61 pages • 2 hours read
Anthony HorowitzA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Horowitz is dismayed that the story now involves a locked-room mystery. Although he knows that it is possible that Hawthorne is wrong, and that Roderick’s death isn’t murder, he trusts Hawthorne’s instincts. As much as he doesn’t like the idea of trying to make a locked-room mystery seem plausible, he also realizes that without it, he will have no plot twist and a very short book. He is waiting for Hawthorne to come over and look at Part 5. In the meantime, he tries to think about who the killer might be.
He suspects May and Phyllis. Although they are probably too elderly to have shot the crossbow, Ellery’s death is a powerful motive. He also doesn’t believe their story about the convent and the inheritance—the story about a dead aunt is too obviously cliché. Sarah is the next suspect on his list, and he wonders what the connection is between her and Roderick. He also realizes that Sarah might be connected to Roderick’s missing phone.
Tom and Gemma Beresford are also good suspects; he is misusing alcohol and drugs and fought with Giles. The patient who died, Raymond Shaw, may have been the last straw. Gemma is also a decent suspect, and thinking of her leads Horowitz to consider Teri Strauss as well. Adam Strauss is a possible suspect, too—a chess grandmaster has the strategic skills to plan a complicated murder, and he seems to be involved in every aspect of the case. However, Horowitz can’t see a motive for Adam to kill Giles and Roderick.
When his doorbell rings, he answers it to find Roland, Hawthorne’s brother. He gives Horowitz a manilla envelope and says that Hawthorne couldn’t come. Horowitz asks if Hawthorne knows that he went to see Morton. Roland says yes, and “he’s not happy about it” (267). Roland isn’t happy either—he got in trouble for Horowitz seeing the Barraclough file. He tells Horowitz that Fenchurch International is the “biggest security company in the UK and quite possibly the world” (267). He advises Horowitz that if Morton told him to stop investigating, he should do so. After he leaves, Horowitz opens the envelope, hoping for some more information, but it just contains reports and notes from the case. Horowitz knows what he has to do next.
Horowitz goes to Riverview Close. On his way through Richmond, he looks for The Tea Cosy, but it is gone. When he finds Riverview Close, he has a strong sense of déjà vu. He has described the place in his draft, and it looks very much like his description. He rings the bell at Adam Strauss’s home, but there is no answer. Through the window, he can see that the house is completely different and realizes that they must have moved.
He rings the bell at Andrew Pennington’s home next. When Andrew opens the door, Horowitz has the bizarre experience of meeting one of his characters. Andrew looks basically as Horowitz described him, with the addition of reading glasses. Horowitz introduces himself and explains his connection to Hawthorne. Andrew surprises him by asking him inside.
He tells Horowitz that May and Phyllis left the Close first and without even saying goodbye. Felicity never returned from her sister’s house. The Beresfords moved back to Notting Hill, and Adam and Teri Strauss are gone, too. Andrew believes that Adam could’ve done more to help Roderick but doesn’t like speaking badly of him since he’s dead.
Horowitz is surprised to find out that Adam is dead, and Andrew explains that he fell off a hotel balcony several months after Giles’s and Roderick’s deaths. It was determined to be an accidental death, and afterward, Teri sold The Stables and left. As Horowitz is leaving, Andrew mentions that Lynda Kenworthy and her children still live at Riverview Lodge, although she is trying to sell it.
Lynda isn’t what Horowitz expected—she is attractive and relaxed. The house looks different, too—the art is replaced by bright posters, throw rugs, and the clutter of family life. She tells him that although she’d like to stay, Giles has left her in financial trouble, and she is forced to sell. She tracks the downward slide of her relationship with Giles and how the trouble began when they moved to the Close. She claims that Adam always held it against them that he’d been forced to sell the house to them.
Like Andrew, Lynda believes that Roderick killed Giles. She still has DS Khan’s card and gives Horowitz his number. She remembers Hawthorne as snide and intrusive. While they’re talking, a man comes into the room, and Lynda introduces him as Jean-Francois. Horowitz remembers that this man was Lynda’s French tutor, but she tells him that Jean-Francois is a sportswriter and was in the Olympics for archery.
After leaving the Close, Horowitz calls Khan. Khan recognizes Horowitz’s name from the previous Hawthorne books but doesn’t want to meet. Horowitz asks for Dudley’s contact information, but Khan doesn’t have it. Just as Khan is about to hang up, Horowitz points out that the book will be written with or without his input, but if he contributes, his point of view will be represented.
Hawthorne and Dudley interview Felicity at her sister’s house. Hawthorne tells her that he doesn’t believe Roderick died by suicide or killed Giles, and she agrees. She tells them that he never would’ve left her alone. Although the letter said that he’d done “something stupid,” she doesn’t think he meant killing Giles. She believes that he was killed because he saw something connected to Giles’s murder. She gives Hawthorne her keys, pointing out the one that opens the garage. When he tells her that the police can’t locate Roderick’s phone, Felicity gives them the password for when they find it.
Just before they are about to leave, Hawthorne asks Felicity about a second meeting, and she is surprised that he knows about it. It was the night before Giles’s murder, and she didn’t go, but Roderick stayed late and came home drunk. He was upset the next day but wouldn’t tell her why, only that she shouldn’t tell anyone about that second meeting. She believes that whatever happened at that second meeting explains Roderick’s death.
On the way back to Richmond, Dudley asks why they are continuing to investigate if the police aren’t paying them. Hawthorne says that he needs Dudley’s help to solve the crime—otherwise, a murderer will go free. Dudley understands and decides to keep investigating with Hawthorne.
Hawthorne and Dudley go to The Tea Cosy to talk to May and Phyllis. Hawthorne tells them that they know the women’s real identities and that they both were in prison for killing their husbands. They also know that Sarah Baines was in prison with them and was blackmailing them into getting her jobs.
May tells them about her husband, a brutal abuser. When she was sentenced, the judge allowed her to keep her husband’s money, which explains the “inheritance” May used to buy their house. Phyllis’s story is much the same—her husband, too, was abusive. May tells the men that they will never understand what she and Phyllis have been through or what it’s like to commit murder.
Before they leave, Hawthorne asks the women about the second meeting. They admit that there was a second meeting but won’t say what happened there.
Hawthorne and Dudley gather the neighbors together, and they tell the story of the second meeting. The neighbors met in Andrew’s garden that night to go over their limited options. They had all had too much to drink, thanks to Adam, who provided the liquor. The discussion turned to murder, although they all agree that they were “just letting off steam” (324). Phyllis came up with the idea of murdering Giles together, inspired by Agatha Christie. She had Christie in her mind because two people had come into the bookshop to buy Murder on the Orient Express that week. They all stress that murder was never a serious consideration. They took turns coming up with ideas of how to do it, and when it got to Roderick, his idea was to shoot Giles with his crossbow.
Hawthorne asks them about drawing straws and discovers that Roderick drew the short straw, which was later found in his pocket. Roderick made a joke about doing it, but the exercise lost its humor, and the meeting broke up soon after.
When Giles died in exactly the way Roderick suggested, they were all shocked, and Roderick denied doing it. After Sarah and May found Roderick, May called Andrew. He told everyone that they couldn’t tell the police about the meeting because they could be considered conspirators. Although Roderick denied it, they all believed that Roderick killed Giles and then died by suicide.
After meeting with all the neighbors, Hawthorne and Dudley go to Roderick and Felicity’s house. Using Felicity’s keys, they let themselves into the garage. As they go through Roderick’s actions that night, they both agree again that suicide is implausible. However, they still don’t know how the murderer got out of the garage.
They climb up onto the roof to examine the skylight more closely. They notice that the Beresfords’ nanny, Kylie, is watching them and can see the roof clearly from her bedroom. When Dudley tries to remove the screws holding the skylight down, they are stuck tight. They agree to interview Kylie next.
Tom answers the Beresfords’ door and begrudgingly lets them in. Damien is sitting at the table with Gemma. Hawthorne shares that he knows that Tom’s patient who died, Raymond Shaw, was Damien’s father, but Damien steadfastly says that he didn’t kill Giles. Hawthorne tells them that the same person killed Giles and Roderick.
When Kylie comes downstairs, Damien tells them that he and Kylie are leaving soon to travel in Europe. Hawthorne asks Kylie about Marsha Clark’s attack, which happened the night before Giles was killed. Kylie had gone to Marsha’s home that same night and stayed with her for weeks afterward.
Hawthorne and Dudley go to Sarah Baines’s home next. Sarah is hostile and asks how they found her. Hawthorne says that he tracked Roderick’s phone, and she gives it to them. Hawthorne unlocks the phone and finds the text thread between Roderick and Sarah. There are several images of Sarah naked, and she admits that he paid her for them. She also tells them that although it looked like the Kenworthy children ruined Andrew’s garden with their skateboards, there were no exit tracks—someone had framed them. Hawthorne tells her that he already knew, and he and Dudley leave. As they go, Hawthorne throws Roderick’s phone into the river.
Horowitz interacts directly with Riverview Close for the first time, blending the novel’s two narratives. Because the events of the Riverview Close timeline happened five years earlier, he still isn’t a part of the investigation; instead, he sees the long-term aftermath of the murders. His first impression of Andrew Pennington emphasizes the disconnect that he feels when bringing the two timelines together: “[Andrew] was dressed in a tracksuit, a pair of spectacles hanging on a chain around his neck. His eyesight must have gotten worse as I was sure I had never mentioned them” (274).
With this comment, Horowitz alludes to Metafiction and the Writing Process, juxtaposing Andrew the character and Andrew the person. Horowitz has been writing about younger Andrew. When confronted with real-life Andrew, he can see how the past five years—and the crimes themselves—have aged the man:
Up until now, he had been little more than a figment of my imagination. When I was writing, I’d felt that I owned him. I’d used the photographs and the transcripts that I’d been sent and had tried to be as accurate as possible, but I’d invented lots of things too (274).
In another aspect of metafiction, the novel alludes to the selfishness of writers. Roland confronts Horowitz about how his visit to Morton has impacted his, Hawthorne’s, and Dudley’s lives. He points out, “[Y]ou won’t listen to me. You’re like every writer I’ve ever met. You only think of yourself and you don’t care how much damage you might do” (267). Lynda Kenworthy follows close behind, admonishing Horowitz about his thoughtlessness and how his writing reevokes the trauma of murder: “It never goes away” (288). These comments, along with his conversation with Andrew, force Horowitz to reconsider his actions. He realizes that Andrew, Lynda, and even Roland, Hawthorne, and Dudley are “casualties” and that this makes him “the worst rubbernecker” (291).
However, Horowitz remains focused on his investigation. Although he likes to think of himself as different from Hawthorne, who often subverts social boundaries to obtain his solution, he is much the same: After a moment of reflection, he refocuses on the case.
In Chapter 4 of Part 7, Horowitz uses a classic mystery genre trope: Hawthorne and Dudley gather the entire neighborhood together. Usually, this happens at the end of a mystery and is done so that the detective can reveal the workings of the crime and expose the murderer. However, in a break from convention, Horowitz adopts an unusual strategy—the suspects themselves tell Hawthorne and Dudley about the second meeting, filling in the gaps of the secret they’ve been keeping. In the wake of Roderick’s death, they have been forced to question their idea of What It Means to Be a Good Neighbor and have decided to reveal the truth. Rather than tell the story as a continuous narrative, Horowitz breaks the chapter into sections; each neighbor tells a bit of the story in their own words, creating a picture of the whole. With this strategy, Horowitz continues to use the omniscience of the third-person point of view to put things in the characters’ own words.
By Anthony Horowitz