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Yoshiko UchidaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Here, Uchida develops the culture of fear experienced by Japanese-Americans in the months following Pearl Harbor, leading up to the April 21, 1942, when President Roosevelt announces Exclusion Order Number Nineteen. This order decrees the internment of nearly 120,000 Japanese in detention centers. The chapter concludes as the gates of Tanforan Assembly Center—a converted horse racetrack surrounded by barbed-wire walls—close on Uchida, Keiko, and Mrs. Uchida. Chapter 4 further develops the theme of the Uchida family’s erasure of identity and home. The once beautiful garden becomes decimated. The family piano goes to their Norwegian neighbors, where the final morning before leaving for Tanforan, Uchida sits on the bench, a guest in her neighbors’ home: “My mother couldn’t bear to leave her favorite plants to strangers and dug up her […] London Smoke carnations […] to take to a friend for safekeeping […] Gradually ugly gaps appeared in the garden that had once been my parents’ delight, and like our house, it began to take on an empty abandoned look” (63).
Uchida recounts being “accosted by an angry Filipino man who vividly described what the Japanese soldiers were doing to his homeland” (52-53). A close white friend asks if Uchida had “any idea the Pearl Harbor attack was coming” (53). Other friends suggest the Uchidas leave the West Coast to avoid internment. Uchida points out anti-Asian activity legitimized by California’s immigration and land ownership. By February, Dwight Uchida’s letters home express worry instead of optimism. Their community leaders have been arrested.
When the Exclusion Order is announced, the Uchidas are forced to pack their entire home into storage and to prepare a small amount of baggage for the camp, which becomes known as their camp bundle:
We surveyed with desperation the vast array of dishes lacquerware, silverware, pots and pans, books paintings, porcelain […] sold things we should have kept and packed away foolish trifles we should have discarded […] lacking the practical judgement of my father (60).
In Chapter 4, Uchida also dedicates space to providing evidence of anti-Asian sentiment, quoting those in high positions of authority. But there are also Uchida’s Swiss and Norwegian neighbors, who work counter to such sentiment. Uchida recounts how she used to walk the Swiss boy to kindergarten, and played cops and robbers with the Norwegian children. The night before the evacuation the Swiss family invites the Uchidas over for dinner and brings breakfast the morning of. Soon, the Uchidas become Family 13453.
Chapter 5 chronicles the Uchida family’s move into a horse stall and the strong community prisoners established the first few weeks at Tanforan. Halfway through the chapter, Mr. Uchida arrives. The chapter closes by describing Dwight’s experience in subzero Montana weather, while imprisoned.
In Tanforan, the Uchidas arrive at Barrack 16, Apartment 40. The family passes through the camp, where “black tar-papered barracks had been hastily erected to house the 8,000 Japanese Americans of the area who had been uprooted from their homes” (69.) The Uchida’s barrack is past these and is a former horse stall with three army cots, and “linoleum that had been laid over manure-covered boards, [and] the smell of horses […] in the air” (70). Dead insects clung to the wall. Uchida wonders if “our nation’s security would have been threatened had the Army permitted us to remain in our homes a few days more” (70) until camps had proper family accommodations. Food in early days was “canned sausages […] a boiled potato and piece of butterless bread” (71). Within a few months, the mess hall offers fried chicken and ice cream. The Uchida’s “camp bundle” arrives and in their stall, they gather around a hot tea kettle for warmth. This imagery furthers the motif of Issei keeping Japanese culture alive, and begins to develop the theme of the erasure of Uchida’s identity. Yet the Japanese-American community exhibits strength. Soon, friends inside bring gifts of dried prunes. Uchida’s friends mail her gifts.
Uchida notes that their “stable consisted of twenty-five stalls facing north which were back to back with an equal number facing south” (73). It’s an assortment of small family units and an artist, Dwight Uchida’s barber and his wife, and an elderly retired couple live near the Uchidas. Neighbors spend days playing cards. Meanwhile, Mrs. Uchida domesticates the horse stall, sewing curtains.
Chapter 5 concludes with Mr. Uchida reuniting with his family, and Uchida’s description of her father’s days in Montana. There, the men started a church, following disciplined schedules that each morning began with calisthenics. Their mail was inspected by officers. Uchida paints the portrait of her father’s courage in the face of struggle.
Chapter 6 explores how from May through September 1942, Tanforan evolves into a makeshift city, with churches, schools, a political campaign, and prisoners engaged with groups outside. Uchida further develops the themes of Japanese courage, ingenuity, and community-building in the face ofthe camp’s meager conditions, as rumors of an impending move inland, to another facility, surface in July, threatening longevity at Tanforan.
Uchida describes how within three weeks, non-Japanese friends sent messages asking how to help. They visit “laden with such welcome snacks as cookies, candy, potato chips” (84). Uchida’s parents’ visitors included her mother’s former university teacher, who now lives in California, the chairman of the Pacific Coast Committee on American Principle and Fair Play (who is Mr. Uchida’s good friend), and the Associate Dean of Women at the University of California.
Uchida recalls separate Christian and Buddhist churches, the post office, hospital, library that first offered 41 books and later over 5,000, and the Tanforan Totalizer newspaper. Prisoners organize a softball league, weekly talent shows, musicals, and town hall discussions. They build wooden ships to sail on the lake in front of the grandstand, and women knit fancy sweaters. A constitution is drafted, and thirty-eight candidates are elected to a congress the Army eventually shuts down. Uchida’s sister Keiko organizes a nursery school. Uchida herself teaches at an elementary school. Each morning, Uchida leads the children to school. Teachers hold open houses, organize PTA groups, and a Flag Day ceremony: “In spite of the circumstances under which the program was being held, I don’t think the children had any other thought than to do honor to the flag of their country” (91). Workers in Tanforan receive paychecks, and by July, the government issues scrip books worth money; internees buy candy or shoelaces from the camp canteen. Uchida and Keiko move into their own stall. Still, sicknesses develop. Red splotches develop on Uchida’s hands, and she’s diagnosed with Vitamin B deficiency. Keiko suffers a month-long cold.
By mid-August, official word arrives: from September 15 through 30, many prisoners at Tanforan will move to camps farther inland. This time, the Uchidas have too many belongings to fit in their “camp bundle.” In preparation for their departure, Uchida’s father “disassembled everything our friends had built for us when we first arrived. He saved every scrap of wood and every nail, and converted our shelves, tables, and benches into shipping crates” (101).
The central narrative in Chapters 4-6 chronicles the arc of Uchida’s family’s evacuation from their Stuart Street home in Berkeley into a ten-by-twenty-foot stall at Tanforan Assembly Center, south of San Francisco. The courage of Uchida’s mother and father, along with other Issei, is a key theme in these chapters concerning life at the former horse track converted by the U.S. military into a detention center. The strong sense of community established is another theme. Uchida relies on the technique of compiling factual evidence to illustrate the strength interned Japanese-Americans exhibited during World War II, adhering to a stricter linear mode and letting facts tell the story. In fact, every chapter except Chapter 5includes photographs illustrating the change from a steady, successful life in their single-story home, and bustling Christian community to life in a concentration camp almost just as organized around principles of faith and kindness.
Now halfway through Desert Exile, Uchida’s use of imagery and major symbols have solidified. Flowers, both Uchida’s mothers, and other instances of gardens are mentioned numerous times, suggesting flowers symbolize the constant regrowth, care, and friendship demonstrated by Issei. In Chapter 6, when the Uchidas’ Swiss neighbors from Berkeley learn the Uchidas are scheduled to move further inland, the neighbors bring “some of my mother’s London smoke carnations, the stems carefully wrapped in wet cotton” (100). Later, on September 9, the day the first contingent is set to leave for the Central Utah Relocation Center, a Japanese maintenance man “appeared with a wheelbarrow full of bright flowers from the camp garden, and gave bouquets to any who could reach out a hand through the barricade to accept his gift” (101).
Uchida also returns to the motif of knitting to show that though Mrs. Uchida’s life has changed, she remains busy and devoted to her family and tasks. Mrs. Uchida goes from knitting elaborate dresses for Uchida and Keiko to sewing curtains for the family horse stall to again knitting fabulous sweaters for her daughters. As these three chapters began with the Uchidas forced to leave one place, so the next three will begin the same way.
By Yoshiko Uchida