisher

A Sorceress Comes to Call

Fiction | Novel | Adult | Published in 2024

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Chapters 25-30Chapter Summaries & Analyses

Chapter 25 Summary

Alice asks Cordelia if she will take Alice to Richard’s as her lady’s maid, and Cordelia agrees to the idea. After Alice leaves the room, Penelope talks to Cordelia again, explaining that she disappeared before because it is difficult for her to focus and stay connected to Cordelia.

Penelope had fought back against Evangeline’s control; Evangeline tried to make Penelope stab Richard, but Penelope refused, which is when Evangeline sent her over the balcony. When she died, Penelope felt a strange sensation, and then she saw Falada, who was shining brightly, which led her back to the house. Penelope is too lazy to be angry about being dead, but she agrees that Evangeline should be stopped. Penelope’s focus slips, and Cordelia looks out the window to see Falada patrolling.

Chapter 26 Summary

The wedding day arrives. They still don’t know how to thwart Evangeline, and Imogene suggests that they kill her, but both Hester and Richard disagree. Hester is worried that Evangeline has spells in place that will cause harm if she is killed. Richard argues that if Evangeline were a man, he could duel her, but Cordelia counters that Evangeline would simply make Richard obedient. The wedding takes place as a quick ceremony, and Penelope briefly talks to Cordelia, saying that she can see everything in the church clearly. When Penelope falls silent, Cordelia worries that Evangeline noticed the ghost.

Later, Evangeline confronts Cordelia. Cordelia says that she felt something strange happen during the ceremony, but she didn’t know what it was—maybe someone talking, but she couldn’t hear what they were saying. Evangeline accuses Cordelia of trying to take the cup from her hands, but Cordelia adamantly denies the accusation, arguing that she was nowhere near her mother during the ceremony. Suddenly, Evangeline hits Cordelia with magic to see if the girl is hiding magical powers, but she is not.

Alice packs for Cordelia, and Cordelia struggles to eat. Once Alice leaves, Penelope talks to Cordelia, startling her so that she drops her mug. Penelope says that she tried to take the cup from Evangeline during the ceremony, but she fled when Evangeline talked to her. Penelope could hear the water, wine, and salt used during the ceremony; they sounded like they were ringing. Cordelia sips some water, and Penelope experiences the ringing again. Penelope says that if she wanders too far, things get dark, and she is scared that she will get lost. Cordelia promises not to forget that Penelope is there after they leave for Richard’s.

Chapter 27 Summary

Hester, Imogene, and Cordelia ride to Richard’s together in a coach, while Evangeline rides Falada alongside the Squire and Richard. The coach stops near Richard’s, and the women switch to riding horseback because the lane is full of potholes. Cordelia likes the property, which is thick with foliage. Hester’s favorite part of the Evermore House is the flock of geese, which quickly approach, encircling Falada and hissing at him. Hester notes a shorter goose that will likely need to be culled.

Cordelia likes the Evermore House, which is smaller and more modest than the Chatham House. Her room, unlike her room at the Squire’s house, does not make her feel like a charity case. Evangeline comes into Cordelia’s room and talks about how Cordelia will have to redecorate the entire house. She warns her daughter to not be caught alone with Richard, and she says that she will leave Falada to keep an eye on Cordelia.

Everyone has breakfast together, and Hester hits Imogene with her cane when she notices that Imogene is about to say something snarky. The Squire and Evangeline say their goodbyes and leave for their honeymoon, and Cordelia cries with relief.

Chapter 28 Summary

Richard has a large, disorganized collection of books. They spend hours looking through the books but find nothing useful. Tom arrives and offers his organizational services. Evangeline had fired him from the Chatham House before everyone departed for Richard’s. He has come to ask Richard if he can work at the Evermore House; Richard wants to find him a place, but not at the expense of his own butler, Jack.

The others tell Tom that Evangeline is a sorcerer, and he takes it well. He makes a plan to organize the books into piles based on their potential usefulness. Hester, since her knees are bad, is to sit and read through the most promising books.

Chapter 29 Summary

They work for a week, going through books until they are exhausted and irritable with each other. On the eighth day, Imogene finds a ritual using wine, water, and salt to remove magical powers. The ritual requires them to draw a circle around the sorcerer and a triangle around three people, each representing one of the reagents. A fourth person is to be in the circle chanting. Imogene suggests that if the ritual works, they could kill Evangeline, and Cordelia agrees that it might be the best idea—“We can’t just let her keep going just because we don’t want to kill her. It’s not fair to anyone else she might hurt” (249). Then, Cordelia suggests that they test the ritual on Falada.

Falada paces around the property at night, but he is followed constantly by the geese, led by the short one that Hester suggested needed to be culled. The group discusses their plan, realizing that they will have to kill Falada if the ritual doesn’t work. They don’t know if they can kill a familiar, but Imogene argues that cutting off something’s head will certainly kill it.

Chapter 30 Summary

Cordelia says that she must be the one in the circle with Falada because she is the only one he is not allowed to hurt, and the others reluctantly agree. Hester will invoke water and Imogene will invoke salt, leaving Richard with wine. Tom will draw the chalk circle and triangle.

Richard asks a few of his employees to stay behind and help with Falada. To his dismay, Bernard, an elderly man who works with the horses, refuses to leave. He scolds Richard for planning to harm Falada, and he argues that he will be the one to lead Falada out of the stable. Bernard soothes Falada as he leads him out of the stable, but once Falada sees the people outside, he refuses to budge. Bernard tries to get him to move forward, but Falada bites off his ear.

Cordelia, filled with hate, jumps between Falada and Bernard. Someone gets a rope around Falada’s neck, and then Cordelia wraps herself around the horse’s leg and asks for a rope so that she can tie his legs together. She covers Bernard, and the two of them crawl out from under Falada. Falada starts fighting, and they hold him tight, adding another rope so that if Falada kicks, he will break his neck. Bernard now agrees with the plan to kill Falada, realizing that the beast is not a horse.

They prepare for the ritual, with Tom drawing the chalk outlines and the geese watching the scene. Cordelia chants the spell while the others activate the reagents. The water and salt ring as expected, hurting Falada, but the wine does not. Falada calms down and starts laughing.

Chapters 25-30 Analysis

This section of A Sorceress Comes to Call explores the progression of key themes, particularly Finding Agency in Abusive Situations. Cordelia’s growing willingness to take risks and Hester’s evolving leadership emphasize the importance of collaboration and determination in the face of Evangeline’s control. These chapters also delve into the symbolism of rituals and the significance of key figurative language to convey rising tension and internal struggles.

As the wedding day arrives, the urgency to find a way to thwart Evangeline intensifies. Cordelia, who once struggled to assert herself, takes on a more active role in the resistance. She leads the ritual against Falada even though it places her in danger. This willingness to confront the source of her fear, despite the risks, demonstrates her progression from passive victim to active participant in the fight against her mother’s influence. This development in Cordelia’s character arc reinforces the importance of facing fears to protect oneself and others. The stark reality of their situation is encapsulated in Cordelia’s statement, “We can’t just let her keep going just because we don’t want to kill her. It’s not fair to anyone else she might hurt” (249), which signifies Cordelia’s acceptance of the dire consequences of inaction and her acknowledgement of the broader stakes.

The ritual involving wine, water, and salt carries a significant amount of symbolic weight. Water and salt are traditionally associated with purification and resilience, while wine often symbolizes blood, sacrifice, or life force. These elements collectively represent the group’s attempt to reclaim control over the chaos that Evangeline has unleashed. However, the ritual’s failure against Falada serves as a metaphor for the limits of their understanding and foreshadows the difficulty of their upcoming confrontation with Evangeline. The lack of success highlights the group’s struggle to find a solution to a threat that extends beyond conventional methods of resistance. Imogene’s practical assertion that, despite their uncertainty, cutting off something’s head will certainly kill it underscores the desperation of their situation and the lengths they must go to in order to survive.

Kingfisher’s use of figurative language also enhances the narrative’s tension and emotional impact. The description of the wedding day—“The day of the wedding dawned warm and overcast, and was not attended by thunderstorms or earthquakes or cyclones, despite Hester’s opinion on the matter” (223)—reflects Hester’s dread and underscores the looming threat that Evangeline poses. The contrast between the mundane reality and Hester’s internal turmoil heightens the sense of tension beneath the surface. Additionally, the portrayal of the group’s exhaustion—“[E]veryone forgave everyone else because they were too busy to do otherwise” (248)—captures the mental and physical strain of their ongoing battle. This imagery emphasizes both their unity in the face of danger and the toll that the conflict is taking on each character’s resilience.

The combination of thematic progression, ritual symbolism, and figurative language creates a layered narrative that explores the complexities of agency, resistance, and survival. The rising stakes, marked by the failure of the ritual and the mounting pressure on the characters, pave the way for an impending climax. By examining these elements, Kingfisher deepens the depiction of the characters’ internal struggles and the precariousness of their efforts to confront a powerful and manipulative adversary.

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