90 pages • 3 hours read
Michelle ZaunerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Zauner is frustrated by her mother’s attempts to exclude her from the cancer diagnosis and treatment, a decision that is rooted in Chongmi’s fear they will fight if Zauner comes home to Eugene. Zauner uses this slight as a jumping-off point to talk about her legacy as a difficult child.
At an early age, Zauner earned the nickname “Famous Bad Girl” in her house, but it really became a problem in her teen years, as she struggled with depression and in school (50). Her father claimed she got it from him: He is a recovering addict who spent time in jail as a teenager for selling methamphetamine. Zauner’s mother took her bad behavior as a personal slight and became even more strict in response.
One of the few freedoms Zauner had was sleeping over at her friend Nicole’s house. Nicole’s mother Colette had an easygoing relationship with her daughter, and Zauner saw Colette (a dreamer and free spirit who longed to open a café) as an ideal mother. Zauner speaks of her teenage feelings of resentment toward her own mother’s lack of ambition; only now does she realize how meaningful a life her mother had as a homemaker.
During this time, Zauner began to flourish as a musician. She details her early career, first as a fan going to the WOW Hall to see indie rock acts like Joanna Newsom and Bill Callahan, or going to the McDonald Theatre to see bigger bands like Modest Mouse. In particular, Karen O of the Yeah Yeah Yeahs inspired Zauner; seeing another half Korean woman succeeding helped her realize her own potential.
This inspiration led Zauner to convince her mother to buy her a guitar and lessons. Around this time, she started hanging out with a classmate named Nick whom she had a crush on. Nick was in a band, and he and Zauner started playing together. She played her first shows of original music at an open mic at Cozmic Pizza, which became her first opportunity to play her own set. This led to Zauner opening for Maria Taylor at the WOW Hall. Zauner’s parents came and were mildly supportive, and Zauner saw the night as the beginning of something.
The next day, Zauner and her mother went to a Korean restaurant, and over lunch Zauner asked her mother about the show. Chongmi told Zauner that she was waiting for her to give up the guitar, which led to a huge fight in which Zauner said she didn’t intend to go to college. Her mother stormed out of the restaurant and waited in the car, but Zauner refused to get in; Chongmi said that if she wanted to be a starving musician, then she could “go live like one” (62).
Zauner lived with Colette for a while, then with another friend; she spent a lot of time at a punk house while her grades slipped and her college materials went unattended. When she finally returned home, her mother arranged for her to go therapy and start medication. The situation at home was tense throughout her last months in high school, culminating in a violent altercation: When Chongmi criticized Zauner’s her clothing, Zauner sniped back, leading her mother to spank her. When her father came upstairs, Chongmi instructed him to hit his daughter. Zauner ran to call the police but hang up. Her mother pinned her to the ground and screamed at her, then revealed that she had an abortion after Zauner because she was so worried she would have another terrible child. Zauner knew that this wasn’t the true reason, but she was still shocked by how easily her mother kept such a huge secret for so long.
Zauner sees her mother’s cancer as an opportunity to make up for all the hurts between them, so she quits her jobs and puts her band on hiatus to move home to Eugene, despite her mother’s protests. On her flight home, she goes through her usual custom of grooming herself so her mother will find her acceptable; this leads her to remember the boxes her mother sent her throughout her college years, which contained Korean snacks and other gifts like clothes. Even though they left on bad terms, Chongmi still took time to break in a pair of boots she sent Zauner, “molding the flat sole with the bottom of her feet, wearing in the stiffness, breaking the tough leather to spare [Zauner] the discomfort” (69). Her mother never stopped taking care of Zauner; she even completes her own ritual of making Korean short rib when Zauner returns home.
Zauner’s father meets her at the airport. Zauner feels trepidation about going through this with her father; he was never a good caretaker and saw his financial contribution as his primary responsibility. His past as an addict and career managing a bar makes him ill-fit to handle this. Zauner also knows that he had affairs throughout her adolescence and adulthood; the things she once thought made him cool now seem like warning signs, and she worries they won’t get through the treatment well.
At the house, Chongmi is calm and cool. Zauner says she wants to learn to make all the Korean foods her mother made so she can take care of her, but Chongmi wants only tomato juice and passes off the caretaking responsibility to Kye, a family friend who is coming in a few weeks. After a night spent watching TV and petting Julia, the family’s golden retriever, Zauner retreats to her bedroom, which is full of the teenage posters and the sloppily painted record player cabinet that reminds her of her past self. She opens her window and goes out on the roof, reflecting on how different the circumstances are between now and the last time she went out there.
At the beginning of her mother’s treatment, Zauner waits for something to happen and tries to engage her mother’s food cravings, though she has none thanks to a reduced appetite. Zauner travels to Sunrise Market, Eugene’s closest thing to an H Mart, and feels surprisingly lost without her mother guiding her through the aisles. Zauner recalls taking Korean language classes at the Korean church and how the mothers took turns cooking dinner each week. Some saw it as a burden and provided takeout pizza, while mothers like Chongmi cooked traditional dishes. Zauner’s mixed upbringing made her feel like an outcast.
Zauner returns from the market and tries to get her mother to eat, to little success. She spends the evening making gyeranjjim, a savory egg custard. Her mother balks at this as well, and Zauner grows more frustrated. On the fourth day of treatment, Chongmi becomes nauseated, which continues for several days. It becomes so bad that on the way to the doctor, Chongmi deliriously tries to open the car door. The oncologist tells them to go to the emergency room right away, and Chongmi receives an IV to stabilize her condition.
When Zauner goes home that night to gather some things, she is struck by how insignificant her concerns were before now. When she returns to the hospital, her father tries to convince her to sleep at home, but she stays with her mother. Chongmi stays in the hospital for two weeks.
Zauner’s father does not handle this well. His father was abusive, and after he left the family, one of her father’s brothers continued to abuse him and gave him drugs at a very young age. His troubled adolescence was an outgrowth of this childhood, and he only found success when he traveled abroad to sell used cars on a military base. He took this success back with him to Eugene, but cancer is something he cannot “negotiate his way out of or outwork after hours” (88). He becomes a shambles during this time, unable to accomplish simple tasks and collapsing into grief. Zauner struggles to feel anything except resentment toward him.
After the extended hospital stay, Zauner takes her mother home and helps her with everything. While Zauner bathes her mother, she notices the black veins caused by her treatment. When she drains the bath, Zauner notices all the hair in the tub and quickly tries to keep her mother from seeing, but it’s too late: Chongmi sees her patchy scalp in the mirror and sits down to cry. Zauner is determined not to break down herself, so she settles her resolve and tells her mother the hair will grow back.
Three weeks go by, and Chongmi regains some strength. There is a plan for people to come help soon, starting with Kye, then LA Kim, and then Nami Emo if it’s needed, though Zauner doesn’t want to burden Nami after she took of Eunmi during her fatal bout of cancer two years before.
Kye’s arrival brings calm to the house, and she has them plant some vegetable seeds so they have something to look after each day. Chongmi refers to Kye as unni, which means “big sister” and is often used to refer to close women friends. As for Zauner, she becomes obsessed with going to the gym and running, irrationally believing that her hard work in this area will help her mother. She recalls how she was marked as different during gym class: She was not Chinese or Japanese but something the other students didn’t know about. At the time, she asked her mother to stop packing her lunches and stopped using her middle name, Chongmi, to be more ambiguous in her racial identity. When she complained to her mother about being the only Korean girl in school, Chongmi told her, “But you’re not Korean. […] You’re American” (96).
When Zauner returns from the gym, Kye has made a dish that Chongmi finishes. Kye has also helped Chongmi shave her head; Zauner rues that she didn’t suggest this first. Kye also cooks dinner for Chongmi and distracts her with Korean face masks and a pedicure.
The next morning, Zauner tries to get Kye to teach her how to make jatjuk, a pine nut porridge often fed to the ill, but Kye demurs. Zauner doesn’t know how to explain her desire to learn how to cook for her mother, so she instead becomes the “resident recorder” (99), keeping meticulous track of her mother’s medication, calorie intake, and illness progression.
As Kye’s visit goes on, Zauner worries about how much they are relying on her. Kye refuses to take breaks, and Zauner feels uncomfortably left out. She insists on taking her mother to an infusion clinic, which is right across from a spot on the Willamette River that Zauner used to float on with her friends. On the drive home, Zauner puts on the song “Tell Him” by Barbra Streisand and Celine Dion, recalling when she and her mother would sing along to it in the car. It’s a happy moment between them.
During that clinic visit, Kye takes it upon herself to shave her own head; Zauner’s mother is touched, but Zauner is concerned. Kye decides to stay longer than her three-week visit, and she becomes more controlling, moving Zauner’s place-setting so she can’t sit by her mother and arguing with Zauner’s father about what Chongmi eats. She writes a long letter in Korean to Chongmi and gives it to her at dinner, and neither of them will explain what it says to Zauner or her father. As medication makes thinking difficult, Chongmi slips back into speaking only Korean, and Zauner feels further left out. She is even conflicted about the pain medicine, since she feels as though it’s taking her mother away from her.
Chongmi says Kye does things no one has ever done for her, but Zauner thinks she would do them if given the chance. She explains that Kye had a difficult upbringing and is the second wife of her husband, whose children treat her cruelly. When Kye rejects Zauner’s concern about an undercooked egg that she intends to serve to Chongmi, saying, “This is how we eat this one in Korea” (107), Zauner can’t help but feel like she’s being rejected as not Korean enough to be part of her mother’s life.
Zauner’s tense relationship with her mother is typical of adolescence in America, but it is made more difficult by Zauner’s complicated relationship with her heritage, her art, and her mother’s perfectionism. In many ways, Chongmi reflects an attitude that many Asian immigrants have about their children, investing all of herself into ensuring Zauner is a success on terms that make sense to Chongmi. Zauner’s music is a sticking point between them because it is nearly the exact opposite of what Chongmi thinks her daughter should be focusing on.
Throughout the stories of her troubled youth and strained relationship, Zauner is careful to point out how her mother’s love was indefatigable. The story of her mother sending her a pair of boots she had already broken in, for example, is a touching metaphor for the ways a mother takes care of her child.
Zauner’s rising success as a local musician (which Chongmi sees as connected to Zauner’s poor grades and battle with depression) puts Zauner into open conflict with her mother, but it also puts her in touch with an inner conflict: Zauner’s biracial identity means she struggles to fit in both in school and at home. Her exposure to Karen O puts a point on a problem that many people from minority groups feel, which is that success is doled out by the majority, and therefore there is limited space for minorities to succeed. Zauner’s belief that Karen O is occupying the space reserved for half Asian singers is rooted in a long history of that kind of tokenism being essentially true in the entertainment industry.
Zauner recalls ways she didn’t feel American enough growing up, but as she grows older, and especially as she tries to connect with her mother, the opposite feeling takes hold. She remembers a time when her mother said she’s American, not Korean, a memory that is painful for Zauner but presented as a relatively commonplace occurrence in her mother’s eyes (96). That barrier of being not Korean enough creates a complicated dynamic when Zauner returns home to take care of her sick mother. Zauner is desperate to connect with Chongmi over their favorite foods, but Chongmi’s lack of appetite means she can’t eat the foods they once enjoyed, even as Zauner learns to cook them herself. When Kye arrives, the barrier becomes starker still, as she and Chongmi communicate in Korean and Kye takes over all the cooking that Zauner hoped to use as an act of love and caretaking. There is clear resentment in the household dynamic during Kye’s stay that is rooted in the jealousy Zauner and her father feel over Kye’s monopolization of Chongmi’s attention.
There’s another key theme that builds in these chapters: the indignity and grief surrounding cancer. The moment when Zauner realizes she needs to show her love and strength to her mother by engaging in food together and cherishing the time they have together is the same moment when Chongmi’s body begins to betray her, so Zauner must meet Chongmi’s illness on its own terms. The reality of what happens is far graver than Zauner’s expectations, especially when Chongmi is hospitalized. Chongmi, who has prized her beauty and her stubborn strength as a mother, is forced to reckon with both those traits fading quickly, as is Zauner. The scene when Zauner bathes her mother and tries to hide Chongmi’s hair loss is a heartbreaking example of how much cancer takes from people.