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50 pages 1 hour read

Barbara Kingsolver

Flight Behavior

Fiction | Novel | Adult | Published in 2012

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 1-3Chapter Summaries & Analyses

Chapter 1 Summary: “The Measure of a Man”

Content Warning: The novel and this guide contain discussions of child death/miscarriage, alcohol addiction, and suicide.

Dellarobia Turnbow, a 27-year-old woman, is climbing up the main trail through her family’s farmlands to rendezvous with Jimmy, a young man from town. Dellarobia is married with two children, and she is acutely aware of how the news of her adultery will impact her husband, her children, and her already tentative social status in the community. However, her desire for something beyond the life of a housewife on a failing farm in rural Tennessee drives her to meet with her potential lover. Dellarobia describes it as being “Like a hunted animal, or a racehorse, winning or losing felt exactly alike at this stage, with the same coursing of blood and shortness of breath” (1-2).

As she climbs up the path, Dellarobia imagines how the townspeople will react to the news of her affair. She thinks they won’t be surprised, as their opinion of her from her younger years, that of a wild girl, will merely be validated by her adulterous behavior. Then she replays in her mind the events from earlier that day, including leaving her two children, Preston and Cordelia, at her mother-in-law’s house so she could have time alone to dally with Jimmy, the telephone repairman. Dellarobia also recalls the last time she climbed the trail, when she was heavily pregnant with her daughter, and went berry-picking with her husband.

As the path becomes steeper, Dellarobia considers the dark maroon, calfskin boots she bought at a secondhand store. She kept them hidden from her husband, Cub, so that she could have “[s]omething of her own” (8). The slick mud is ruining them as she walks. Dellarobia considers her decision to have an affair and justifies it to herself, as she feels ignored and taken for granted by Cub and her family.

As she reaches the last section of the trail, Dellarobia is stunned to see an incredible sight in the fir-lined valley in front of her. There is movement everywhere in colors so bright that the valley and trees seem to be on fire. Panicking at first, Dellarobia eventually realizes that the “burning trees were put here to save her” (21)—to guide her away from her sin. “The lake of fire” is “fierce and wondrous” (22), and she returns to her mother-in-law’s home a changed woman. Collecting her children, Dellarobia even talks back to Hester, her formidable mother-in-law, before taking the children back home.

Chapter 2 Summary: “Family Territory”

On shearing day, Dellarobia finds that her newfound feelings, assisted by her sharp tongue, are in full force. With five other ladies, she sits around the skirting table, waiting for the men to shear the sheep and pass the wool on to them. Hester, overly pious and “always dressed as if she might later be headed out to a square dance” (28), declares that the dry, comfortable day is a sign of God’s favor. Dellarobia mocks that attitude by saying that God must hate the Cook family, as their shearing day was not as fortuitous. Hester declares, “Something’s got into you miss, and it is not good. You’d do well to consult your maker on respecting your elders” (29).

Dellarobia is aware that after her vision in the valley of fir trees, she is less inclined to deal with Hester’s moral integrity and is “impatient with the pettiness of people’s everyday affairs” (29). She thinks that people are too self-important, “unaware the mountain behind them [is] aflame” (30). This includes the vacuous discussion that Valia Estep and her daughter, Crystal, engage in over the reality-television show Jackass.

Watching the sheep as they are brought in for sheering causes Dellarobia to compare humanity to the sheep’s “dumb helplessness,” though the sheep seem “cannier than the people” (31). While her children and Crystal’s children play in and outside the barn, Preston grabs a full white fleece and pretends to be a superhero. Despite Hester’s warnings, Preston tears the fleece apart, causing Hester to demand the children leave and forcing Dellarobia to babysit them all at home. Dellarobia considers how Cub became the man he is: by surviving childhood with the humorless and strict Hester.

At home, Dellarobia calls her best friend, Dovey, for help, but Dovey has been called into work. Dellarobia tries to express her vision to Dovey, saying, “I was blind, but now I see” (45). This statement confuses Dovey, as she knows Dellarobia is not particularly religious. When the women return home, Dellarobia leaves them with the children to see her husband in the barn. Cub tells her that his father is going to sell the land, including the valley, to loggers. He explains that they will cut the trees all the way down to the ground, and Dellarobia says, “They’ll make it look like a war zone […] a trash pile” (53). But Cub tells her it’s the only way for the family to make enough money to pay the bills and keep what’s left of the homestead afloat.

Dellarobia then tells Cub her secret about the miraculous vision in the valley. She encourages her recalcitrant and reluctant husband to stand up for what the family owns because it will belong to them when his father passes away. They get into an unexpected argument, with Dellarobia leaving the barn by telling him he should use his God-given feet to see the valley before it’s sold off to the highest bidder.

Spurred by Dellarobia’s comments, Cub convinces his family to take the ATV up the trail the next morning. There, they are amazed by the sight of “something taking over the world” (66). The fiery colors that Dellarobia saw were thousands of butterflies—so many that she feels engulfed by them. They fly around the family, hang in large clumps in the surrounding trees, and cover the pathway.

Cub argues with his parents that this sight is a miracle and that his wife had a vision about this sight. His father, Bear, states that they should all grab DDT and spray the butterflies with the poison. Again, Cub says no, and Hester agrees, saying, “This could be the Lord’s business” (75). Dellarobia is surprised that Cub stands up for her and what she saw. Butterflies fill the air between them all, Dellarobia becomes dizzy, and the family believes that she is receiving grace from God.

Chapter 3 Summary: “Congregational Space”

At church, Dellarobia drops off her children at Sunday school and goes into the Café in Christ bakery. Even though religion was imposed upon her through her marriage, Dellarobia is “not outside the believer realm entirely” (81). However, prayer failed her when her father and mother became ill, suffered, and died. As a lonely housewife and mother, the church could provide a social connection for her, but the fellowship does not fully accept her.

As Dellarobia enters the sanctuary to sit next to Cub, he holds her hand. She considers that she can make Cub happy but not herself and struggles with the idea that “she [is] cut out for something more” (83). As the service begins, Pastor Bobby informs the audience about how to acknowledge the sin in their hearts. Then he asks the audience to share what they love with God. Congregants call out names of people they love. Then, to Dellarobia’s shock, Cub stands up and tells the entire audience about the butterflies on the Turnbow property. He says that Dellarobia had a vision—that she “had this feeling something real major was going to happen on our property” (96). Even Hester has to agree with Cub to stay in Pastor Bobby’s good graces. As a result, Dellarobia is brought before the church as the group celebrates God’s hand in the vision. Suddenly, Dellarobia finds herself in the uncomfortable position of being popular: She is Sister Turnbow, the “new beacon” of the family.

Chapters 1-3 Analysis

The novel’s opening chapters immediately establish one of its key themes—The Complexities of Marriage and Motherhood—and its relationship to the work’s characters and setting. Dellarobia Turnbow is an unhappy woman, a housewife, and a mother of two children in a profoundly religious family on a rundown farm in Tennessee. Her means by which to strike back at her fate is to meet with a young man she plans to have an affair with at a cabin on the steep trail on her family’s farmland; the action is a symbolic challenge to both her community’s strict mores and, more specifically, to the cohesion of her own family.

On her way to the meeting, however, Dellarobia witnesses a fantastic sight: The valley at the top of the path is so alive with color that it looks like it is aflame. She equates this moment, one that changes her feelings and attitude, as something akin to a religious experience. The valley of fire turns out to be an influx of thousands of brightly colored butterflies, and Dellarobia finds her spirit affected by what she has seen. Upon word that her father-in-law is planning to sell the land to loggers, Dellarobia tells her husband Cub that it can’t be allowed to happen. Cub is easily dominated by his father and cowed by his mother, but in this instance, he surprises Dellarobia by taking his family to the valley to witness the sight and then by standing up in the church to proudly state that his wife had a vision. The butterflies thus become a symbol of the future growth in Dellarobia’s character as well as of change broadly.

Change, however, often entails loss. As Dellarobia begins to rediscover her true self, submerged through years of marriage, it impacts her relationships with her family and friends in ways that imply those relationships may not survive; her unfavorable comparison of the people around her to sheep, a common symbol of unthinking conformity, suggests deep-seated dissatisfaction with not only her marriage but with rural life in general. To grow, Dellarobia may need to leave. Meanwhile, the fiery imagery the novel associates with the butterflies hints at the important role that climate change will play in future chapters, which will include threatening the survival of the butterflies themselves. These opening chapters therefore pave the way for the novel’s exploration of Nature, Life, and Rebirth, rebirth only being possible in the context of literal or figurative death.

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