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T. S. EliotA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The “Four Quartets” are full of nature imagery which functions to evoke a variety of emotions and memories in the reader. Images of gardens, flowers, rivers and seas, the earth, and the night sky combine to convey a sense of wonder: The presence of life in all of its natural forms is a marvel of grandeur. Against the omnipresence of nature are humans, who, in many instances in the poem, appear secondary to nature, as if they have been drawn or positioned by a higher power. The dancers around the bonfire in “Burnt Norton” are doll-like in their crude descriptions, and the surgeons, doctors, and nurses of “East Coker” merge with the bodies they are trying to help, blurry in their lack of individuality.
Specific images of nature convey the paradox of life and death. Water imagery is both dangerous and replenishing, symbolizing both death and life, as illustrated by the rivers and the seas of “The Dry Salvages.” Early in “Burnt Norton,” the lotus appears in a pool that is dry one instant and shimmering the next. The lotus is a flower that blooms even in inhospitable conditions, like an empty pool; in this context and others, the lotus symbolizes regeneration for its ability to survive and display beauty in the most difficult circumstances. The stars fight in “East Coker” as the constellations’ war echoes the violence of the war in Europe at the time of the poem’s publications, only to disappear into the darkness like the men whose lives are extinguished by WWII.
Several significant events take place in the “Four Quartets” at the cusp of daybreak, suggesting that the transition between day and night is just as important as the events themselves. Throughout the poems, sunrise and nightfall, and the changing effects of the seasons all mark the passage of time. The speaker points out if day represents life and night represents death then humans have nothing to fear because day always follows night. The message is clear when the time is distinct, but liminal times are mysterious—at once ominous and beautiful.
According to the speaker of the poem, life can be understood as one lengthy liminal time transitioning humans from birth to death. Human focus on life is ironic as the two most impactful events are birth and death. The irrational nature of this idea is one of the many internal conflicts the speaker encourages himself and the reader to accept.
Sometimes, the liminal times of life contain further transition characterized by suffering and uncertainty. Life can involve injury and illness inviting death, as evidenced by the doctors and nurses of “East Coker” fighting to save lives. As patients and injured soldiers fall unconscious, they exist in another kind of liminal time, awaiting healing and renewal or the finality of death. The women who worry and wait for their mariners to come home from sea in “The Dry Salvages” are also forced into a kind of earthbound purgatory, waiting to discover if their loved ones are alive or dead.
Liminal periods carrying a more optimistic message in terms of the seasons are also present, as images of spring flowers emerge in the snow of winter; this draws attention to the strength of spring’s renewing energies. Elsewhere in nature, transition times take place in a flash, contrasting with the length of human life; in the rose garden of “Burnt Norton,” the lotus disappears as soon as it arrives, thanks to the changes of light altering the appearance of the pool. The emphasis on transitional time reveals that the power of the sun and the spring—symbolizing renewal and rebirth—is more powerful than the night, which symbolizes death and finality.
The mythical character of the Fisher King plays a major role in the Four Quartets, as he functions as an important symbol of several different elements of the poem. In Arthurian legend, the knights Galahad, Percival and Bors de Ganis, met the Fisher King on their quest for the Holy Grail. Disabled by wounds he received in battle, the Fisher King passes the time quietly fishing as he is no longer able to ride a horse.
The Fisher King’s link with fish invites a straightforward comparison of the Fisher King to Jesus Christ, one of the religious signifiers most frequently alluded to throughout the Four Quartets. Jesus, often referred to as a fisher of men, performed one his most well-known miracles when he fed thousands of people with only five loaves of bread and two fish, according to the gospel of Matthew. As well, the Greek word for fish, ichthys, signified the phrase “Jesus Christ, Son of God, Savior” to the earliest Christians.
As well, the Fisher King’s injured passivity represents the lack of agency afflicting all of humanity at this time in history. Previously potent and heroic, the Fisher King, like humanity, now spends his days suffering the passage of time and remembering the vitality of a long-ago time.
By T. S. Eliot