43 pages • 1 hour read
Kayla MillerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The doorbell rings. Olive excitedly greets her cool Aunt Molly, who has green hair. Mom asks Molly to help with dinner while she cleans up Goober’s mess. Olive helps Aunt Molly make pasta, and the family happily works together on dinner. Aunt Molly asks for updates, and Goober shows off his new tooth growing in, but when Mom mentions the variety show, Olive’s face falls. Despite her family’s questions, Olive cannot muster any excitement, and Mom reveals that Olive does not yet have an act. Aunt Molly believes that Olive will think of something. Goober talks about his plan to juggle when he is in fifth grade and then suggests that the family play a card game. Olive excuses herself to her room, and Aunt Molly looks worried. Olive sits sadly on her bed, watching a horror movie on her laptop. She stays there until it starts to get dark, and then somebody knocks on the door. Aunt Molly asks Olive if she wants to talk about what’s going on. Olive admits that the variety show is frustrating her, because although everyone at school has split off into groups, none of the groups have invited Olive to join. Olive admits that her mom didn’t know how to help and only suggested calling Emily’s mother. Aunt Molly explains that Olive’s mother is behaving like their mother used to behave. Olive worries that she is just the extra friend in any given friend group.
Aunt Molly asks whether Olive has taken steps to join any of these groups and advises Olive that some people take longer to find their place. She compliments Olive for having so many different friends. She also explains that Olive is at an age where people start developing cliques around common interests. Olive recognizes that she has lots of friends and shares some of their interests, but not all of them. Aunt Molly recalls the many friends she had in grade school but admits that she didn’t find any group she really clicked with until college. She hugs Olive tight and comforts her, knowing that the girl will find her people. They decide to keep brainstorming ideas for an act that Olive can perform in the variety show.
Olive gets ready for bed. Goober asks if she is all right. She ruffles his hair and chases him to bed, laughing. That night, she dreams of a stage and finds herself walking in front of a set of cardboard clouds and bushes. One preppy group of friends comes up to her, and they “click,” transforming Olive’s clothes to match theirs. Another group of students approaches, and with a “click,” Olive’s clothes now match theirs. A cheerleading group claims her, and with yet another “click,” she is suddenly wearing a cheerleading uniform. In the dream, she joins with several more groups, getting pulled back and forth. At the end, she is surrounded by multiple groups that she doesn’t want to choose. She runs away, chased by the word “click,” which the graphics show as multiplying until the repeated word surrounds her. At the end of the dream, she wears a mismatched outfit that combines elements of all the different cliques that she has encountered. She wakes up with a start and immediately feels intense stress.
Olive watches TV with Goober. Mom tells them to get ready for their day in the park, but Olive wants to stay home because she did not sleep well. Mom talks her into getting some fresh air, but when she mentions that some of Olive’s friends might be there, Olive feels even more stressed. Goober goes off to play with his friend Matt while Olive looks for a spot to read her book. The cheerleaders spot her reading and come over to say hello. They tell Olive all about their routine but don’t understand why she reacts without enthusiasm, so they shrug as they walk away. Olive grumpily returns to the bench with her mom. Olive’s mom worries about her and watches her read with a gloomy expression. Olive’s mom tries to cheer her up by suggesting that she invite a friend over for a sleepover. Mom calls Chanda’s mom and discovers that Chanda is already sleeping over at Beth’s that night, and Olive sighs. Mom suggests calling Beth’s mom to see if Olive could join them, but Olive doesn’t want to feel as if she is inviting herself over. Olive just wants to go home.
In these chapters, Olive’s emotional tension increases as she feels more and more isolated from her friends, and she comes to suspect that Learning How to Navigate Cliques is an impossible task for her. To portray the chaos of Olive’s inner thoughts and the pressures of her day-to-day life, Miller implements multiple narrative techniques, using both inner dreams and external conversations so that Olive can fully articulate her challenges and frustrations and seek practical advice. These chapters therefore accelerate the rising action as the emotional stakes rise and the protagonist encounters increasingly complex challenges.
These chapters also introduce Aunt Molly, one of the most important supporting characters in the graphic novel, for even in her very first appearance, her green hair and confident personality mark her as a person who is committed to honoring her own individuality and encouraging the self-expression of others. Her dyed green hair, boots, and crop top contrast sharply with the style of Olive’s mother, who is more conventionally dressed. Despite Aunt Molly’s unique appearance, her occupation and interests are not immediately clear, but these details are less important than the fact that Aunt Molly embodies the ideal confidence that Olive is still working to achieve. As Olive explores the different social groupings at school and analyzes the different methods that people use in order to gain acceptance, Aunt Molly’s approach to life teaches her that remaining true to one’s personal identity is far more important than molding a false public image around one specific interest. To support this philosophy, Aunt Molly gives Olive some well-chosen advice from her own background, reminiscing about the fact that she did not really find her most meaningful connections until college. While Olive’s mom is enmeshed in the day-to-day challenges of family life and tries to think of quick, practical solutions to Olive’s problems, Aunt Molly uses the benefit of her more detached perspective to give Olive a long-term view of her current troubles. By relating the longer timeline of her own life and giving Olive a preview of college and the dynamic life lessons to come, Aunt Molly indicates the importance of embracing The Interplay of Maturity and Autonomy in order to remain true to oneself.
Structurally, this section continues some of the elements presented in the beginning of the graphic novel and develops them further, particularly when it comes to the montages that illustrate Olive’s inner thoughts and fantasies. While most of the novel is grounded in Olive’s day-to-day experiences, Miller also inserts several whimsical sections that portray a more imaginative reinterpretation of realistic events. For example, the first section features a departure from reality when Olive daydreams about the different groups forming around her. Likewise, this second section features a key fantasy sequence when Olive has a dream that illustrates her subconscious feelings about conforming to these groups. As each group tries to claim her, Olive’s outfit changes and the illustrations portray her as a member of the group. These successive identity shifts make Olive feel uncomfortable and unrepresented, and by the end of the dream, she runs away, unwilling to adopt any single group or outfit. Here, clothing serves as a powerful symbol for representing the self and signifying belonging, and Olive’s refusal to choose highlights the ongoing strain of her private identity crisis. Miller also uses the homonyms “click” and “clique” to connect the feeling of ease of joining a clique that feels right, when things “click” into place. Yet for Olive, none of these groups really click for her.
This section also elaborates on the tension between the different communication styles that manifest in adolescence. While Aunt Molly advocates for a more direct and self-assured approach, like asking directly to join a group, Olive feels more comfortable with an indirect style. Rather than confronting any of her friends directly, she communicates her feelings of exclusion through moody silence and distressed body language, leaving her friends to wonder why she is upset. Even with her family, she often enters the conversation quietly, projecting her sadness with a glum facial expression or sigh rather than immediately articulating her emotions. These exchanges establish the fact that Olive is testing the people around her for their reactions, waiting to see whether they pay attention to her without her intervention. Although this strategy allows her to gather data about other people’s perceptions of her, she also relinquishes control of social situations to others, and if they do not respond as she expects them to, she is often left feeling isolated and misunderstood. Although Olive’s mother offers to adopt the direct role on her behalf by suggesting that the parents can mediate this difficulty, Olive immediately resists this idea because such an overt form of intervention would make her even more of a social outcast than she already perceives herself to be. Her resistance to her mother’s offer of help indicates Olive’s inner conflict as she tries to embrace her own autonomy and individuality. While she does not want her mom interfering with this process, she has not yet recognized the fact that brooding quietly and waiting for friends to invite her causes her to forfeit her autonomy in a different way.