58 pages • 1 hour read
Ashley Herring BlakeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Delilah, one of the work’s protagonists, is a 30-year-old photographer working toward artistic success in New York. She had a difficult upbringing, as her mother died when she was a toddler. Not long after her father remarried, he suddenly died of an aneurysm, leaving her in the care of her emotionally distant stepmother, Isabel. Isabel’s daughter, Astrid, was the favored child. Delilah has “sapphire blue” eyes (37), dark curly hair, and an elaborate collection of tattoos. The wisteria vines on her arms resemble her father’s favorite flower, after which he named his family home. Both Claire and Ruby Sutherland make note of a tattoo of a rain cloud over small porcelain cup, a literalization of the phrase “storm in a teacup” (96). Herring Blake suggests that Delilah uses visual art to communicate her true feelings, where her words are often more biting, in part because she regards sarcasm as her only weapon against her hostile stepfamily.
Inwardly, Delilah is far more fragile and plagued by self-doubt, both from recent setbacks and childhood trauma. Delilah bets Astrid that she can hold Claire’s romantic interest when Astrid implies that Delilah would be unappealing as a partner, concealing her hurt beneath the callous plan. Claire’s empathy and sincere interest allow Delilah to open up about her artistic inspirations and her relationship history, as she confesses to Claire that a long-ago photograph of her was the inspiration for her approach to artistic photography. Caring for Claire allows Delilah to see herself as more than her difficult childhood. Claire refutes any moment when Delilah refers to herself as the “ghoul of Wisteria House,” assuring Delilah, “I’m not ashamed of you” (234-35).
Claire’s daughter, Ruby, admires Delilah’s creativity, and Delilah finds teaching Ruby photography a welcome respite from the more complicated adult relationships around her. Delilah is gentle and supportive to both Ruby and Claire, underlining that her romantic relationship brings out sides of herself that she conceals from others. Delilah gradually finds that her efforts to help Claire and Iris disrupt Astrid’s engagement bring her closer to both of them. She finds this disorienting, as coming back to Bright Falls was supposed to be a chore, not “the start of something” (249). At the novel’s climax, Delilah learns via Astrid’s journals that her stepsister has never hated her and always wanted a relationship. Though Delilah flees from the anger surrounding the discovery of her relationship with Claire and her bet with Astrid, she finds that her life in New York is now lonely.
Delilah’s choice to return to Bright Falls and use her photographs in Claire’s bookstore as proof of her commitment demonstrates that the work’s theme of Creativity and Self-Discovery is closely tied to the related theme of Love as Security and Healing, as Delilah tells Claire that she has a new outlook on Bright Falls: “You changed all that. Ruby changed all that. Iris. Hell, even Astrid changed all that” (364), referring to how her stepsister has now begun to heal the rift between them. Delilah’s confession here shows that she no longer resists vulnerability when it allows her to have fulfilling relationships. Delilah’s trademark humor is still evident at the end of the novel, but she also openly embraces the community around her, drinking in Stella’s with Astrid, Iris, and Claire. Delilah’s choice to commit to Claire is an offering of the same acceptance and support Claire has already shown, underlining both the depth of her growth and the fervor of her newfound love.
Claire, the work’s other protagonist, grew up in Bright Falls and is one of Astrid Parker’s best friends. Now a parent to her daughter, Ruby, and the owner of a bookstore founded by her grandmother, Claire struggles with coparenting with her historically unreliable ex-boyfriend, Josh, and finding time for her own personal life. In the novel’s opening chapters, Claire reveals that it has been years since her last relationship and several months since her last date, leading Iris to declare, “Just get someone’s phone number tonight and go from there” (19). This results in Claire approaching Delilah, who she does not initially recognize but is immediately drawn to. Claire realizes early on in the story that the younger Delilah was simply introverted and sensitive, traits she recognizes in her own child. She is grateful to Delilah for helping her daughter refashion her dress at Astrid’s wedding brunch. Later, at Wisteria House, Claire notices Delilah’s anxiety in her childhood home, admitting that “it [i]s fascinating to see this bold, brash woman look like a deer wandering in the woods” (111). Claire’s interest in Delilah and her observant nature lay the foundation for their eventual relationship.
Claire’s attraction to Delilah becomes a kind of liberation and self-discovery, a return to her sensual and romantic side. She realizes that “not even Josh [makes] her feel this crazed, this desperate just to brush her fingers over the pulse in another person’s ear” (209). For Claire, Delilah brings her back to a less inhibited self, epitomized by their easy evening of roller skating together. Where Delilah fears rejection, Claire’s greatest anxiety is abandonment, in no small part due to her history with Josh. Claire faces both realities when Delilah flees Bright Falls rather than explain her feelings or justify her attachment to Claire in the face of Astrid’s ire, just as Josh appears to have left once more. Delilah’s return and willingness to address this wound brings Claire to a more secure sense of herself and their future as a couple.
Astrid, Delilah’s stepsister, is introduced as strident, demanding, and sometimes unwittingly cruel to Delilah. This is apparent early on, as Astrid refers to herself as Isabel’s “only daughter” and quietly curses when she realizes that she has ignored Delilah’s place in the family, “her tone regretful and irritated at the same time” (9). Astrid is incensed by Delilah’s casual interest in Claire, which Delilah sees as snobbery and judgment rather than a sign of Astrid’s loyalty to a vulnerable friend.
Astrid is more sensitive and open than she appears, as Delilah inadvertently reveals when she reminds Astrid that, in her youth, her ideal romantic partner was Gilbert Blythe from Anne of Green Gables. Astrid tells Delilah, “Even you have to admit that’s romantic” (144), in reference to Gilbert’s proposals to Anne Shirley. Astrid seems crestfallen when Claire and Iris remind her that they know little about her love for her narcissistic fiancé, Spencer, or how he brings romance into her life. This hints that she is conflicted about her wedding and truly loyal to her friends. Astrid demonstrates her sense of family further when she goes camping to support Claire’s anxieties about Ruby and Josh in the woods unsupervised. Astrid surprises Delilah by truly admiring her photographs, revealing that she chose Delilah to photograph her wedding because of her work on Instagram, not merely their ties to one another. Astrid, like Delilah, keeps her more vulnerable and sensitive side hidden, though she chooses high standards and reticence over biting sarcasm.
Astrid ends her relationship with Spencer when she learns that he bought a house in Seattle without consulting her. She confesses to Claire and Iris that Isabel’s demands have left her without a firm sense of self. When she learns of Delilah and Claire’s relationship, Astrid accuses Delilah of working to “steal [her] best friend, just to what? Get back at [her]?” (323). This reveals that Astrid’s deepest emotional concern is the loss of her chosen family, not her canceled wedding. Astrid comes to Delilah’s art show and helps stage the photographic display for Claire, demonstrating the power of their reconciliation and Delilah’s new chance for a life of her own in Bright Falls. Astrid’s journey toward emotional independence from her mother and a partnership of her own is the subject of the second novel in the Bright Falls series, Astrid Parker Doesn’t Fail.
Iris, Astrid’s other best friend, designs custom planners and runs a paper shop in Bright Falls. Brash, opinionated, and sarcastic, Iris has no hesitation in announcing to the entire bar that Claire is eager for a date. She is sharply critical of Delilah’s distance from Astrid and frequently assures Claire that she is a fantastic mother to Ruby, who deserves better than Josh’s inconsistency and unreliability. She proves this by immediately punching Josh as punishment for abandoning Claire and Ruby.
Iris’s loyalty and strong opinions reach a new height when she is fully incensed by the pompous misogyny of Astrid’s fiancé, as she declares, “I’m going to need a good lawyer in about two point four seconds, because I’m going to murder that shit boot” (119). Iris comes to reluctantly admire Delilah’s willingness to make a scene, seeing it as key to ending the engagement with Spencer. As this unlikely partnership develops, Delilah gradually admits to herself that she is fond of Iris and that the two of them might readily be friends in other circumstances. In her own way, Iris is as shocked at the idea that Delilah was manipulating Claire as Claire herself, and this demonstrates that the bonds Delilah forms are not merely romantic ones. By the novel’s end, Iris has taken credit for bringing Claire and Delilah together. Iris is the protagonist of the third novel in the series, Iris Kelly Doesn’t Date, which delves further into her insecurities about finding a partner as a woman who does not want children or marriage.
Ruby, Claire’s 11-year-old daughter, is a precocious adolescent who is closely bonded to her mother and deeply affected by the complex co-parenting relationship between Claire and Josh. Ruby resents Claire’s efforts to impose regular routine when Josh is in town, leaving Claire resentful of her role as the “wet blanket thrown over all the glitter and fairy lights of Ruby’s time with her dad” (48).
Ruby is immediately drawn to Delilah, who reshapes her party dress for Astrid’s engagement tea into something Ruby feels more comfortable in. Delilah does this in part because of memories of her own childhood, foreshadowing that her bond with Ruby will help her face her past. This is cemented further when Ruby embraces her after their photography lesson, a hug that Delilah recognizes is her first genuine embrace in many years. These scenes underscore that Delilah understands and values Ruby’s presence in Claire’s life, truly wanting to become part of their family and not merely Claire’s new partner.
Josh, Claire’s ex-partner and Ruby’s father, is an inconsistent parent, appearing irregularly in their lives as he seems to fear the responsibility and commitment of a more durable arrangement. Josh is upset when Claire invites herself and her friends camping, telling her, “I’m never going to be good enough, am I?” (245). Josh’s presence in Claire’s life forces Delilah to face the depth of her interest in Claire, as she becomes jealous when she learns that Claire and Josh have a history of having sex periodically even though they are no longer a couple.
At the novel’s climax, Josh returns after a brief disappearance, revealing that he was finishing his house in nearby Winter Lake, where cell phone coverage is unreliable. He takes Claire and Ruby to see the house, proving to them both that he is intent on being a reliable coparent. He gently encourages Claire to pursue Delilah. Josh thus moves from a symbol of stress and failure to a reminder that Claire can move into a more secure present.