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67 pages 2 hours read

Riley Sager

Home Before Dark

Fiction | Novel | Adult | Published in 2020

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Chapters 5-8Chapter Summaries & Analyses

Chapter 5 Summary

Maggie returns to the house. Before going inside, she calls Allie, who reminds her that she doesn’t have to do anything at the office. Maggie hopes to spend the summer renovating the house so that she can sell it. Allie is uneasy that Maggie wants to dig around in the house during her work, looking for clues, but Maggie has agreed to call or text Allie daily. As she drives past the gate, she perceives it as a way to lock people in, not to keep them out.

Dane Hibbets—Walt’s handsome grandson and the current caretaker—startles her at the house. He offers his condolences for her father’s passing. Maggie is surprised when Dane says her father was still paying the Hibbets and the Ditmer families before he died. He also tells her that Elsa Ditmer now has Alzheimer’s, and that Ewan visited once a year to check on them. Now Maggie is even more confused about why her father was so adamant that she stay away. Dane says Ewan always came on July 15; the night they left the house for good. He only ever stayed for one night. When Dane hints that he could use some work, Maggie hires him.

She notices the baneberries as she drives to Baneberry Hall. When she sees the house, it looks better than she expected. She leaves her mother a message about her project, knowing that Jessica is traveling and won’t get the message until she’s far away. Inside the house, she smells decay and wonders why she isn’t scared. She’s surprised at the quality of the upkeep and realizes that all of her alleged memories are from the Book.

The painting of William Garson is gone. In its place is a gray, painted wall. In the kitchen, she notices a water stain on the ceiling. In the study, she sees the beautiful desk and a photo of her and her parents. She doesn’t like how happy they all look. On the desk is a letter opener with the initials W. G. On the back of a sheet of paper, she sees the handwritten word “WHERE??.” It’s not her father’s handwriting. Hearing a creak from the Indigo Room, she investigates but finds nothing there. However, she sees movement in the mirror on the desk. The movement is in the Indigo Room. She thinks of Mister Shadow, but the Indigo Room is empty, and Indigo’s portrait is gone. Suddenly, an old woman in a nightgown rushes at her from the shadows. She calls Maggie “Petra” (71) and says she’s happy that she returned.

Chapter 6 Summary: “June 26—Day 1”

The novel returns to Ewan’s narrative. The Holts keep most of the furniture in the house but bring their own beds. Jessica burns sage, even though she doesn’t really believe it will help. Elsa Ditmer, a pleasant, religious woman in her forties, helps them move in. She gives them a gift of bread and salt before she and Ewan break plates on the ground as a good luck charm. Ewan says he feels luckier than Curtis Carver, and Elsa gets quiet. She says he was a monster. He started out charming, but worsened as his daughter grew sick. When Ewan asks her for details about the Carvers, Elsa tells him that she has two daughters: Petra is 16, and Hannah is six. They miss Katie Carver, whose father smothered her with a pillow before putting a trash bag around his head and tightening it with a belt.

A bell rings from the Indigo room and Elsa immediately looks worried. When Ewan investigates, he sees a snake in the fireplace. He covers it with a drop cloth before taking it outside and releasing it into the woods. Elsa watches him and then tells him to break more plates.

Chapter 7 Summary

The woman Maggie encounters in the Indigo Room is Elsa Ditmer. The police chief, Tess Alcott, answers the call when Maggie reports the intrusion. Elsa’s daughter, Hannah, comes to get her mother. Maggie realizes that they’re all characters from the Book. These are the only people from her father’s story that she’s ever met. At first, a confused Elsa thinks Maggie is Petra. Hannah refuses to shake Maggie’s hand, as if Maggie is her enemy, despite being only six at the time of the story.

Alcott says the Book was a problem for Bartleby and they all wish the house would disappear. She adds that they had to station officers outside the first year after the Book came out. They called the invasive sightseers “ghouls.” When Maggie asks what happened to Petra, Alcott says she ran away 25 years earlier, but no one can confirm the theory. Alcott filed the report that started Ewan’s fame. They make tea, and Alcott says she knew she had to answer the report when Maggie’s call came from Baneberry, but she never expected to return to the house. She says Ewan told her the story that he would write later on the night he gave her the report. Maggie suddenly remembers standing next to a wall dripping with green paint and covering it with gray. After she put her hand in the primer, Ewan had her make a handprint on the wall so that she’d always be part of the house.

It's not a good memory because of Ewan’s lies. Now Maggie worries what other memories might return. She asks why Alcott thinks he told her the story that night, even before Ewan wrote his book. Alcott thinks it was the start of a con and Jessica was probably helping him. She thinks the newspaper would have been their next stop if she hadn’t filed their report. During her investigation, she didn’t see anything ghostly, but she remembers Maggie’s scar. Maggie tells her everything about what led her there except her father’s dying words. She says she’s going to speak with everyone she can find whom Ewan mentioned in the book. Alcott says Janie June is dead—but Brian Prince, the author of the original Gazette article, is still in Bartleby. Regardless of whether Ewan’s story was true, Alcott admits to wondering if the book might have some truth because she knew they were all terrified. After Alcott leaves, Maggie finds a desk drawer open. The letter opener is gone.

Chapter 8 Summary: “June 27—Day 2”

They sleep poorly the first night. Ewan dreams of the sounds of doors being opened and shut. Maggie begs them to let her spend one night in their bed after the unfamiliar noises scare her. In the night, Ewan hears one thud above that seems to be more substantial than a dream. When he went downstairs, the chandelier was on. When Jessica came down in the morning, she says she heard the same noises.

Elsa brings her daughters to help them unpack a few hours later. The girls—Hannah and Petra—both resemble Elsa. Hanna is lively and immediately wants to play hide-and-seek with Maggie. Petra is quieter. She’s 16, tall, and wears a crucifix. Ewan hopes they’ll help Maggie forget the uneasy night. Maggie has never made friends easily and they worry that she’s lonelier than she admits.

Bell number four—which connects to Maggie’s bedroom—rings while Ewan is unpacking. It keeps ringing, loudly, as if someone is yanking the cord. When he reaches the room, Maggie says a girl was there and that it wasn’t Hannah or Petra. She says the girl went into the armoire. Elsa asks whether Maggie is “sensitive” and says the Carver girl was as well.

Ewan remembers Elsa’s words that night when the banging noises start again. He goes to check on Maggie and sees her door close as he approaches. However, when he enters, she’s asleep. He thinks irrationally that it must have been the girl she saw. The armoire doors are open.

Chapters 5-8 Analysis

Ewan’s dying words raise the most significant thematic question of these chapters. He tells her on his death bed: “It’s not safe there. Not for you” (57). For someone who believed that the house was truly haunted and dangerous, this would sound like a warning about staying safe. Maggie, however, believes that her father lied about the house, so she thinks his comment might be an attempt to prevent her from discovering his deception, highlighting the theme The Corrosive Effects of Secrets and Guilt. However, his comment—as well as his final apology—foreshadow his actual motivation: He wanted Maggie to stay away from the house so that the potential discovery of Petra’s body could never be linked to her, which underscores the theme The Value and Burden of Family. The house isn’t safe for her—but she doesn’t understand why it isn’t safe for her until the novel’s end.

Alcott shares her suspicions when she says of Ewan’s story: “I think it was a long con […] That your father—maybe your mother, too—was laying the groundwork for what was to come. And naive me was their patsy” (85). She doesn’t understand that she wasn’t their patsy, although Ewan and Jessica did use Alcott as part of their carefully constructed story that would protect Maggie from the knowledge of her involvement in Petra’s death.

This section emphasizes the theme House of Horrors and Maggie’s Search for an Identity: Maggie’s interactions with Alcott, Dane, and Hannah suggest her developing questions about identity. Before meeting them, she can only conceive of them and their families as characters in the Book. Now, she realizes that she knows their identities only through her father’s viewpoint in the pages of House of Horrors, which is also how the others have defined her. Her realization that they’re real people, not mere characters rendered by her father’s words and motives, will begin to show her that she wasn’t the only one affected by her father’s story.

Elsa Ditmer’s faith provides a new tension between Maggie’s trust in empirical science and the comforts of spirituality. The Ditmers are a Christian family, but Elsa’s breaking of the plates demonstrates that she’s also open to various forms of superstition, such as the gesture intended to bring them luck. Ironically, Jessica’s view is similar to Maggie’s, but Jessica still finds comfort in burning sage when they settle into the house.

When Elsa asks whether Maggie is sensitive to things that other people aren’t, she raises the question of whether Maggie is closer than others to the spirit world. Initially, Ewan dismisses the notion, but when the noises scare Maggie at night, he tries to see the house from her perspective:

It dawned on me that her advice about believing Maggie in reality meant seeing things through my daughter’s eyes. To understand that, even though I knew these were the sounds of a house settling, they could seem quite menacing to someone so young (95).

Ironically, Ewan’s attempts to see things through Maggie’s eyes—to temporarily take on her identity in order to empathize with her—doesn’t prevent him from writing House of Horrors, which forms an unwelcome identity for her.

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