A Sorceress Comes to Call

Evangeline serves as the primary antagonist of A Sorceress Comes to Call, embodying themes of power, manipulation, and the destruction wrought by unchecked ambition. As a sorceress, her character is defined by her ruthless control over others, particularly her daughter, Cordelia. Evangeline’s magic symbolizes the emotional and psychological manipulation that she exerts, stripping those around her of their autonomy. Her spells of obedience and her calculated strategies to secure wealth through marriage underscore her willingness to exploit even her closest relationships to achieve her goals. This characterization positions Evangeline as a figure of oppressive force, wielding both literal and figurative power over others.

Evangeline’s character is complex in that she subverts traditional expectations of female roles in her time period. Rather than being submissive or nurturing, she is a cunning and authoritative figure who uses her sorcery to gain influence and control. However, her pursuit of power often comes at the expense of those around her, demonstrating a willingness to sacrifice others to maintain her status. Evangeline’s interactions with Penelope, who becomes a foil to her, further highlight her self-serving nature. While Penelope ultimately sacrifices herself to protect others, Evangeline is someone who sacrifices others to achieve her desires. Her lack of genuine care for Cordelia and her view of relationships as tools to be wielded illustrate her prioritization of power over familial bonds.

Throughout the story, Evangeline remains a static character, never deviating from her manipulative ways, which emphasizes the enduring nature of her antagonistic role and the unrelenting threat that she poses to the other characters.

Hester is a dynamic deuteragonist whose arc in A Sorceress Comes to Call reflects a blend of reluctance, duty, and strength. Despite her insistence that she is “no hero,” Hester cannot ignore the plight of those who need her help. Her self-perception as an ordinary and pragmatic woman is complicated by her actions, which consistently show her compassion and sense of responsibility, especially toward Cordelia. The declaration, “Hester was no hero, but there was nothing in her that would allow her to turn away from a person who had been dropped on her doorstep” (55), captures her inner conflict. Although she sees herself as unremarkable, her choices reveal a deep well of courage and loyalty, often driving her to act even when it puts her at personal risk.

Hester’s physical limitations, particularly her bad knee, serve as a key element in her characterization, highlighting both her vulnerability and her resilience. The pain in her knee frequently limits her movements, yet she never allows it to define her or prevent her from defending others. This tension between her physical frailty and her emotional strength is emphasized in moments of crisis, such as when she pushes through immense pain to save those she cares about: “It didn’t matter that her knee tore itself to pieces. She stabbed her cane down into the carpet, trying to run, but it was too late” (146). This scene illustrates her determination and the internal strength that belies her physical struggles.

Hester’s decision not to marry Richard and instead live with him challenges societal expectations, showcasing her desire for independence and her refusal to sacrifice her autonomy, even for love. Throughout the novel, Hester evolves from a reluctant protector to a steadfast guardian, balancing her pragmatic nature with acts of quiet heroism.

Squire Samuel Chatham is a static character whose obliviousness and lack of critical thinking make him an easy target for Evangeline’s manipulations. His characterization emphasizes a blend of simplicity and superficial charm, which Evangeline exploits to secure her place in the Chatham household. The narrative describes him as someone who, despite his lack of deep intelligence, possesses a “great deal of cunning in avoiding personal unpleasantness” (26), which underscores his tendency to dodge confrontation and remain blissfully unaware of the deeper tensions unfolding around him. The Squire’s preference for comfort and avoidance of discomfort prevents him from recognizing Evangeline’s manipulative schemes, allowing her influence to grow unchecked.

Despite his shortcomings, the Squire is not malicious; rather, his complacency and naivety contribute to the danger surrounding his household. His warmth and generosity toward Cordelia, as well as his desire to make guests feel welcome, highlight his well-meaning but ineffectual nature. However, his role as an enabler of Evangeline’s machinations cannot be overlooked. By failing to question her motives or consider the welfare of those around him, he inadvertently places Hester, Cordelia, and others in jeopardy.

Throughout the novel, the Squire serves as a reminder of how passive or willfully ignorant behavior can perpetuate harm, even when one’s intentions are not inherently evil. His character remains largely unchanged, serving as a foil to the more perceptive and proactive figures like Hester, who work tirelessly to protect the household despite the Squire’s oblivion.

Penelope is a multifaceted character whose presence challenges both traditional beauty standards and societal expectations for women. At first glance, she appears to be a strikingly elegant figure, but Cordelia’s perception of her reveals the complex reality beneath: “Penelope Green was tall and beautiful, except that she wasn’t. Cordelia’s brain insisted that she must be, but her eyes were reporting that she was actually no taller than Cordelia, that her cheeks were heavily scarred with the cobblestone marks of smallpox” (110). This paradox emphasizes the power of Penelope’s charisma and style, which transcend her physical scars. Her confidence and vivid green gown defy the notion that beauty is solely a matter of physical perfection. Instead, Penelope radiates a magnetic presence that makes her memorable and influential, despite—or perhaps because of—her imperfections.

Narratively, Penelope serves as a foil to Evangeline. While both women wield significant influence, they use their power in starkly different ways. Penelope, though scarred by life’s challenges, represents resilience and a kind of self-assured independence. She interacts with those around her with humor and a sense of self that refuses to be diminished, even when Evangeline’s barbed comments are thrown her way. Her ultimate sacrifice underscores the moral chasm between her and Evangeline. Where Evangeline is willing to sacrifice others to maintain her own power, Penelope fights back against Evangeline’s control and ultimately loses her life in the struggle. Even in death, Penelope’s spirit continues to assist Cordelia, providing guidance and reinforcing the importance of using one’s influence to protect and uplift others rather than dominate and harm.

Penelope’s character arc, marked by her tragic end and subsequent return as a ghost, emphasizes the enduring impact of strength and selflessness. Her loyalty and willingness to fight Evangeline’s oppressive force even from beyond the grave illustrate her unwavering sense of right and wrong. Her dialogue, rich with humor and practicality, brings moments of levity and wisdom to Cordelia’s journey. In doing so, Penelope becomes a symbol of defiance and the power of style and substance over superficiality. Her legacy leaves a lasting impression on Cordelia, inspiring the protagonist to seek her own identity and honor the sacrifices of those who stood against tyranny.

Richard, Hester’s love interest, challenges traditional expectations of masculinity, especially in a narrative where leadership and strength are crucial. Rather than being the decisive hero, Richard often finds himself in a more supportive role. While he is generous and protective, he struggles with a sense of helplessness in the face of Evangeline’s sorcery. His character is emblematic of someone who is decent and honorable but unable to fully shield others from harm, highlighting a vulnerability often absent in male archetypes. His inability to embody the wine element during the ritual further emphasizes his limitations, suggesting that heroism in this story requires more than just good intentions.

Richard’s humility and respect for others shine through in his interactions. He does not use his status to dominate or command but instead contributes to the group’s efforts in a way that is thoughtful and deliberate. When Hester and the others devise a plan, he defers to their strategies, recognizing the importance of collective action. Even in personal matters, his respect for Hester’s autonomy is evident. By the end of the novel, Richard’s character arc evolves as he proposes a nontraditional family structure, offering to adopt Cordelia and asking Hester to live at the Evermore House without marrying him. This proposal reflects his understanding of the complex needs of those around him and his willingness to redefine his role to support and uplift them, even if it means setting aside societal expectations.

Alice is a symbol of quiet strength and loyalty throughout A Sorceress Comes to Call. Her role as a maid places her in a position where she is often overlooked, yet she proves to be a critical ally to Cordelia. Despite her status and vulnerability, Alice displays courage, especially when she aids Cordelia in navigating the challenges posed by Evangeline’s oppressive control. Her willingness to help Cordelia, even at personal risk, demonstrates her compassionate nature and her commitment to doing what is right.

Alice’s relationship with Cordelia is rooted in a sense of solidarity and understanding. When she calls Cordelia a hero for saving Bernard, Alice’s genuine kindness provides Cordelia with a sense of support that she desperately needs. Alice’s bravery is subtle but significant, highlighting how even those without power in traditional hierarchies can make a meaningful impact through empathy and quiet acts of rebellion.

Imogene defies traditional gender roles, bringing both practicality and boldness to the narrative. As a member of the upper class, she is expected to embody the refined and passive qualities typically associated with women of her status. However, Imogene challenges these expectations by taking an active role in the resistance against Evangeline’s control. Her resourcefulness and willingness to take decisive action, such as suggesting the possibility of killing Evangeline, emphasize her pragmatism and determination to protect those she cares about.

Imogene’s character also serves as a source of both humor and strength, adding complexity to her role in the story. Her sharp wit and candid observations provide levity in tense moments, but she is not afraid to confront serious matters head-on. Imogene’s protective instincts extend to Hester and Cordelia, as she plays a key role in the planning and execution of strategies to undermine Evangeline’s influence. Through Imogene, the novel illustrates that strength and leadership are not bound by traditional expectations, and her character reinforces the novel’s emphasis on women taking control in dire circumstances.

Tom embodies loyalty, humility, and a sense of quiet strength. As the Chatham family’s longtime butler, he has a deep-seated commitment to the household and the people who reside in it. His sense of duty is clear, and he is willing to take on responsibilities that others might shy away from, such as watching over the Squire and assisting with plans to combat Evangeline’s control. His unassuming nature allows him to move quietly in the background, but his presence is a stabilizing force for those around him.

Despite being dismissed from the Chatham household by Evangeline, Tom’s integrity remains unwavering. His humility is evident when he expresses reluctance to displace Richard’s current butler, saying, “I should not consider it a kindness to put another out of his longtime job on my account” (244). This statement captures Tom’s selflessness and respect for others, even when he himself is in a difficult position. His role expands as he becomes an essential ally in organizing resources and assisting in the efforts to stop Evangeline. Through his steadfastness and quiet resilience, Tom proves to be a crucial support system for the other characters, demonstrating that strength can often be found in the most unassuming individuals.

Bernard, the elderly horseman at the Evermore House, embodies the archetype of the loyal and experienced servant, and his dedication to his work is deeply rooted in his connection to the land and animals. He is a figure of tradition and wisdom, unafraid to voice his disapproval when he believes that Richard is making a mistake. Bernard’s reaction to the plan to confront Falada highlights his sense of duty and his deep care for the horses. He initially criticizes Richard’s intent to harm Falada, viewing the creature as a horse rather than an enchanted monster.

However, Bernard’s perspective shifts dramatically when Falada bites off his ear, demonstrating the creature’s supernatural malevolence. Bernard’s change in attitude signifies the harsh realization that loyalty to the familiar must be tempered with an acknowledgment of reality and danger. This moment emphasizes Bernard’s capacity for adaptation and reinforces the importance of confronting the truth, even when it is difficult. Bernard’s willingness to work with the others to restrain Falada, despite his injury, underscores his enduring commitment to the household and his understanding of the greater threat posed by Evangeline’s sorcery.