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40 pages 1 hour read

Stephen King

Dolores Claiborne

Fiction | Novel | Adult | Published in 1992

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Pages 81-159Chapter Summaries & Analyses

Pages 81-159 Summary

Dolores segues into her discussion of Joe’s mistreatment of her and their children, his murder, and its aftermath. Their marriage began when Dolores was 18 and Joe 19. Even at that point, Dolores admits it wasn’t a loving marriage. The first thing that attracted her to Joe was his forehead, which she used to admire in high school study-hall. The two began dating and Dolores soon found herself pregnant. Without options and wanting to leave her childhood home, Dolores agreed to marry Joe, telling him she loved him because “it only seemed polite” (84).

Shortly after their marriage, though, Joe begins to beat Dolores. Dolores initially accepts her abuse as ordinary treatment, recalling that her father “used his hands on [her] Mum from time to time,” and referring to a husband’s violence against his wife as “home correction” (87, 90). In addition to the abuse, Joe also drinks excessively, although Dolores contends he wasn’t addicted to alcohol and instead used his supposed “recoveries” to help him find employment and gain sympathy.

Dolores eventually retaliates against her abusive husband by hitting him on the side of the face with a cream-pitcher. She threatens him with a hatchet and Joe threatens to kill her. Dolores hands him the hatchet, telling him to “make the first one count so’s I don’t have to suffer” (98). Joe doesn’t follow through with his threat and Dolores states that was the last time he beat her.

Dolores’s moment of confrontation changes their relationship. In response to Dolores’s assertion of power, Joe becomes sexually impotent with his wife. Their daughter Selena, who witnessed Dolores’s violence against Joe with the cream-pitcher, turns against her mother, believing Dolores the abusive partner in the relationship. Soon, Dolores begins noticing changes in Selena.

Joe initially presents himself to Selena as a victim of Dolores’s abuse and anger, forming a bond with his daughter. Dolores notices a closeness develop between the two as well as a distance between her and Selena. As time progresses, though, Selena becomes increasingly withdrawn, changing from a lively and helpful teenager to a quiet and solitary girl who hides away in her room and avoids her family and friends. She also begins wearing “big baggy sweaters” and responding to questions with one-word answers.

Concerned for her daughter, Dolores at first suspects a boyfriend or drugs, but decides to confront Selena to learn the truth. Dolores rides the ferry to Selena’s high school where Selena admits that Joe has been molesting her, manipulating her sympathy for him to gain access to her affections and then her body. Fearing her mother’s anger and believing herself shameful, Selena had kept the story to herself.

Armed with her knowledge of Joe’s incestuous behavior, Dolores confronts her husband. After threatening to report him and send him to prison, Dolores feels confident that Joe will leave Selena alone. However, Dolores also begins to worry about her two other children. Her older son, Joe Junior, an excellent student and bookworm, is constantly harassed by his father and begins to hate him. The younger son, Little Pete, mimics and idolizes his father, leading Dolores to fear the boy “want[s] to grow up to be just like” Joe (159).

Pages 81-159 Analysis

Dolores’s perspective on her husband’s abuse evolves from passive acceptance to active fear and fury. As Dolores describes her relationship with her husband and children, she reveals her growing understanding of spousal abuse, her awareness of her husband’s true nature, and her own lack of agency. At the start of her marriage to Joe, Dolores seems unphased by his physical abuse, admitting that when he first abused her, she “thought it was a kind of love-play” (87). As she had witnessed her father hit her mother, Dolores accepted “home correction” as just a regular aspect of married life and “part of a man’s job” (89). In time, however, Dolores begins to view Joe’s abuse as too much to bear.

Dolores’s retaliation against Joe exposes both Dolores’s feminine rebellion and the fragility of Joe’s masculine power. Dolores uses a domestic item—a cream-pitcher—to strike her husband employing a tool symbolic of her oppression to make a bid for her autonomy. The pitcher symbolizes the prescribed domestic role of women in her community, the labor she performs for her family and the nourishment she provides. By using this everyday item as a weapon, Dolores turns her domestic labor into a tool for her empowerment. Dolores finally fights back, emasculating Joe (evidenced literally in his subsequent sexual impotence with Dolores) suggesting that his sense of power is rooted in a masculine form of violence that links physical abuse to sexual control and desire.

Having been emasculated by Dolores, Joe turns to Selena, finding in his teenage daughter a new object of desire made more appealing by the even greater power imbalance between father and child. By framing himself in terms of Dolores’s abuse, Joe gains Selena’s sympathy and concern. When Dolores confronts her daughter, Selena initially avoids using direct language about the abuse. She refers to her molestation in vague terms, telling her mother “I never wanted to do anything. He made me” (130). Dolores likewise avoids calling the events incest, instead asking, “Your Dad’s been at you, hasn’t he?” (132). While Dolores finally uses language that describes the sexual act, she avoids narrating the details because the story hurts her too much. The avoidance of direct language here points to the shame of sexual abuse and the power of words to uncover secrets.

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