46 pages • 1 hour read
Cassie BeasleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
An old, sick man named Ephraim Tuttle writes a letter to the Lightbender, indicating that he needs help. The letter refers to the fact that the Lightbender promised Ephraim a miracle when he was a little boy.
Thousands of miles away, the Lightbender’s messenger wakes up.
Ten-year-old Micah’s great aunt, Gertrudis, is staying with him and his grandfather, Ephraim. She is extremely strict, and Micah resents her controlling presence, especially her rules about how often he is allowed to see his grandfather, who is very sick in the room upstairs. Gertrudis is especially firm on banishing Micah from Ephraim’s room whenever Ephraim mentions anything about magic; she thinks that Ephraim is ridiculous and lacking in good sense, and she doesn’t want Micah to be influenced by him anymore.
Micah hopes that Gertrudis will let the kettle sing for a while when it starts to boil, but she dismisses this as a waste of time.
Micah tries to take the tea tray up to Ephraim, but Gertrudis tells him that he will make a mess and that she doesn’t want him to hear any more silliness.
Micah goes to his room and considers his homework assignment—to make an Incan artifact called a quipu from string. He feels confident that he will be able to do this well, as it is made of string and involves knots, which he and Ephraim are very good at.
Micah sneaks into Ephraim’s room. Ephraim tells Micah that he’s written a letter to an old friend.
Ephraim shows Micah the letter he sent to the Lightbender. Micah is confused. His grandfather had told him stories about the Lightbender and his circus, Circus Mirandus, in the past, but Micah thought Ephraim made Circus Mirandus up. Ephraim tells Micah that Circus Mirandus is real and that the Lightbender’s messenger, a talking parrot, came to take his letter from him.
The “blub glub” noise of Ephraim’s breathing distresses Micah, but he feels excited that his grandfather has asked the Lightbender for a miracle. He assumes that Ephraim will ask the Lightbender to save his life.
Gertrudis arrives and angrily tells Micah to leave. Micah grabs at the letter on the bed before he leaves. Gertrudis reaches for it too, and it rips in half. Outside the closed door of Ephraim’s bedroom, Micah feels frustrated and furious.
Chintzy, the Lightbender’s messenger, returns to the Circus Mirandus tent, cursing the heavy rain. She delivers Ephraim’s message; the Man Who Bends Light (as is his formal title) is shocked that Ephraim is finally requesting his miracle as an old man but is relieved that the message isn’t from someone named Victoria.
Chintzy explains that Ephraim wants to talk to the Lightbender about his miracle; he didn’t tell her what it was. The Lightbender sends Chintzy back, wanting to know the exact nature of Ephraim’s miracle request.
The narrative flashes back to Ephraim’s youth. The 10-year-old Ephraim often skips school to go to the beach. Although it isn’t a beautiful beach, it is the closest Ephraim can get to his father, who is serving overseas in the war. He writes him long letters telling him how much he misses him and how he will continue to neglect his studies unless he comes home.
A hard wind blows Ephraim back into the dunes. He hears music—pipes and drums—and follows the sound.
The narrative returns to the present. Gertrudis doesn’t allow Micah to say farewell to his grandfather before he leaves for school.
Micah gets on the bus and realizes that he forgot to do his project on the Incas that is due the next day. He feels dread, especially about confronting his assignment partner, Jenny Mendoza, who usually gets the best grades in the class.
Micah finds string and tries to discreetly make the project under his desk, but he seems to keep tying knots, which remind him of Grandpa Ephraim.
Micah starts to tell Jenny about forgetting their project, but he feels his face become hot and his eyes fill with tears. He finds himself angrily telling her, “He’s dying.”
Jenny pulls Micah to the classroom’s supply closet so that he can have some privacy if he starts to cry. He tells her more about Ephraim’s sickness and Circus Mirandus and assures her that he’ll get his part of their project finished that night. Jenny tentatively suggests that perhaps the stories of Circus Mirandus are just stories; Micah insists that they are real.
Another student opens the door; Micah and Jenny say that they are having a secret meeting about their project.
Micah hears Gertrudis on the phone to a friend, saying that she’s relieved that Ephraim’s sickness is “almost at an end” and that it will ultimately be better for Micah (83). Furiously, Micah yanks the phone line from the wall and tells Gertrudis that he doesn’t understand why she’s there and that she’s mean. They continue to argue, culminating in Micah yelling that he hates Gertrudis.
Micah retreats to his treehouse. He goes to write a plan but can’t think of ideas. Jenny arrives to help with their project. Micah ties knots as Jenny reads library books about circuses to help Micah understand the mystery of his grandfather’s story.
The narrative flashes back to Ephraim’s youth. Ephraim stumbles across a collection of colorful circus tents arranged in a patch of grass he doesn’t recognize. A boy Ephraim doesn’t recognize enters the circus, providing a spool of thread as payment for entry. Ephraim asks if he can pay with the fish in his boot (he had waded into the ocean), and the circus manager, Mr. Mirandus Head, happily declares that it is enough for Ephraim to enter the circus for a week.
Ephraim explores the circus. He drinks a fruit juice that makes him sing opera. He sees a strong man lift a woman with his pinkie. A fortune teller tells him that he is going to have an unpleasant younger sister. The Amazing Amazonian Bird Woman drops from an incredible height but is caught by a collection of colorful birds.
There is one dark tent that Ephraim is not allowed in. He is told that it belongs to the Man Who Bends Light, who is learning a new routine.
One day, there is a line of children outside the tent, and a sign declaring that there will be shows that day. Ephraim joins the line. The rope over the entrance disappears, and the children go in.
Gertrudis is characterized as a strict and dislikable character in the exposition. She does not conform to Micah’s preconceived stereotypes about old women, which he has formed based on his neighbors, Mrs. Yolane and Mrs. Rochester, who are “basically chocolate cakes and warm sweaters on the inside” (13). In juxtaposition to Micah’s gentle, kind neighbors, Gertrudis’s strictness and preference for no-nonsense order is mirrored in her tight bun, stiff collars, and starched skirts, which are “stiff enough to cut” (13). This hyperbole denotes the cutting nature of Gertrudis, who is harsh and unkind to Micah. Gertrudis is further characterized by the tea she makes. Unlike Micah and Ephraim, who prefer sweet tea with sugar, symbolizing their sweetness, Gertrudis’s tea is “scalding and bitter, a lot like her” (13). Furthermore, Gertrudis tidies up the house, which involves her finding and throwing out items she deems as frivolous; these items, such as “two yo-yos, a baseball, a felt hat, a small army of action figures, a pack of Old Maid cards, and the string” are associated with playfulness and fun (23), therefore further characterizing Gertrudis as symbolically opposite to these traits.
Gertrudis’s impact on the house and Micah’s life is embodied in the transformation of the fridge. The refrigerator used to display the detritus of Ephraim and Micah’s fun-loving life, including “a recipe for Double Chocolate Brownies, alphabet magnets, [and] a picture of an elephant Micah had drawn when he was seven” (16). Now, covered in “medicine schedules and receipts and Aunt Gertrudis’s calorie chart” (16), it symbolizes Gertrudis’s rule of the house, as well as Ephraim’s progressive illness. Micah’s life has transformed from one of loving playfulness with his grandfather to one ruled by his grandfather’s devastating sickness and his great aunt’s strict rules. Just like the fridge, which denotes Gertrudis’s efforts to repress silliness, fun, and love within the household, Gertrudis tries to put herself between Micah and Ephraim’s relationship, suggesting that Ephraim is a bad influence. She tells Micah, “[Y]ou don’t need any more silliness stuffed between your ears, especially not your grandfather’s sort of silliness” (20).
Ephraim’s “silliness” connects him to the imaginative, playful, and magical world of Circus Mirandus, whereas Gertrudis is placed firmly in opposition to it. Ephraim’s smile is “warm,” and he and Micah conspiratorially grin at each other about Gertrudis’s disgusting, bitter tea. His silly and playful nature is further revealed by the items in his bedroom: “[A] ceramic duck crouched on top of the alarm clock. A five-gallon pickle jar full of shooter marbles and tarnished coins sat in one corner” (23-24). The contrast between Ephraim and Gertrudis introduces one of Beasley’s pivotal themes, Imagination Versus Rigidity.
Micah’s distress at Gertrudis’s efforts to limit his time with his dying grandpa is illustrated in his wish that the door to Ephraim’s bedroom “would burst into a thousand splinters” (34). He feels devastated and frustrated that he is being kept apart from his beloved caregiver, especially when Ephraim is sick. This is further illustrated when Micah almost cries at school when telling Jenny about Ephraim’s sickness. The love that Micah feels for Ephraim, as well as the growing role of Jenny as a source of friendship and support for Micah alludes to the theme, The Importance of Loving Family and Friends.
Mystery and Magic is also established as an important theme in the exposition through the magical chain of events that Ephraim sets in motion by contacting the Lightbender. The magical nature of these characters is illustrated in Chintzy’s abrupt awakening at the moment that a message is created for her master: “[A]t that moment, thousands of miles away in the tent of the Man Who Bends Light, a messenger woke up” (10-11). The prospect of the Lightbender’s intervention brings immense hope to Micah. This is illustrated in his changed perception of Ephraim’s room: “This wasn’t a room where Grandpa Ephraim had been sick; it was a room where he was going to get well again” (31). The brighter sun streaming into the room further symbolizes Micah’s renewed hope: “Even the afternoon sunbeams that shone through the window seemed brighter” (31). The connection between magic and hope will deepen as the novel continues.
The narrative introduces the world of Circus Mirandus through flashbacks to Ephraim’s youth, emphasizing the circus’s role as an escape from a bleak, stressful present. Beasley’s choice to intersperse chapters from the past and present suggests that the events of the past—namely, Ephraim’s visit to Circus Mirandus—will come to influence the present. The circus is not bound by the laws of practicality or time, illustrated by the presence of children from a variety of backgrounds and nationalities: “Ephraim often noticed children wearing strange clothes or speaking with unfamiliar accents at the circus” (108). The circus is ruled by imagination and silliness rather than logic, as in the adult world; this is exemplified in Ephraim’s ticket for admission—a fish from his boot. Circus Mirandus epitomizes the theme of mystery and magic.