46 pages • 1 hour read
Herman MelvilleA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Captain Delano is pacing the poop deck when Cereno, still supported by Babo, approaches him and begins questioning him about his ship. Cereno seeks information regarding the number of men on the Bachelor’s Delight, whether Delano’s crew intends to stay aboard tonight, and whether they are armed. Once he has the answers he sought, Cereno goes back to whispering with Babo. Delano, once again unsettled by the captain’s demeanor, notes that he and Babo have “the air of conspirators” (40). Delano lightheartedly remarks that Babo seems more like a privy counselor than an enslaved man. Babo responds with a grin, but Cereno coldly asserts his trust in Babo.
Delano walks off from the two and catches sight of a young Spanish sailor concealing a glittering object. This arouses Delano’s suspicion, as he wonders whether the man stole something and thinks back to Cereno’s strange behavior. The idea that the ship might be a pirate vessel crosses Delano’s mind, and he questions the veracity of Cereno’s narrative. However, he dismisses the idea as too far-fetched, unable to fathom that every person on the ship could be part of an elaborate deception. Delano concludes Cereno must be unwell, finding solace in this explanation, and is pleased to see his own boat appear in the distance. At the sight of the boat, the Black passengers exult, and Cereno approaches Delano, telling him he is happy to receive more supplies.
Delano then witnesses another strange scene unfolding on the deck below: Two Black men attack a sailor and throw him to the ground while the oakum-pickers protest. Alarmed, Delano draws Cereno’s attention to the turmoil. Cereno, however, is struck by another coughing fit, and Babo attends to him. Delano forgets about the incident; he compliments Babo on his attentiveness and playfully suggests buying him for 50 doubloons. In a whisper, Babo makes it clear that Cereno would never entertain such a notion: “[M]aster wouldn’t part with Babo for a thousand doubloons” (47). Cereno, still contending with his coughing fit, mumbles an incomprehensible reply, and Babo takes him below deck.
Left by himself, Captain Delano notices that some sailors are searching his glance, as if attempting to communicate with him. Concerned, Delano descends from the poop deck and seeks out a sailor to have a few words with. As he makes his way through a group of enslaved people, the oakum-pickers cry out, and the other Black passengers begin to follow Delano, forming a sort of protective escort. Delano observes a sailor with tar-stained hands and associates his haggardness with criminality. He then encounters a sailor working on splicing a rope and initiates a conversation. The man looks up shyly and briefly answers Delano’s questions, confirming Cereno’s account of the ship’s voyage. However, the exchange comes to an abrupt halt when the Black passengers get closer. Confused, Delano roams the ship, wondering if Benito Cereno might be “any way in complicity with the blacks” (55). He quickly dismisses this idea, deeming Black people incapable of such a complex plan.
Delano then notices an old Spanish sailor working on a knot. When Delano approaches him, the man throws the knot at him and instructs him in English to quickly undo it. Confused and uncertain, Delano hesitates and notices Atufal standing silently to the side. An elderly enslaved man retrieves the knot from Delano and tosses it overboard, explaining that the old sailor is simple-witted but harmless. The captain finds the situation peculiar but decides to ignore it, choosing to “get rid of the malady” by “ignoring the symptoms” (57). He takes comfort in looking at his steadily approaching boat. Laughing at his earlier suspicions, Delano concludes that he could never be subjected to harm on this ship because his conscience is clear.
Babo approaches Delano, informing him that Cereno is feeling better and will soon join him. Delano welcomes this positive development, interpreting it as a sign of Cereno’s goodwill. As he walks the poop deck, Delano realizes that the calm sea will delay the arrival of his boat. This frustration rekindles his earlier suspicions and concerns. However, relief washes over him as he observes his boat finally reaching the San Dominick. Cereno arrives, and Delano proposes serving out the water to ensure everyone receives an equal share. Cereno seems annoyed by this suggestion. As a few Black men hoist up the casks of provisions, they accidentally bump into Delano. In response, Delano raises his hand, a gesture half-joking and half-menacing. This momentarily shocks everyone. The hatchet-polishers then abruptly stand up, Cereno cries out, and Delano fears for his safety. However, the oakum-pickers manage to restore calm. Once the casks are on deck, Delano distributes the water, reserving more for Cereno. However, Cereno only takes a small sip before returning it. Delano suggests setting aside special items like soft bread, sugar, and cider for the white sailors, but Cereno insists on sharing them with the Black passengers. Delano sends his boat back to the Bachelor’s Delight, informing his chief officer that he will pilot the San Dominick back.
Delano expresses regret that Cereno’s ship lacks boats, which could be useful for maneuvering the ship. Cereno clarifies that the boats were lost during the storm. Delano inquires if this occurred near Cape Horn, referencing Cereno’s earlier account. Cereno is confused, responding with, “[W]ho spoke of Cape Horn?” (65). Delano reminds him of Cereno’s account of the ship’s voyage. Cereno appears distressed. Babo steps in, reminding Cereno that it’s time for his daily shave, and inviting Delano to continue the conversation below deck. Delano finds this custom strange but follows the two into the captain’s cabin.
The small, crowded space seems to serve various functions, from dormitory to armory, surprising Delano. As Cereno sits down for his shave, Babo preps him, and Delano reflects on his belief that Black people are naturally inclined to be servants due to their grace, good spirits, and docility. He observes Babo shaving Cereno, holding the razor to his neck, and notes that Cereno resembles a man at the execution block and Babo a headsman. Delano then notices the fabric under Cereno’s chin is a Spanish flag. When he brings this up, Cereno starts to shake, and Babo warns him that the shaking might lead to him getting cut. Delano remarks on the oddity of the San Dominick taking two months to travel from Cape Horn to St. Maria, a distance he himself has covered in just a few days. This statement startles Cereno, leading to Babo accidentally cutting him. Cereno looks terrified, and Delano concludes that a man so unnerved by the sight of his own blood couldn’t possibly be plotting murder. He thinks to himself that Cereno looks like a statue crafted by Babo, the sculptor.
Observing Cereno’s sullen demeanor and sensing his unwelcome presence, Delano walks out of the cabin, leaving Babo and Cereno alone. He hears a commotion inside, and soon Babo approaches with a cut on his cheek. He explains that Cereno struck him with the razor in retribution for his mistake. Shocked, Delano reflects on slavery’s corrupting influence on the hearts of men. Babo reenters the cabin and emerges with Cereno, leaning on him once again as if nothing happened. Observing them, Delano interprets their relationship as “a sort of love-quarrel” (76).
The narrative unfolds at a slow pace, revealing subtle hints that underscore the theme of The Unreliability of Appearances. Captain Delano now harbors suspicions, but all center on Benito Cereno’s mental state or hidden motives: “[H]e [begins] to feel a ghostly dread of Don Benito” (41). When Cereno interrogates Delano about his ship and engages in hushed conversations with Babo—a clear sign that the two are hiding something—Delano never considers that Babo could be in a position of authority. This refusal to entertain the possibility of inverted power dynamics becomes clearer in the later scene where Babo shaves Cereno. Holding a razor to his throat, Babo literally wields power over Cereno’s life. Although Delano grasps the symbolism, comparing Cereno to a man at the block, he remains oblivious to the profound implications. When Babo accidentally cuts Cereno, the latter’s terror is rooted in the power Babo holds over his life. Delano, however, interprets this as Cereno being mentally unwell.
Though Delano chooses to ignore it, his intuition proves accurate. As his boat approaches, his gaze is frequently drawn to it, finding solace in the sight that symbolizes home and yearning to return to the familiarity of his own crew: His intuition alerts him to the unsettling nature of the events on the San Dominick, and the approaching boat becomes a beacon of hope, promising safety. Moreover, Delano instinctively fears he will be killed after he raises his hand against the Black passengers, and his sense of Cereno as a statue being crafted by Babo (like the prisoner/executioner metaphor) accurately reflects the men’s positions relative to one another: Cereno is merely a figurehead for Babo’s designs.
By persistently ignoring his suspicions and his intuition, Captain Delano showcases his naivety and goodness. His philosophy is encapsulated in his decision to “[ignore] the symptoms, to get rid of the malady” (57): Delano believes that by disregarding the troubling signs aboard the San Dominick, all will eventually return to normal. When entertaining the notion that the vessel might be a pirate ship, he swiftly brushes off his suspicions, dismissing them as too far-fetched with self-deprecating laughter. Witnessing the unsettling scene of two Black men assaulting a Spanish sailor and throwing him to the ground, Delano’s attention is diverted by Cereno’s well-timed coughing fit—a ploy to distract him. Confronted with the white sailors’ peculiar behavior, especially the incident involving the knot, Delano is once more confused but opts to ignore the evidence of his own eyes. The knot symbolizes the intricate situation on the ship; by asking Delano to untie it, the sailor urges him to understand what is really at play, a task Delano fails to accomplish.
However, if Delano’s trusting nature on the one hand reflects his goodness—his desire to think the best of people—it also speaks to his biases, revealing The Ambiguity of Morality. Delano’s beliefs, rooted in racial stereotypes, lead him to view Black people as naturally predisposed to servitude due to their perceived mental limitations and inherent graciousness. This significantly distorts his understanding of the situation aboard the San Dominick, as he assumes that if anything untoward is happening, the white captain and sailors must be the masterminds behind it.
Further evidence of such racism emerges in these pages. Delano openly expresses disdain for slavery and its corrupting influence on individuals, particularly when Cereno strikes Babo. However, he demonstrates a willingness to participate in slavery by offering to buy Babo. Though half-joking, the remark suggests that Cereno does not truly recognize the cruelty and moral reprehensibility of slavery; like his statement about Babo being Cereno’s “friend,” it implies that the kindness of individual enslavers coupled with the loyalty of individual enslaved people can transcend or erase the violence of the institution. Moreover, during the distribution of provisions, Delano initially leans toward reserving more water for Cereno and saving special goods for the white sailors. It is Cereno who intervenes to enforce equity. While Cereno’s actions are undoubtedly coerced, they create an ironic situation, where the enslaver becomes an advocate for fairness, surpassing the seemingly fair and just Delano. This once again underscores the deceptive nature of appearances, revealing unexpected dynamics within the power structure aboard the San Dominick.
By Herman Melville