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Walt Whitman

Hours Continuing Long

Fiction | Poem | Adult | Published in 1860

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Literary Devices

Free Verse

The poem is written in free verse. It does not observe any regular meter and makes no use of rhyme. Stylistically, the poem is made up of Whitman’s characteristic long lines, although the lines vary in length and rhythm. All but one of the 12 lines (Line 1) cannot be fitted typographically on the printed page as one line, so they extend to two or three printed lines, but only one line of poetry is intended. This follows the poem’s appearance in Whitman’s original manuscript: Where the poetic line continues into a second and third line of the manuscript, each continuing line has an indentation at the beginning. When a new line of poetry begins, there is no indentation.

Repetition

The word “Hours” is repeated at the beginning of Lines 1 to 5 and again in Line 7. (The word also appears in Line 6, but the order is altered, with the description of the hours coming before the word itself.) Repetition of the same word or words at the beginning of a line is known as anaphora or epanaphora. In this case, the many repetitions of the word “hours” create continuity and a feeling of increasing intensity. The repetitions literally develop the notion of “Hours continuing long,” the phrase with which the poem begins (Line 1). Each mention of the hours is distinguished by how Whitman is experiencing them, for example, “Hours sleepless” (Line 3) and “Hours discouraged, distracted” (Line 4). Thus, each line, while beginning with the same word, advances the theme of the poem by the accumulation of more detail.

Lines 8 and 9 continue the pattern of anaphora, because both lines begin with the same word, “Is,” and the second part of Line 9 introduces the form of the questions that will follow: All begin with the word “Does,” which is the first word in Lines 10, 11, and 12.

Whitman frequently referred to his poems as songs, which gives a clue to how this pattern of repetition might be understood. Music depends on repetition in a way that prose or poetry does not. One can imagine this poem set to music (as so many of Whitman’s poems have been). The first note, accompanying the word “Hours,” would likely be a bass note and chord, followed by a melody continuing for several measures before the music returns to the same bass note/chord for the “Hours” in Line 2, followed by another melodious passage, and so on.

Parentheses

Like repetition, the placing of phrases or sentences in parentheses is a common occurrence in Whitman’s poetry. It occurs here in Lines 5 and 6. Whitman uses the parentheses to step back from the immediate narrative and reflect on it. The parenthetical passages thus add to the cumulative effect of the poem. In Line 5, for example, he extends the time covered from hours to “weeks and months,” which provides a longer perspective. He then lengthens this still further by saying he can “never” forget, suggesting that the passage of these long, gloomy hours will likely be endless.

Similarly, the parentheses in Line 6 allow Whitman to pause and consider the emotions he is feeling. He makes a negative judgment about himself, saying that he is “ashamed,” and then tries to deal with such feelings of remorse with self-affirmation: “I am what I am” (Line 6). The passage in parentheses, therefore, provides insight into how he is processing his difficult emotions.

Questions

As with repetition and the use of parentheses, Whitman often in his poetry poses a series of questions. In this poem, every line starting with Line 7 is formed as a question and ends with a question mark. Line 9 contains no less than three questions. Lines 10 and 12 each pose two questions. None of the questions have answers. The first two, in Lines 7 and 8, in which the poet asks whether anyone else has ever felt like him before, are unanswerable. The remaining seven questions are unanswered because they are all addressed to Whitman’s absent friend. Because of Whitman’s distressed state of mind, and the knowledge that one cannot answer his questions, the repeated questions build a sense of frustration and growing intensity. The questions provide a sense of urgency and relentless insistence, which also supports the poem’s themes of longing and desire.

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