46 pages • 1 hour read
Herman MelvilleA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material includes depictions of racism and enslavement, as well as racist and antisemitic stereotypes; there is also an instance of implied cannibalism. Additionally, the source material uses outdated and offensive terms for Black people, which quotes within this guide may reproduce.
The year is 1799. Captain Amasa Delano of Duxbury, Massachusetts, anchors his ship, the Bachelor’s Delight, in the harbor of St. Maria, an island off the southern coast of Chile. The next morning, his crew alerts him to a strange vessel coming into the bay. Captain Delano goes to the deck, where he observes that everything from the sky to the sea is gray. Delano spots the ship coming toward the island, making its way through the gray vapors, and is shocked to see that it lacks a flag. Despite this peculiarity, Captain Delano remains unsuspecting; he is of “singularly undistrustful good-nature, not liable […] to indulge in personal alarms” (9), refusing to see evil in others. The narrator notes that, while this underscores Delano’s benevolent nature, readers are invited to form their own judgment about his intelligence.
Delano notices that the ship is moving haltingly. Suspecting it might be in distress, he decides to offer help. He boards a small boat with some of his men, carrying a basket of fish as a gift. Through the fog, the ship looks like a white-washed monastery, with figures resembling monks on board. As the boat draws nearer, Delano realizes the ship is actually a Spanish vessel carrying enslaved Black people between colonial ports. The ship appears weathered, its structure exposed and devastated and damaged. It lacks visible guns, and canvas conceals its figurehead. The side of the ship bears the Spanish words, “Seguid vuestro jefe” (follow your leader), chalked or painted alongside the ship’s name, San Dominick.
Captain Delano boards the ship and notices that the Black passengers outnumber the white Spanish sailors. The people aboard surround him and start talking all at once, recounting a harrowing tale: An epidemic of scurvy killed many of the ship’s passengers and crew, and they narrowly escaped a shipwreck near Cape Horn. A period of no wind followed, leaving the ship dangerously low on provisions and water. The ship exudes a surreal atmosphere, and Delano feels as though he is entering a strange house in a foreign land. Delano’s eye catches on to a peculiar sight: Four elderly enslaved men are lying down away from the crowd, picking oakum and singing drearily, while six others are polishing hatchets. Delano notes that these men have the “raw aspect of unsophisticated Africans” (16), unlike the rest of the crowd.
Delano finds the ship’s captain, Don Benito Cereno: a young, gentlemanly, and reserved man dressed in rich clothes. Cereno stands passively by the crowd, wearing an unhappy expression as he looks at Delano. At his side is Babo, his servant, “a black of small stature” with a “rude face” (16), whom the narrator compares to a shepherd’s dog. Captain Delano instructs his men to bring up the basket of fish and fetch more water from the Bachelor’s Delight. Left alone on the ship, he engages in conversation with Benito Cereno in Spanish and notices that the captain is acting strangely; he appears distressed, drained of energy, and unfriendly. Cereno delegates the issuing of orders to Babo and remains uninvolved during episodes of unruliness, relying on the intervention of the old oakum-pickers. Delano persuades himself that the captain’s strange conduct is a consequence of the hardships both he and his ship have endured and feels pity for him. Babo’s conduct and caring attitude toward the captain pleasantly surprise him.
Delano asks Cereno for more details about the San Dominick’s troubled voyage. Cereno hesitates, gazing vacantly at the deck. When he finally begins recounting the journey, he reveals that the ship set sail from Buenos Aires destined for Lima, carrying 300 enslaved passengers and various goods. Stormy weather near Cape Horn led to the loss of numerous officers and sailors. Midway through his account, Cereno begins coughing heavily. Babo supports him physically, offering a cordial to alleviate Cereno’s distress. Delano interprets Cereno’s illness as a sign of mental anguish. As Cereno starts to speak again, Babo interrupts him, explaining that his master is unwell and grappling with haunting memories of their ordeal. Cereno then resumes his narrative, detailing the outbreak of scurvy and fever that claimed the lives of all the ship’s officers and many Black passengers. Adrift with little water after the suddenly wind died, the ship has since struggled to reach land, drifting aimlessly. Cereno concludes by praising the Black passengers for their commendable conduct, singling out Babo. In response, Babo humbly asserts that he has merely fulfilled his duty. Delano tells Cereno that he envies him “such a friend” (25), who Delano says transcends the label of “slave.”
Feeling guilty for hastily passing judgment on Benito Cereno, Captain Delano resolves to approach the situation with compassion. He assures Cereno he will help him and his crew as best he can, offering water, materials to repair the ship, and even three of his best seamen who might serve as deck officers. Hearing these words, Cereno’s face lights up. However, Babo intervenes, claiming that “the excitement is bad for [his] master” (28); he then takes Cereno aside to talk in private. When Cereno returns, Delano can’t help but feel disappointed as he observes that the captain is gloomy and somber once again.
Cereno invites Delano to accompany him to the poop deck, an elevated area at the rear of the ship. There, Delano witnesses a distressing scene: an enslaved boy hitting a white boy on the head with a knife. Cereno dismisses the episode as a jest, leaving Delano frustrated by this nonchalant response. He tells Cereno that he himself would have responded with immediate punishment. Perplexed, Delano inquires about the identity of the Black passengers’ enslaver. Cereno explains they were once the property of Alexander Aranda, a friend of his who succumbed to the fever. Merely mentioning Aranda’s name visibly upsets Cereno; his knees start to shake, prompting Babo to step in and offer support. Delano shares his own experience of losing a friend at sea, expressing regret for throwing the body to the sharks. He states that given another chance, he would keep the body onboard for a proper burial on land. This shocks Cereno, who cries out and collapses into Babo’s arms. Once again, Delano pities him.
Atufal, a towering Black man in chains, approaches the group. Prompted by Babo, Cereno asks Atufal whether he is ready to ask for pardon, but Atufal refuses. Cereno explains to Delano that Atufal has committed an egregious act and that for 60 days, every two hours, he must come ask for forgiveness. Delano is perplexed by the sight of a seemingly noble and well-behaved man in chains and suggests that Cereno free him. He then notices and comments on the key hanging around Cereno’s neck, which he assumes unlocks Atufal’s chains. This comment disturbs the captain. He and Babo engage in hushed conversation, a behavior Delano deems impolite. He starts to suspect Delano might be impostor—an ordinary sailor, or “low-born adventurer” (36), masquerading as a captain. However, a closer examination of Cereno’s features convinces him that the man has the distinct profile of nobility and must indeed belong to the Cerenos, an important mercantile family. With this observation, Delano dismisses his initial suspicions.
The opening scene of Benito Cereno foreshadows the ominous events to come. The gray weather and dense fog create a mysterious and dark atmosphere, setting the stage for the novella’s murky ethics and deceptive facades. As the San Dominick emerges through the fog, trouble enters Captain Amasa Delano’s life. The absence of a flag and the halting movements of the San Dominick are an early indication that there is something out of the ordinary about the ship. This sense of foreboding grows as Captain Delano approaches the vessel and notices it is in ruins. The covered figurehead—in reality, the skeleton of the rebels’ enslaver—hides the horrifying truth in plain sight in an instance of The Unreliability of Appearances. The recurring motif of leadership first appears when Delano reads the words on the side of the ship: “follow your leader.” This too is misleading, or at least ironic. It implies a “natural” hierarchy in which some people are leaders and some followers, but the novella’s events undercut this assumption, at least as it relates to race and class.
Once aboard the ship, Delano encounters many other indicators that something about the San Dominick is out of ordinary: the unusual fact that the Black passengers outnumber the Spanish sailors, the enslaved people picking oakum and polishing hatchets, Babo’s frequent interruptions of the captain, the chaining of the noble-looking Atufal, and Benito Cereno’s strange behavior. The narrative unfolds slowly, with these hints accumulating, creating an air of mystery and suspense.
Captain Delano, however, is characterized by his naivety and kind-hearted nature, leading him to dismiss these crucial signs. His initial decision to aid the ship and bring a gift of fish exemplifies his generosity, a trait the narrator humorously suggests one might perceive as foolishness: a lack of “quickness and accuracy of intellectual perception” (11). That he leaves this to the reader’s judgment—or “to the wise to determine” (11)—is characteristic of the novel’s ambiguous use of perspective. Though events will inarguably prove Delano wrong on some points, the extent of his unreliability is debatable. Notably, Delano does not entirely overlook the odd atmosphere aboard the ship. He is perplexed by several peculiar sights, and Captain Cereno’s passive and impolite behavior truly unsettles him. Despite attempting to avoid harsh judgments, as he values politeness, Delano can’t shake the suspicion that Cereno might be an impostor, which is in some sense true. However, Delano consistently either suppresses his misgivings or draws entirely inaccurate conclusions from them. For example, he praises Babo for his good conduct, viewing him more as a loyal friend of Cereno’s than an enslaved servant. Delano’s conclusions are completely off base; he interprets the relationship between the two as a “spectacle of fidelity” (26), oblivious to the underlying violence that would characterize the enslaver-enslaved relationship even in the absence of an uprising. Similarly, he directs his suspicions solely at Cereno, never considering that the power dynamics could be reversed and that the Black passengers might be in power. Delano erroneously makes conclusions based on physical appearance, finding reassurance in Cereno’s “noble” profile and thus revealing a tendency to class essentialism that dovetails with his racism.
Delano’s prejudiced mindset thus contributes significantly to his misunderstanding of the situation. Invoking racial stereotypes of Black people’s “natural” docility and simplicity, he cannot fathom that they might be intelligent and cunning enough to stage a revolt. His inaccurate self-perception compounds the potential for misreading: Despite thinking of himself as a kind and moral individual, Delano unknowingly grapples with deep-seated racial biases and moral contradictions. When he sees Babo for the first time, Delano is reminded of a shepherd’s dog; because he opposes slavery and because what he admires in Babo is a trait normally seen as virtuous (loyalty), he fails to recognize the dehumanization implicit in the comparison.
The scene with Atufal underscores both the theme of Slavery and Racial Bias as Dehumanizing and that of deceit. According to the rebels’ fabricated story, Atufal is kept in chains for refusing to ask for Cereno’s pardon. Cereno flaunts his dominance symbolically, wearing the key to Atufal’s chains around his neck. However, this portrayal changes meaning in light of the revolt, which Delano is still oblivious to. Appearances are unreliable, and the power dynamics in this scene are actually inverted: Babo and Atufal wield power over Cereno even though the latter is not physically restrained.
By Herman Melville