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Matthew McConaugheyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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McConaughey thinks he wants to become a lawyer and enrolls at the University of Texas for his undergraduate degree. During the program he realizes that he is a gifted short-story writer and decides to go to film school instead. When he explains this plan to his father, a lifelong blue-collar worker who has struggled to pay the bills since the downturn in the oil industry, his father tells him not to “half-ass it,” which gives him both a sense of responsibility and the freedom to pursue his dream (Location 1126).
At film school, tanned, shirt-tucked-in McConaughey does not fit in with his pale Goth classmates. He prefers blockbusters to art house films and cuts school to gain real-world experiences such as working in a talent agency, becoming a hand-model and working at the Catfish blues bar, where McConaughey makes lifelong friends. He graduates from film school with C’s rather than A’s, but feels he learned more about life for not working so hard at school. One day, after work, McConaughey goes to the Hyatt hotel, where the producer Don Phillips also happens to be drinking. At the end of a drunken night, Don offers him the opportunity to audition for the part of Wooderson in a movie called Dazed and Confused. McConaughey channels the image of his brother Pat to enhance his characterization of the 22-year-old who wants to continue living like a high-schooler. He convinces the director Richard Linklater that he understands Wooderson, and gets the role. While on set, McConaughey believes that he has become Wooderson. This is a turning point because, although at this early stage he still considers acting a hobby, it will ultimately become his career.
Five days into shooting the film, McConaughey learns that his father has died from a heart attack while having sex with his wife. McConaughey drives home to Houston and they have an Irish wake in line with his father’s wishes. McConaughey considers that “losing my father […] was my most seminal rite of passage into manhood. No more safety net. No one above the law and government looking after me anymore” (Location 1302). He considers that it is time to dispense with any remaining vestiges of “boyhood whimsy” and to behave as a real, go-getting adult (Location 1313). He drives back onto the film set four days after the wake.
He plans to move to Hollywood and sleep on Don Phillips’ couch, but not before booking a one-day gig as Renée Zellweger’s love interest in Texas Chainsaw Massacre: The Next Generation. After asking for an impromptu audition, he ultimately scores the better role of Vilmer, a killer with a mechanical leg.
When he makes it to Hollywood, McConaughey goes in search of his next job. Don tells him that he is too needy and mandates that he takes a break and does not come back until he changes his energy. As a result McConaughey and two friends from the Dazed and Confused cast go on a motorcycle trip around the European Alps. He returns to Malibu refreshed, with “more great stories to tell” (Location 1442).
When McConaughey returns to Hollywood, the William Morris Talent Agency signs him. The roles come easily to him; he gets roles in Boys on the Side and Angels in the Outfield, achieving the latter by virtue of having an All-American look and baseball experience.
After these two films, McConaughey obtains his own Malibu loft on the beach and starts taking acting classes, deciding he should learn some professional techniques to accompany his natural instincts. However, he finds that this makes him less spontaneous and daring in auditions, which results in fewer roles. When he finally lands a small role in Scorpion Spring, he decides not to read the whole script and throws himself into the role without over-intellectualization. He creates his own backstory for the drug runner he is playing and arrives on set already in character; his strategy backfires when he finds out the script is in Spanish. McConaughey concludes that acting involves an ideal balance where “we have to prepare for the job so we can be free to do the work” (Location 1593).
McConaughey plays a long game with view to landing the role of Jake Brigance in the movie A Time to Kill, based on a John Grisham novel. While the director initially prefers Woody Harrelson and is skeptical about casting a relative unknown in a lead role, McConaughey lands a special audition with Joel Schumacher two months later after he makes a bid for the role. His mother advises him “don’t walk in there like you want the role, Matthew, walk in there like you own it” (Location 1631). At first he gives an on-script audition but then he goes off script, believing his own work to the extent that he feels sick to the stomach with rage. The role makes him famous enough to be recognized in the street and to be offered far more scripts than he can take.
McConaughey retreats to the desert and confides in a monk named Brother Christian about the pressures of fame and not feeling truly like himself. Meanwhile, his mother has become so enamored with the idea of having a famous son that she goes on a confessional show called Hard Copy and takes the camera crew on a guided tour of the family home. This initially causes McConaughey’s relationship with his mother to become strained, but eventually he lets her share in his fame and red-carpet glamour and allows her to take credit for his aptitude for performance.
When the largely romantic comedy roles he is playing fail to present a challenge for him, he follows his wet-dream image of the Amazon River on a solo trip to Peru. He struggles with himself on the trail of this natural wonder before at last finding peace. He lives the image in his dream, floating naked down the Amazon River. He also has a vision of a mermaid, who will appear again later in the image of his wife.
On his return to Hollywood, McConaughey balances more philosophical roles with numerous hikes and canoe trips where he discovers the natural world. He takes his dog and they go on expeditions with his trailer.
McConaughey begins to find more satisfaction and inspiration from his travels and personal adventures than from his acting work. For example, he rents a house in Tarrytown, near Austin, Texas to have more space and privacy. He becomes infamous when he gets arrested for disturbing the peace while playing the bongos naked and smoking marijuana. This makes him a legend but also generates so much publicity that he has to leave Tarrytown.
Upon leaving Tarrytown, he takes up residence at the Chateau Marmont in Los Angeles, an exclusive hotel for celebrities. There he has multiple, ephemeral romantic relationships and lives a hard-partying lifestyle.
Professionally, McConaughey is offered multiple roles in romantic comedies, such as The Wedding Planner, How to Lose a Guy in Ten Days and Failure to Launch. Although he enjoys the opportunity to entertain audiences and transport them away from their drab lives, he finds these roles emasculating and feels they do not sufficiently challenge him.
He is thrilled to land the role of dragon slayer Denton Van Zan in the 2002 film Reign of Fire; he gets into the warrior spirit by shaving his head and enduring a punishing exercise and daredevil regime at his brother’s West Texas ranch at the height of summer. His regime incorporates wrestling cows in 108-degree heat and waking up to a shot of tequila. McConaughey goes to Ireland to shoot the role and, during filming, has the same wet dream he had years earlier that led him on his trip to the Amazon. This time he is captivated by the African drummers in the dream.
He follows the dream to Mali, where he goes to meet one of his favorite musicians, Ali Farka Touré. He then follows the advice of a man called Issa to go to a place where the Dogon people live. On the way, he has such experiences as camel-racing in the Sahara. McConaughey tells the Dogon people that he is a professional writer and boxer. As a result, a rumor spreads that he is a famous boxing champion and in a village called Begnemato, a man called Michael, the champion wrestler of his village, challenges him to a fight. Although he is intimidated, he agrees, knowing that he will regret it if he does not accept the challenge. At the end, the locals appreciate that he has participated and they accept him.
In contrast to his travels, he finds that acting is “nourishing my spirit less and less” (Location 2423). He senses that he needs to change track and buys a house in the Hollywood Hills that would fit a family of five.
These middle chapters chart McConaughey’s foray into acting. Unlike many actors, he is not driven by the desire to impersonate others, but the desire to tell interesting stories. His own drive for adventure and ability to tell interesting stories are what leads him to success in roles such as Wooderson. For example, when he learns that the character Wooderson is 22 years old and still likes hanging around high schools, McConaughey channels the image of his older brother and role-model Pat leaning against a wall “casually smoking that cigarette in his low-elbow, loose-wristed, lazy-fingered way, through my romantic eleven-year-old little brother’s eyes, was the epitome of cool” (Location 1243). With this compelling image as his guide, McConaughey becomes the character without having to think too much about it. When he finds that a traditional approach to acting and auditioning does not get him roles, McConaughey is able to return to his storytelling roots and draw inspiration from his own life to set him back on the path to success.
However, another factor that gets McConaughey through the door is his physical attractiveness and masculine physique. He looks the part of the wholesome All-American heroes that abound in Hollywood films, especially in romantic comedies. McConaughey considers his experiences in romantic comedy an “emasculation,” reflecting the fact that romantic comedies tend to be the one genre where female characters are more developed than the males and the male lead is written in response to the female lead, rather than the reverse. This is not only an example of his commitment to interesting, substantive stories and roles, but is one of the first major examples of greenlights that turn sour and become red lights. What once would have been a thrilling greenlight—landing leading roles in major films—becomes a red light as time goes on, as the roles themselves fail to align with his values and skills. This is one of the main lessons that greenlights represent for McConaughey, namely, the importance of staying agile, alert, and endlessly flexible as life pulls us in new, sometimes unexpected, directions. The dreams that inspire his Amazonian and African adventures are fresh greenlights, drawing him in new directions toward new adventures and paths—paths that align with his authentic truth.
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