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70 pages 2 hours read

Edmond Rostand

Cyrano de Bergerac

Fiction | Play | Adult | Published in 1897

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Act 2Act Summaries & Analyses

Act 2 Summary: “The Second Act: The Bakery of the Poets”

In Ragueneau’s pastry shop, cooks bring out dishes as Ragueneau attempts to write poetry. He discusses the dishes, comparing cooking to writing verse. His apprentice brings out a lute made of pastry, and Ragueneau gives him a bonus. His wife Lise brings out packaging for pastries made out of his poets’ manuscripts. He is dismayed, and she is exasperated. Children arrive, order, and Ragueneau reads the poems on the packaging, unwilling to part with them. When Lise turns, he exchanges the packaging for extra pastries, recovering the poetry.

Cyrano enters and they talk about his fencing match in the theater. Then Cyrano tells Ragueneau that he is meeting someone and to clear out, but Ragueneau’s poet friends are coming by. Cyrano encourages them to go elsewhere when his appointment time arrives. As a Musketeer enters, Cyrano takes a pen from Ragueneau and writes a letter to Roxane after debating over doing so. The poets talk about eight men they met along the way—losers of a fight. Cyrano does not admit to beating the men, but the poets describe their injuries as Cyrano writes.

After describing the pastries poetically, the poets ask Ragueneau to read his work. He recites “A Recipe for Making Almond Tarts”—a recipe in rhyme. Cyrano observes that the poets are eating all of Ragueneau’s wares, and he admits he likes a kind audience as well as people enjoying his cooking. Ragueneau asks Lise if she is sleeping with the Musketeer, and Cyrano warns her and the Musketeer against committing adultery.

When Roxane and her duenna arrive, Ragueneau leads the poets inside at Cyrano’s urging. Cyrano gives the duenna pastries wrapped in poems and sends her outside to eat them. Roxane thanks Cyrano for fighting Valvert because she does not want to marry him. They talk about playing together when they were children in Bergerac. She notices his hand is injured from the fight for Lignière the previous night. He notes that he fought a hundred men but does not want to recount what happened. Instead, he asks why she wanted to meet, and she tells him she’s in love with someone who is in his regiment in the Guards. Cyrano thinks she might like him at first, but eventually she reveals she loves Christian even though they have never spoken.

Cyrano mentions her love of wit, but she focuses on Christian’s beauty, saying she’ll die if he turns out to be unintelligent. Roxane asks Cyrano to look out for Christian—keep him from dueling—and ask Christian to write to her. She also wants to hear about Cyrano’s fight at some point.

Ragueneau and his friends enter as Roxane leaves. The Captain of the Guards, Carbon, also comes by and praises Cyrano. Other cadets, Gascons, come in also praising Cyrano for the fight the previous night. A large crowd gathers outside and many people try to talk to Cyrano. He points out how he doesn’t know them—they were not friendly before witnessing the fight. Cyrano is uninterested in being featured in the newspaper or having poems written about him. However, he does warm to a message of admiration from the Marshal de Gassion. Cyrano introduces Guiche to the Cadets of Gascoyne with a poem about their fighting, loving, spending, and defending as well as their ability to stare down their opponents. The poem also includes a stanza about them being skull-breakers and sword-benders, and a stanza about them winning the hearts of all the women they woo.

Guiche asks Cyrano to join his followers, but Cyrano refuses. Guiche offers to give his uncle, the Cardinal, a tragic play written by Cyrano, saying the Cardinal would produce it if allowed to alter a few lines. Cyrano doesn’t want his work changed, even for money. A cadet comes in with a sword stuck through many hats from the defeated men. Guiche admits he hired the men, talks about Don Quixote with Cyrano, and goes out.

Le Bret and Cyrano debate Cyrano’s choice to refuse Guiche’s patronage. Cyrano refuses to write poetry for others and network with wealthy people. Instead, he prefers to only write what he is inspired to write—not to work for others and write what they ask him to. He does not want to serve someone else’s whims and finds freedom in solitude. Cyrano enjoys hating others, unlike Le Bret, who Cyrano compares to a dog who loves to make friends. Le Bret points out that Roxane not loving him is truly what upsets Cyrano.

Christian comes in and joins the cadets. Some Cadets ask Cyrano to tell them about his fight while other Cadets warn Christian to not mention the size of Cyrano’s nose. Christian, a Norman, wants to demonstrate that he is better than the Gascons, so he ignores the advice and interrupts Cyrano’s story of his fight with a comment about his nose. Cyrano tries to ignore Christian’s comments since he promised Roxane he would befriend and protect Christian. Christian continues to goad him, and Cyrano continues to ignore him. When Cyrano begins to lose his temper at Christian’s continuing to insult his nose, he tells the other men to leave them alone. As they leave, the Cadets and Ragueneau discuss how Cyrano will destroy Christian.

In private, Cyrano tells Christian he is Roxane’s cousin and to embrace him. Christian apologizes for his comments. Cyrano tells Christian that Roxane wants him to write her letters. Christian admits he has trouble talking to women and is not a good writer. Then, Cyrano offers to write letters for Christian and win Roxane’s love together. He gives Christian the letter he wrote for Roxane, claiming it was just a poetic exercise. When they embrace, the Cadets peek in and think that Cyrano now tolerates jokes about his nose. A Musketeer comes in and tries to make a crack about Cyrano’s nose, and Cyrano knocks him over a bench and insults him. This excites the Cadets.

Act 2 Analysis

Act 2, set in Ragueneau’s bakery, develops the theme of Artistry Versus Commercialism and introduces the significant role of the epistolary (letter-writing) element in the theme of Unrequited Love. Ragueneau is both a baker and a poet. His wordplay combines directions to his employees about food preparations with poetic devices, but he makes a distinction between the artistry of writing and the commercial work of selling food. He says, “Remember, / A couplet, or a roast, should be well-turned” (59). A couplet is a pair of rhyming lines of poetry, and a turn can refer to a turn of phrase or the change of direction in a poetic avenue of thought (also called a volta). These poetic meanings are presented alongside the literal act of turning meat on a spit. Another combination of poetry and food is a pastry made in the shape of a lyre. A lyre is a stringed instrument from ancient Greece, and the term lyric poetry comes from the word lyre.

While Ragueneau loves poetry, his wife Lise is more interested in the commercial aspects of running the bakery. She uses gifts from Ragueneau’s poet friends as wrappers for the products the bakery sells. Ragueneau describes this as the “sacred verses of my poets—rent / Asunder, limb from limb—butchered to make / Base packages of pastry” (60). Using the paper that the poems are written on as a method for distributing their wares prioritizes commercialism over artistry. She finds art useless because it is not profitable. Cyrano sides with Ragueneau and carries the theme of Artistry Versus Commercialism even further. He rejects Guiche’s offer of employment, declaring he does not want to write for money. His catalog, or list, that reiterates the phrase “no thank you” (88-89) describes how he writes to create beautiful art rather than to make a living. In other words, Cyrano rejects patronage, or money from wealthy people given to support artists. This is an example of his pride, which plays a large role in his poverty and death in Act 5.

Ragueneau and Cyrano use many allusions, or literary and mythological references, in this act. These include the French poet Francois de Malherbe (59), the character Ulysses (61) from the Odyssey and the Iliad by Greek poet Homer, and Don Quixote (86), the novel by Spanish author Miguel de Cervantes. Don Quixote relates to the reference to Lancelot in Cyrano’s ballade from Act 1. The titular character becomes obsessed with Arthurian romances, including those about Lancelot, and acts irrationally, including fighting a windmill.

Letters are introduced in Act 2 as a way for Cyrano to confess his unrequited love for Roxane. When he hears that Roxane wants to speak to him privately, he thinks she might reciprocate (requite) his love, and sits down to “write to her / That letter I have written on my heart” (64). However, she confesses that she loves Christian, someone she has never spoken to, for his good looks. This develops the theme of The Nature of Beauty and the Mind. Roxane believes that Christian is intelligent because he is good looking. However, Cyrano—before he meets Christian—worries that Christian may be a “fool” (75). This turns out to be true and supports a separation between the body and the mind. Instead of confessing his love, Cyrano urges Christian to claim authorship of the love letter and give it to Roxane because Roxane has claimed that it will kill her to learn that Christian’s mind is not as good as his looks. The letter binds the two men together: one possessing beauty and the other possessing a great wit.

Bonds between men are also strong among the Cadets of Gascoyne. Cyrano recites a poem about these soldiers when presenting them to Guiche. There was a historic divide between the Gascons and the Normans, who are citizens of different regions of France. This conflict began with a dispute between fishing boats, which became a full-on war between the groups and eventually part of the Hundred Years’ War. This rivalry is, in part, inspired by cultural differences between the two groups and is why Christian initially makes fun of Cyrano’s nose. Christian asks, “What is the proper thing to do / When Gascons grow too boastful?” and Carbon replies, “Prove to them / That one may be a Norman, and have courage” (92). However, Cyrano accepts Christian’s teasing (unlike Valvert’s in Act 1) because Roxane has asked him to befriend Christian. Cyrano’s unrequited love causes him to discard even this rivalry.

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