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43 pages 1 hour read

Neil Simon

Brighton Beach Memoirs

Fiction | Play | YA | Published in 1984

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Themes

The Importance and Power of Family

As Brighton Beach Memoirs focuses on a single family, the importance and power of the family unit is a critical theme throughout. Shared family history is both a burden and a blessing. In some cases, it is a great source of conflict between the members of the Jerome-Morton family. Each of the three sibling duos are forced to reckon with aspects of their upbringing and determine how to move forward. Kate and Blanche’s relationship is the most explicitly connected to this concept since they are adult siblings and each also has their own children, which gives them a unique perspective on family. Because the women grew up together, they are intimately familiar with both how to provoke and soothe one another. In Act II, for example, Kate shares that she felt that Blanche received preferential treatment as a child, and this has continued and is causing friction now that Blanche is being supported by Kate’s husband and children. However, because Blanche is perfectly aware of the situation, she feels that she and her daughters are a burden and is dissatisfied with the trajectory of her life so far. This coming together of childhood family dynamics and adult family dynamics enables both women to have a deeper understanding of each other and what is needed to resolve the problem. The conflict leads to Blanche growing as an individual because Kate has the familiarity to be aggressive with her criticisms, and Blanche has the respect to listen. Blanche also understands that she has the love and support of her family that will enable her to go outside of her comfort zone and make the changes she needs to make.

Stanley and Eugene also have a complex relationship with their family. Throughout the events of the play, both get a clearer idea of what is expected of them as members on the family: Stanley is a secondary breadwinner for the family because he knows his labor is more useful than furthering his education; and Eugene is expected to go to college, as many members of his family see him as the key to their success and stability. In this way, their membership in the family clearly defines their roles as they grow into young adulthood. As Jack demonstrates through his continued support and sacrifice for his family as well as distant family, the roles these two young men fill now will not likely change much as they grow older and perhaps have families of their own. In this way, these family dynamics and values are perpetuated through generations,  

The pressure of the coming war only further punctuates the importance of supporting family. As Jack says, “If you’re Jewish, you’ve got a cousin suffering somewhere in the world” (35). The simple fact of Jewish heritage and suffrage connects all the Jews in Europe to those living in relative safety in America. Though Jack bemoans the hardships he and his family are suffering as the Great Depression still weighs heavily in 1937, he never hesitates to offer shelter and support to his extended family. There is never any question about whether they would help shelter their Polish cousins, and all the conflict of the earlier scenes is quickly forgotten in the overwhelming relief that their family members were able to safely escape Europe ahead of the war. In contrast to the chatter and bickering that occurs during other dinner scenes, the final dinner scene has the family together and offering up all the solutions and sacrifices they can manage to help support the arrival of the extended family. This unification of effort and joy underlines the power of the importance of family and the power a family can yield when it comes together as a unit to support one another and solve problems.

Adolescence and Independence

Brighton Beach Memoirs draws on common experiences associated with adolescence. The most prominent of these are connected to independence. All three of the adolescent protagonists struggle with asserting or claiming independence throughout the play. Eugene struggles to understand his parents’ treatment of him. While he understands that their household has conflicts, he desires to be independent of them. He believes as though he is unjustly blamed for anything that goes wrong in his house. This changes when he sees Kate in the aftermath of Stanley’s confession. He describes how she barely interacted with the kids at dinner and comes to realize that he is not always the source of her strife. In this case, Eugene begins earning independence by recognizing that he does not need to blame himself for other people’s problems. He also continually asserts this by meticulously keeping his memoirs, so his singular point of view will always be preserved.

As the oldest of the bunch and another worker, Stanley is not subjected to a lot of control from his family. However, he struggles with his relationship with his boss. He worries that he is overly loyal to his boss due to his family’s reliance on his paycheck. After his employment is on the line for standing up for his coworker Andrew, Stanley grapples with the decision to write an apology letter to his boss. He worries that this will be an act of submission that will follow him for the rest of his career, telling Eugene “I mean, if you give in when you’re eighteen and a half, you’ll give in for the rest of your life, don’t you think?” (27) In this case, Stanley’s lack of independence comes from a less concrete source. While his boss is the one forcing him to compromise his principles, he is ultimately trapped by his family’s need for money. Stanley is not able to escape this problem, and Act II reveals that he abandoned his ideals as he struggles with the responsibilities that have been placed on him but are better suited to an older man.

Nora tries to understand why she doesn’t have a say in auditioning. As a person with a clear idea of what she wants, she is angered that her mother’s passivity is preventing her from chasing her goals. She sees this as a result of them living with the Jeromes and immediately makes a plan to ensure the family can regain and retain its independence as soon as possible without her mother’s help or decisions by making a pact with her sister to save any money they may get as they take on jobs in the future. After having a crucial decision placed in the hands of a man who is not her father, Nora wants to take all the possible steps to ensure her agency is never compromised again. When her desires are denied, Nora retaliates by spending her nights out and avoiding seeing her mother as a way of reclaiming her independence. Nora and Blanche are only able to reconcile when Blanche articulates a goal to work toward being more assertive, thus seeking out independence of her own and providing both support and a good example for her daughters.

Identity

Many characters in Brighton Beach Memoirs are put in situations where they are forced to examine their identity. As a teenager, Eugene is weighing his options of a career in professional baseball or in writing. He also complains about his name, which is the very epitome of identity. He feels his name ruins his chances of being a professional baseball player, and since a name is given and not chosen, this reflects the idea that Eugene may not feel completely at liberty to choose his own path. However, his name may also just be a convenient scape goat to blame for the fact that his chances of becoming a writer are far better than becoming a professional baseball player. Whatever the case, Eugene tries on a variety of roles throughout the play, including those that involve sexuality and responsibility.

Jack and Kate examine their identity as Jewish people. After facing continued hardship, Jack’s faith in religion is slowly but surely waning. When Jack loses his second job, Kate instructs him to go to temple, but Jack expresses doubt that this will help since several of his peers have relied on religious institutions to little avail, and his life situation requires more practical and immediate solutions. Though Jack resists going to temple for solutions to his problems, he still understands that his Jewish faith and heritage ties him with those facing persecution in Europe regardless of their actual blood ties. The news coming from the European front serve to bind all those who share this Jewish identity whether they go to temple or seek more practical solutions to their problems.

Blanche must confront her identity in the play, and when she finds it lacking, she strives to change, especially when she sees that the person she has allowed herself to become is putting additional strain on her loved ones. Nora’s identity is in conflict as she wrestles with who she wants to be in comparison to who others want her to be. Her gender works against her in conjunction with her youth to make it difficult for her to stake her claim to her own identity. However, when her mother attempts to make amends and also change her own ways, Nora feels that this bodes well for her chances to embrace her own identity relatively free from the restrictions that have limited her so far.

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