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81 pages 2 hours read

Sherman Alexie

Flight: A Novel

Fiction | Novel | Adult | Published in 2007

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Chapters 19-21Chapter Summaries & Analyses

Chapter 19 Summary

When Zits opens his eyes, he’s back in the bank in downtown Seattle. He has the two pistols in his coat—the real one and the paint gun. He remembers how he’s “supposed to kill for Justice” (141). He has returned to his body and feels all of his loneliness, anger, and ugliness again. He wonders if he’s ever really left his body.

Zits begins to wonder who he should shoot. He looks at a little blue-eyed, blond-haired boy standing beside his mother. She, too, has blond hair and blue eyes, and is beautiful. She smiles at her son, then she smiles at Zits, showing him with her smile how proud she is of her little boy. Zits waves at the child and the boy waves back. Zits quietly hates the boy for being so loved. He closes his eyes and tries to “step inside [the boy’s] body,” but he cannot be that little boy (141).

Zits turns and walks out of the bank. The sun is shining, but he wishes that it were raining, so the rainwater could cleanse him. He thinks about his first day of kindergarten. His mother walked him to the school, six blocks away from their apartment. He remembers how she assured him that the teachers would look after him, that he would make plenty of friends, and that she would wait for him until he got out of school. However, Zits never made any friends, he never learned much, and his mother soon died.

After her death, he went to live with his Aunt Zooey—Auntie Z. She lived in an apartment with her boyfriend, “who smelled of onions and beer” (143). He also sexually abused Zits. When he told his aunt, she slapped him. He cried at night for his mother, which only prompted Auntie Z to slap him again and to scream at him to stop crying. Her boyfriend returned to his room on some nights to abuse him and whispered to him that he was a liar who no one would ever believe and no one would ever love. In response, Zits learned to “stop crying,” “learned how to be somebody else,” and became “cold and numb” (144). Then, at eight-years old, he ran away for the first time. 

When he was nine, he poured lighter fluid onto Auntie Z’s boyfriend and tried to set him on fire while he slept. He didn’t succeed. The man woke up and beat Zits so badly that the boy ended up in the hospital. When the boyfriend left Auntie Z, she blamed Zits. When he was 10, Auntie Z abandoned him.

Zits ended up in foster care by age 11, but ran away and found a surrogate family with “three homeless Indians from Alaska” (144). At 12, he ran away from a “seventh foster home” (145). At 13, he smoked crack for the first time and, at 14, stole a car that he crashed “into a building beneath the Alaska Way Viaduct” (145). Then, at 15, he met a boy named Justice who taught him how to shoot guns and convinced him to commit a mass shooting at a bank. He admits to himself that he needs help.

Zits walks around downtown Seattle until he sees a police car parked outside of a cheap diner. He walks in and sees Officer Dave sitting with his partner. Officer Dave greets Zits, who raises his hands and tells Officer Dave and his partner that he has two guns in his pocket and that one of them is real. Both cops stand and touch the guns in their holsters. Officer Dave warns Zits not to joke around about something like that. Zits assures him that he’s not joking, that he really has two guns and would like Officer Dave to take them away from him.

Chapter 20 Summary

Officer Dave confiscates Zits’ guns and takes him to the police station, where a detective—“a big black man with big eye glasses”—interrogates him (147). He tells them that he got the guns from a boy named Justice whom he met in jail a few months ago. The detective, however, doesn’t believe this story and thinks that Zits invented Justice. He pulls out a copy of the bank’s security tape and plays the video. Zits sees himself on the video, walking into the bank and standing “near a huge potted plant” (148). He laughs at how ridiculous he looks standing next to the plant, as though he’s “trying to hide behind it” (148). Officer Dave and the detective laugh, too. Zits knows that this is only funny because he walked into the bank but didn’t do what he intended to do. Every customer, teller, and security guard is still alive. Then again, maybe they’re all laughing to make him see how “unfunny” all of this is (149).

Zits sees himself in the video patting his coat several times. The detective asks what he was doing. Zits says that the was checking to see if he still had his guns. He admits that he was thinking about using them. Then, everyone notices how Zits’ image flickers then briefly disappears. The detective blames it on a glitch in the tape. They see Zits on the video “staring at the little blond boy and his mother,” smiling and waving at them (150). The detective, who Zits has quietly nicknamed “Eyeglasses,” asks who those people were. Zits admits that he didn’t know them but was friendly to them because they seemed so beautiful to him. Detective Eyeglasses “snorts” in response, but Officer Dave smiles. Zits figures that Officer Dave is a parent, too.

The detective asks Zits if he knows where Justice is. Zits says that they lived in a warehouse in SoDo—the industrial district. Zits takes them to the warehouse and “[waits] outside with two rookie cops while Dave and Eyeglasses and a SWAT team” swarm the building (150). No one is there. Eyeglasses emerges and takes Zits up to the room that he shared with Justice where he sees “empty cans, bottles, and plastic containers” (150). There are also “two beds made out of newspaper and cardboard” as well as photos of people with “crosshairs painted over their faces” (150).

The cops take Zits to a holding cell. He figures he’ll be transferred to another halfway house or juvenile hall. Then again, he could go to prison this time. Officer Dave visits, leans against the bars of the jail cell, and warns Zits that he’s going to die. Zits tries to act tough. Inside, he feels fragile, but he keeps up the act, telling Dave that he doesn’t care if he dies. He also refuses to believe that Dave or any cop really cares about him. He sees that Dave, who confesses that he “[cares] too much,” is crying (150).

Officer Dave tells Zits a story about going on a 911 call. A man reported hearing babies crying incessantly. Dave looks up at the ceiling while he speaks, as though the image were playing out above him. He tells Zits about pulling up to “[a] small, dirty house” with garbage strewn on the lawn and “[t]wo broken cars in the driveway” (152). He and his partner knocked on the door, but no one answered. Dave put his ear to the door and told his partner that he heard water running. He stepped off the porch and peered through a front window, where he saw two people lying on the floor. Officer Dave and his partner “[drew] their guns and burst through the front door” (152). They entered and saw two people—a man and a woman—passed out on the floor. Around them were empty beer, wine, and liquor bottles; “crack pipes,” and “the stink of meth” permeated the room (152). Dave’s partner kicked the man to wake him up; Dave walked into another room, following the sound of running water, which flowed into the hallway. The water was cold.

Dave walked toward the bathroom. As he got closer, the water got deeper. His partner joined him at the door. Dave turned the knob, but couldn’t open the door. He pushed hard against it. When it gave way, he saw two toddlers lying on the floor with burn marks on their legs, backs, and stomachs from hot water. Water still flowed from the faucet, but it had become ice cold. Dave knelt down and picked up the babies, “one in each arm” (153). He looked into their eyes, which “[were] open and blue and blind” (153). He knew that the children were dead. He cried in despair, wanting to go back an hour to when he could have saved them.

Now, standing outside of Zits’ cell, Officer Dave cries again. Zits isn’t sure if he’s the one in jail or if Dave is.

Chapter 21 Summary

Zits is put into counseling for months, until the authorities determine that he’s not dangerous. He figures that he’s probably “unlovable” (154). The state places Zits in yet another foster home—this time with Officer Dave’s brother Robert, who is a firefighter, and Robert’s wife, Mary, a nurse. Zits wonders why Officer Dave sent him to live with his brother, instead of looking after Zits himself. He wonders if Dave avoided that prospect, out of fear of disappointing Zits.

Zits arrives at Robert’s house in the middle of the night, in the company of social workers. They escort him to a “little bedroom” in the house, where he eventually falls asleep in his new bed (156). An alarm clock plays the Blood, Sweat & Tears song “I Love You More Than You Will Ever Know—the song his mother used to sing to him.

Zits walks into the kitchen, where he sees Officer Dave eating a breakfast of oatmeal, fruit, and sausage with his brother and sister-in-law. Both Robert and Mary are in their respective uniforms, prepared for work. Zits notices Mary’s large, high cheekbones and wonders if “she’s a little bit Indian” (156). She greets him and Robert holds out his hand and introduces himself. He and Zits shake hands. Officer Dave looks at Zits, who wonders if Dave is still thinking of those two drowned babies. He offers to take Zits and Robert to a Mariners game after work. Zits is tempted to say whatever, as he usually did in response to his foster parents’ entreaties, but he knows that Dave means it and is just as interested in Zits’ well-being as his new foster parents are.

Robert asks if Zits has ever seen a baseball game in-person; he hasn’t. Robert tells him that they can gorge themselves on lemonade and hotdogs. Mary interjects, refusing to allow Zits to eat junk. She says that she’ll pack him “some fruits and vegetables,” and insists that he drink plenty of water (157). She smiles at him. Her teeth are perfect. She tells him that she would like Zits to permanently stay with them, which takes him by surprise. Dave smiles, too—“goofy and big” (157). Zits senses that Dave is trying to save him, but he thinks that maybe he can save Dave, too.

Dave and Robert leave for work, leaving Mary and Zits alone. Mary announces that after breakfast, she’s going to take Zits “down to the new school to get [him] enrolled” (158). She’ll then go to work for several hours, return, and pick up him. She tells Zits that she’ll meet him outside of his new school at 2:45. He asks her if she’ll really be there. She promises that she will be. Now, Zits says "whatever," prompting Mary to lean in close to assure him that, when she makes a promise, she keeps it (158). She asks if he believes her; he says he does. She tells him to finish his breakfast.

Zits eats then goes to the bathroom to prepare for school. He hears a knock at the door. Mary asks if she can come in. Zits tells her that he’s “decent” and surprises himself with his usage of the word (158). Mary enters, “carrying a bag of stuff,” which turns out to be skincare products (160). She tells Zits that they have to work on clearing his skin. He says that he knows that he’s ugly. She refutes this, calling him “handsome, actually,” but assures him that he’ll “be a lot happier” with proper skincare (160). She shows him how to use each product. With proper usage, she assures him, he’ll be “brand-new” (160).

Zits begins to cry, and Mary hugs him. No one has so warmly hugged him since his mother died. He feels both happy and frightened. He remains aware of the cruelty in the world and how vulnerable children are. He also remains aware of his sense of himself as “a betrayer” (160). However, now he thinks that he’s “been given a chance” (160). He feels like he has “an almost real family” (160). He repeatedly tells Mary that he’s sorry, while she assures him that he’ll be fine. He then tells her that his real name is Michael and asks that she please call him Michael.

Chapters 19-21 Analysis

In this section, Zits reaches the end of his narrative arc: He’s been presented with his internal conflict and the character must now achieve a resolution. At the beginning of the novel, he made the decision to “[k]ill for Justice,” a double entendre that references both his friend, who may have been imaginary, and his need to seek retribution against the world for all the ways it hurt him.

While standing in the bank, staring at the loving mother and her son, Zits finds that, in an effort to feel loved as the boy is loved, he’s unable to teleport into the boy’s body because he knows that he has never felt love beyond his vague memories of his early life with his mother. He cannot identify with the little boy’s purity nor his unyielding trust in his mother and even in strangers, prompting him to smile at Zits. This awareness of the boy’s sense of safety makes Zits envious, which creates his simulataneous feelings of wanting to be the boy and of hating him.

He chronicles how he learned early to distrust institutions, starting with his experience of kindergarten. This mistrust snowballs as a result of recurring experiences of being unable to depend on adults. He assesses, too, how his life spiraled out of control after his experience of sexual abuse. The narrative never makes it clear if Zits understands that he isn’t at fault for the ways in which he has been hurt, but he does come to acknowledge that he’s responsible for the ways he chooses to cope with his trauma. This leads to his decision to turn himself in to the police. It is also unclear if the character of Justice actually existed, or if he was a figmentary companion created as a result of Zits’ loneliness.

Dave’s expressed fear of Zits’ impending doom strikes Zits differently than expected. His teleportation experiences showed him what death can look like—something that he had only known about within the context of cinematic fantasy. Dave seeks to concretize death for Zits by telling his story about the deaths of neglected toddlers. This, too, plays out like a movie in Zits’ imagination; however, the story helps him see how his indifference could lead him to perpetuate the abuse and addiction that likely characterized his own father’s existence.

As Dave relates the experience, Zits senses how people, including himself, can become imprisoned by their memories of trauma—that is, they become defined by their emotional injuries and response to the world as though they are trying to avoid revisiting their pain. The repetition of the Blood, Sweat & Tears song signals a resolution to the character’s chief conflict: his ambivalence about being loved due to his fear of being betrayed.

Zits’ new foster mother, Mary, restores his faith. His perception of Mary’s cheekbones is a sign of his affinity with her. Mary’s promise that Zits will be “brand-new” if he uses the skincare products echoes his earlier feeling of wishing that it would rain after he emerged from the bank so that he could be cleansed by the rainwater. Zits’ eventual adoption gives him a chance at a new beginning—a figurative rebirth. In this regard, Dave’s prediction that Zits would die comes true: The version of Zits who steeled himself against the outside world to avoid vulnerability is gone. The old version of Zits has been overwhelmed by the child (someone very similar to the little, innocent boy in the bank) that has always existed inside of him—someone who has hungered for love and structure. Mary provides Zits with what he has coveted most, leading him to feel safe enough to resume and rescue his identity as Michael. This resumption of his birth name is also a sign of his rebirth, and an assurance that he will give himself the second chance that he deserves.

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