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63 pages 2 hours read

Michael Pollan

How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence (2018)

Nonfiction | Book | Adult | Published in 2018

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Chapters 3-4Chapter Summaries & Analyses

Chapter 3 Summary: “History: The First Wave”

LSD first entered the psychiatric scene in the 1950s. The drug’s effects were so novel and understudied that it took a decade for scientists to begin to understand the experiences. At the same time that scientists were beginning their research, the CIA was also secretly researching psychedelics. While scientists hoped to use the drug to learn more about mental illness and addiction, the CIA hoped to find a “truth serum, mind-control agent, or chemical weapon” (142).

After Albert Hoffman experienced the first LSD trip, Sandoz began to manufacture the pill form of the drug in high quantities. Using the power of the science community, Sandoz offered LSD free to any researcher who requested it. This policy remained in place from 1949 to 1966 and allowed the first wave of psychedelic research to begin (143).

Science struggled to comprehend the psychedelic experience. It was clear that trips were largely impacted by the user’s prior expectations as well as the environment around them (143). The concept of set and setting would become a mainstay in psychedelic use and therapy. What was also puzzling was the fact that the researchers who got involved with LSD research seemed to be infected with irrational excitement for the research (144). This exuberance might have improved results, but it also might have caused skepticism from colleagues who had not yet had a psychedelic experience. One of the biggest questions, which science still wrestles with today, is how does one measure psychedelic experiences and design a controlled experiment to do so?

Before they were known as psychedelics, these compounds were known as psychotomimetic. This class of drugs seemed to mimic psychosis, based on what scientists could interpret from trip experiences (145). Outwardly, people given LSD or psilocybin seemed to exhibit many of the same symptoms as psychosis, so scientists hoped that these drugs would help them better understand the psychotic state. Clinicians thought the drugs to be a way to better understand their schizophrenic patients. Achieving understanding of psychosis or schizophrenia meant the researchers would have to take the drugs themselves, which many considered the ethical thing to do prior to giving the drugs to research subjects or patients (146).

Humphry Osmond was one of these researchers hoping to get a better look into his clients’ brains. His research in mental illness gave rise to the field of neurochemistry, which LSD also gave a boost. The introduction of LSD into neurochemistry eventually allowed for the discovery of neurotransmitters and their receptors, as well as the discovery of SSRIs, a class of antidepressants. Osmond did much of his research at the Saskatchewan Mental Hospital in Weyburn, Canada. This institute became a hotbed for research into psychedelics.

Psychotomimetics were introduced to the public in 1953, with the publishing of a journalist’s experience with LSD titled “My 12 Hours as a Madman.” Osmond and his team gave LSD to many people, focusing on using LSD to better understand the biochemistry of mental illness. That focus eventually shifted into questions on the experience that the drugs elicited, and whether that state had any therapeutic potential. Osmond eventually saw similarities between an LSD experience and the delirium tremens that alcoholics experience while in withdrawal. LSD had potential to mimic delirium tremens and help alcoholics stay sober. Osmond and his team tested this hypothesis over the next decade, and nearly half of the volunteers remained sober, often for several months (149). It wasn’t the chemical that was the key but the experience.

When the reports from the volunteers who took part in Osmond’s studies were analyzed, their experiences did not line up with the experiences of delirium tremens. Those who took LSD had positive things to say, most commonly describing transcendental feelings, “or spiritual epiphany, rather than temporary psychosis” (150). Because of these findings, this class of drugs was renamed from psychotomimetic to psycholytic.

The psycholytic paradigm was developed by Sidney Cohen, Betty Eisner, and Oscar Janiger. Psycholytic means “mind loosening,” which is what these drugs seemed to do. At doses as low as 25 micrograms, and not exceeding 150 micrograms, patients seemed to relax their ego, which allowed them to talk about repressed topics (155). The psycholytic approach meshed well with the field of psychoanalysis, which utilizes dreams and free associations to access a patient’s subconscious. So, LSD and psilocybin were an opportunity for a better path into the subconscious. Trained psychoanalyst Stanislav Grof found that LSD helped patients to recover trauma, unearth deep-rooted emotions, and even “relive the experience of their birth—our first trauma, and Grof believed (following Otto Rank), a key determinant of personality” (155).

Patients, including neurotics, alcoholics, and those with minor personality disorders, were treated with LSD in therapy sessions (156). According to Cohen and Eisner, “sixteen of their first twenty-two patients showed marked improvement” (156). The success of psycholytic therapy ranged from 42% to 70%, depending on the mental illness. Eventually, LSD as a therapeutic became routine practice. Celebrities underwent this therapy, and eventually the trend caught on with the public, even showing up on the street. Culminating around 1959, this marked the beginning of the end of psychedelic research.

Once a proponent of LSD, Sidney Cohen began to have second thoughts. He avoided scenes that used the drug recreationally and became uncomfortable with the cult that had formed around it. He “struggled with the tension between the spiritual import of the LSD experience (and the mystical inclinations it brought ought in its clinical practitioners) and the ethos of science to which he was devoted” (158). Cohen represents one of few scientists who remained skeptical of LSD rather than becoming a “psychedelic evangelist” after taking the drug and using it in research (159).

In Saskatchewan, Humphry Osmond took a new approach to LSD after the psychotomimetic theory was disproven. This time he turned to Aldous Huxley, a famous author. In 1953 Osmond administered LSD to Huxley, who wrote that this was “without question the most extraordinary and significant experience this side of the Beatific Vision” (160). This experience became one of the most important events in Huxley’s life, one that shaped his writing and his thoughts on existence. Together, Huxley and Osmond came up with a new name for this class of drugs: psychedelic, meaning “mind manifesting” in Greek (163).

Psychedelic therapy differed from psycholytic therapy in that it involved a single high-dose trip on LSD. The session took place in a comfortable environment, with a therapist present. Music and eyeshades were usually used to eliminate any distractions (162). The goal was to have a spiritual experience, much like the one Aldous Huxley had. This type of trip setting was influenced by Al Hubbard, another player in psychedelics’ spread across the country.

Al Hubbard was an extremely odd, elusive character, and much is not known about him. The life details we do have “are impossible to confirm, contradictory, or just plain fishy” (164). Hubbard also experienced a life-changing LSD trip, and he realized that it was his duty to introduce “the new gospel of LSD” (166) to the country. He got Sandoz to send him an extremely large quantity of LSD; the actual amount differs based on the account. He kept a large portion of that in a leather satchel, which he carried with him wherever he went. He managed to secure an Investigational New Drug permit from the FDA, which allowed him to conduct clinical research on LSD. It’s estimated that he introduced 6,000 people to the drug between 1951 and 1966—and this work shifted the trend of human history.

Hubbard also worked with Osmond and influenced Osmond’s shift away from the psychotomimetic model of LSD by proposing a therapeutic method using single high doses (169). Hubbard was one of the first researchers to put set and setting into practice while conducting psychedelic therapy. His influence removed sterile white walls from research rooms and introduced the couches and comfortable settings that we now associate with a therapist’s office. Hubbard had a grasp on how suggestible the mind became during a psychedelic experience and how critical it was to use that state for healing (170).

Hubbard’s influence on psychedelics from a scientific and a social perspective cannot be ignored, no matter how convoluted his history was. Of particular import was his influence in the region that became Silicon Valley. Hubbard introduced the drug to Silicon Valley as a tool for creativity, something that continues today in the form of microdosing (taking small doses of LSD as a daily tonic), which is pervasive in tech communities (175). Through loose connections, Hubbard may have had a hand in some of the creativity from technological giants like Steve Jobs (175).

Part two of this chapter breaks down the fall of psychedelic research by following Timothy Leary. Leary launched the Harvard Psilocybin Project in 1960, when psychedelic research was plentiful (185). For many people, Leary’s entrance into psychedelic research marked the beginning of the end. Leary’s involved in the field began with a formative psychedelic experience that lead him to become bored and disenchanted with his scientific work. Some people who knew Leary would say that he was disenchanted with science and academia prior to his psilocybin experience, and that “he was already halfway off the deep end” (187). Three years of the Harvard Psilocybin Project turned out very little science, and many of the sessions had a naturalistic rather than scientific feel to them.

These studies were run outside of university buildings and in living rooms, while researchers joined in on psychedelic trips with their subjects (189). It wasn’t until 1961 that graduate student Ralph Metzner came up with an ambitious project that would give the Harvard Psilocybin Project credibility. This project sought to determine whether psilocybin experiences could change personalities and reduce the rate of prisoners re-entering the prison system. Later known as the Concord Prison Experiment, 32 inmates were given psilocybin inside the prison, while a second group did not receive any form of drug at all. The two groups were followed for a few months to see what their return rate was. Leary reported that 25% of the psilocybin inmate group ended up back in jail after 10 months of being released. The control group had a rate of 80% (191). The experiment had numerous flaws. Leary’s data was inaccurate: There was no significant difference between the two groups and their return to prison. This kind of research was denounced in science, and the psychedelics fields had a difficult enough time asserting its legitimacy.

Eventually Leary lost interest in science altogether and wanted to focus on psychedelics’ spiritual and cultural importance rather than any therapeutic use. Leary trended toward efforts to bring visionary and psychedelic experiences to the broader public, and to do so immediately (194).

Leary’s colleagues at Harvard were uneasy about the Harvard Psilocybin Project, especially given the lack of scientific rigor used in its studies. Grievances circulated around the campus regarding the project and its lack of viable data. Students and faculty gathered to air their concerns about the project, many hinging on the fact that “students felt pressure to participate in the drug taking” (195), as any “who chose not to participate [were] labeled as ‘squares’” (196). Faculty and students were quickly divided because of psychedelic drugs, a trend that was soon reflected in American culture.

Undergraduate reporter Robert Ellis Smith broke the story in the Crimson, the university newspaper. The controversy discussed in closed rooms was plastered over the front page, and it was quickly picked up by the Boston Herald and other news outlets. Timothy Leary was hounded by reporters, to whom he gave outrageous quotes (196). When Harvard forced Leary to give up his psilocybin pills, he retaliated by giving this particularly inflammatory quote to a reporter: “Psychedelic drugs cause panic and temporary insanity in people who have not taken them” (197).

At the end of the year Leary took his research out of the university setting and formed the International Federation for Internal Freedom (IFIF), where he continued conducting psychedelic research. Some people would say that psychedelic research escaped the laboratory setting in the 1960s, but it would “be more accurate to say they were thrown over the laboratory wall” (197) by Leary. Rather than playing the science game, he wanted to start playing the “game of cultural revolution” (197). Psychedelic researchers across the country watched with dismay and horror as Leary turned from a chaotic scientist to a threat to their research at large. Numerous researchers reached out to Leary, hoping to talk some sense into him, but none were successful. Myron Stolaroff wrote this in a letter to Timothy Leary, in hopes of persuading him:

“Tim, I am convinced you are heading for very serious trouble if your plan goes ahead as you have described it to me, and it would not only make a great deal of trouble for you, but for all of us, and may do irreparable harm to the psychedelic field in general” (199).

With his research out of Harvard, Leary started to skip lectures and talked about leaving after his contract was up. Before Leary could leave, another article in the Crimson got him fired. This time, Andrew Weil wrote an article about Leary’s partner Alpert giving psilocybin to undergraduate students (201). At the time there were rules at the university restricting the drugs to grad students only, but Alpert was giving them out more frivolously. Leary and Alpert were removed from Harvard and took their work with the IFIF from Cambridge to Mexico, to Dominica, until they finally settled in New York.

The rise in counterculture fueled Leary’s trajectory for a while, giving him speaking gigs and interviews, but in 1966 he was arrested for possession of marijuana while crossing the Mexican border (204). He escaped from prison with the help of a revolutionary group, becoming an international fugitive from justice (204). He ended up in Algeria as a refugee, which turned into a hostage situation when the people he was staying with took his passport. He then escaped to Switzerland, moved to Vienna, Beirut, and Kabul, and was eventually arrested by US agents and returned to prison (204). The remainder of his life was filled with courtrooms and jail cells, with a healthy dose of memoirs and interviews. His extreme life added to the brewing panic around psychedelic drugs.

Leary’s work played a large part in the counterculture revolution taking up LSD as a part of the norm—and became a reason why people found counterculture potentially threatening. Kids started to drop out of high school, refused to serve in Vietnam, and began to fight against authority and the status quo; all of these things were linked to counterculture, and therefore LSD use. By 1963 psychedelic researchers were finding their research barred from publication in academic journals, especially research done by people who took the drugs themselves. The media incited panic, following cases of psychosis and bad trips caused by illegal LSD, or even hyped-up panic attacks (209). The public began to see LSD as a threat.

Researchers tried to quell fear of psychedelics through studies, showing little evidence of serious long-term side effects. Researchers did note that certain people with a predisposition to psychosis might have adverse effects to LSD, but casual use was not as harmful as it was being portrayed (211). It was a fruitless endeavor. By 1966 the public’s moral panic was too large for science to reign in. The entire landscape of psychedelic research had collapsed (216). There were Senate hearings, in which Timothy Leary testified, but scientists were not able to separate “legitimate use and a black market” the government was concerned about (217). In October 1966 the FDA ordered psychedelic researchers across the country to stop their work. The Psychiatric Research Center in Spring Grove was the only institution to survive this wave, and even it eventually closed its doors as funding ran out. The era of psychedelic research had ended.

Chapter 4 Summary: “Travelogue: Journeying Underground”

Michael Pollan wrote this book intending to understand how psychedelics could be used to help people on a therapeutic level; he ended up hearing how they aided people on a spiritual level more frequently. After spending time with some of the leading psychedelic researchers (and frequent psychedelic users), Pollan decided to take the drugs for himself. Initially, he was hoping to be a part of a research study or experimental trials, but none of the programs were currently looking for healthy subjects (221). Rather than getting his psychedelic experience in a formal setting, he would have to travel underground to the people administering the drugs therapeutically (and illegally).

Pollan tracked down potential guides for his spiritual journeys, finding the largest concentration of them in the Bay Area. He had connections through these networks, and through conversations he was introduced to a set of people who would be willing to guide him on the trip he was looking for. Many of the guides he found were descendants from former psychedelic therapists who worked in the 1950s and 1960s, when the drugs were still legal (225). These guides trained other people as often as they administered drugs, leaving a large number of people to continue their work after they passed on.

Struggling to find a guide that he was comfortable with, Pollan interviewed several people before settling on the person he would take his first psychedelic trip with. The guide he chose to work with lived in the mountains of the American West, completely off the grid. Pollan felt immediately relaxed around the man, whom he calls Fritz to remain anonymous in his recounting. Like many previously interviewed guides, Fritz’s first experience with psychedelics took him on a life-long quest. The way Fritz talked about psychedelic experiences felt provocative to Pollan, who was comforted by the fact that Fritz didn’t seem to be guided by anything other than his own curiosity. Through their conversation it became apparent that Fritz genuinely loved what he did, and Pollan decided to have Fritz be his guide.

A spiritual journey under the guidance of Fritz would last three days. The first afternoon would be a warm-up using holotropic breathwork, giving Fritz a chance to observe how Pollan handled altered states of consciousness. The morning of the second day would be the LSD trip; the dose would be informed by the breathwork session the day before. The final day would be a recount and discussion of the session, to help the guide and the user piece together what happened and what the experience may mean.

On top of Pollan’s anxiety about taking LSD, he had worries about his health. One year before he started this journey, he had an atrial fibrillation that left him continually worrying about his heart. The small episode loomed over him, causing him to constantly check his blood pressure and try to manage his heart health. His cardiologist was not terribly worried about Pollan’s interest in taking psychedelics because the effects were concentrated in the mind and not the heart. Pollan informed Fritz of this, and they made plans in case the worst happened.

The breathwork session taught Pollan that he was easy to put under, as he quickly took to the altered state that breathwork brought him toward. He notes that at the beginning it was hard, and labored, but eventually his body kept the rhythm, and he “broke free from gravity and settled into an orbit” (243). The experience was not visual, but it was exhilarating, with feelings of freedom and surrender:

“I was flat on my back yet dancing wildly, my arms and legs moving with a will of their own. All control of my body I had surrendered to the music. It felt a little like speaking in tongues, or what I imagine that to be, with some external force taking over the mind and body for its own obscure purpose” (243).

Pollan lost track of time and spatial awareness in the trance, until Fritz slowly brought him back to the present room. The experience had lasted an hour and 15 minutes. While taking notes on his experience, Pollan began to feel his heart flutter. He grew frightened for his health, but also for the end of the journey he had started.

After a night of worry, Pollan and Fritz agreed to use a smaller dose of LSD, with the potential for a booster later into the trip. Pollan had to spend time to clear his head of anxious thought and focus on the trip he was about to take, to not taint his trip with panicked thoughts.

Fritz and Pollan sat together in a yurt and began the ceremony. Fritz talked him through the instructions during the trip, preparing him to give way to the experiences and to take in what the experience was trying to teach him rather than fear it. Pollan took his dose of LSD and chatted with Fritz as he waited for the effects to begin. Fritz guided him to a mattress, and gave him eyeshades to wear and music to envelop him. As soon as the music started, the effects were immediate: “I was off, traveling somewhere in my mind, in a fully realized forest landscape that the music had somehow summoned into being” (247).

The music brought forth landscapes and visions as Pollan let himself be taken down the paths in his own mind. He began to see visions of his loved ones, particularly his wife Judith. He saw visions of his son’s life as well, and found himself crying from these visions. Waves of emotion filled him as he continued to meet more of his loved ones. During the overwhelming emotion, he said out loud: “I don’t want to be so stingy with my feelings,” and “All this time spent worrying about my heart. What about all the other hearts in my life?” (251).

Looking back on these words, Pollan finds them “thin and banal” (251) because there aren’t words to describe what he saw or felt. Most of the experience can be explained this way, because the emotions were raw and harsh in a way that words cannot truly express. Love and kindness might be at the center of his trip, but those words don’t do the story any justice.

Pollan also notes that during the trip, his ego remained intact and he retained control of his consciousness. Even with his ego intact, he felt that the stream he rode was less susceptible to direction than usual. He postulates that his ego was relaxed but not totally removed from the space, and perhaps a larger dose would have successfully dissolved his ego altogether. What Pollan experienced was a trip that allowed the exploration of the consciousness and psyche while still remaining partially in control. It wasn’t a full-blown spiritual experience, but Pollan notes that he felt a sense of release and genuine insight.

Up next on his list of spiritual experiences was psilocybin. Pollan found himself on the Eastern Seaboard with his next guide, Mary. His trip took place in her loft, which was filled with plants, yonic symbols, and various accessories of spiritual nature. Mary had trained with a former student of Timothy Leary and had many years of spiritual psychology, family therapy, and psychedelic training under her belt (256). Her experience in psychedelics reawakened her spiritual life and inspired her to be a guide for those seeking enlightenment. Pollan was one of those people, and he found himself sitting in front of a large psilocybin mushroom in her home. After a small ceremony, he ate the mushroom with some chocolate and began his next psychedelic journey.

After 20 minutes Mary had him lie down and put eyeshades on. He chose thick plastic ones, lined with rubber foam, which would become important as the psilocybin kicked in. Surrounded by electronic music, Pollan saw soft stalactites of black material, akin to “a video-game dystopia” (259). He did not want to be in this space anymore, and even with a music change, he still found himself stuck in this sleek, black space. He felt much less controlled in this experience, like he was on “a cosmic roller coaster, its heedless headlong trajectory determining moment by moment what would appear” in his mind (260).

He eventually removed his eyeshades to escape this place and had Mary lead him to the bathroom. While he peed, he saw a brilliant stream of crystals falling into a pool, filled with light and breaking into fractals as his urine hit the water (260). Pollan avoided looking at his reflection in the mirror, thinking it might be risky to do in his current state. As he and Mary made their way back to the mattress, he looked at her and saw that she had transformed into Maria Sabina, the woman who gave R. Gordon Wasson psilocybin decades before (261). After taking in that moment, he put his eyeshades back on and found himself back in the black computer landscape.

This time, rather than being moved around the space, he watched in third person as he saw himself crumble into pieces of paper that scattered around in the wind. He recalls that “the ‘I’ taking in this seeming catastrophe had no desire to chase after the slips and pile my old self back together. No desires of any kind, in fact” (263). He finally experienced a loss of ego. Pollan describes himself like paint, “liquefied and dispersed over the scene” (264).

Emerging from the computer world once again, he was led to the bathroom. This time he did look into the mirror; “what looked back at me was a human skull, but for the thinnest, palest layer of skin stretched over it, tight as a drum” (265). Pollan then realized that he was looking at the skull of his dead grandfather. The rest of his experience was filled with visions and thoughts of his family, looking deep into their faces and feeling that he had failed to morn their deaths or their chances at life. At one point the music changed to a cello suite, which brought a whole new set of emotions and feelings. Pollan became one with the instrument and spent the remainder of the piece mourning and feeling the emotions of loss and death before moving into a place “beyond the reach of suffering and regret” (269).

Mary and Pollan followed up a few days after the experience to piece together what had happened and where the visions and thoughts might have come from. One of the biggest things Pollan learned was that there was nothing to fear in psychedelic drugs. He was able to enter a state where he was completely unguarded and left to the devices of his consciousness and came out on the other side completely fine, and perhaps more aware. He was also able to experience ego death and felt grateful to find a viewpoint that was “less neurotic and more generous” (270). Even though his ego was back in control following the trip, for a moment he was able to experience another way of thinking.

Pollan’s final trip of his “travelogue” is that on 5-MeO-DMT, also known as The Toad because the drug is derived from the venom of the Sonoran Desert Toad. The Toad is the most potent of the psychotropic drugs and acts the fastest (272). To obtain the final version of the drug, one must catch the toad and milk its venom onto a piece of glass. The venom dries and turns into flaky crystals, which are collected and volatized. To take the drug, one person vaporizes the crystals in a pipe while the user inhales—and “before you’ve had a chance to exhale, you are gone” (273).

The third guide Pollan worked with was Rocío, the world’s leading expert on The Toad. After college, she moved back to Mexico to live with her family, but found herself not knowing where to go next. She stumbled upon information about The Toad online, became interested, and went hunting for the toad itself.

The Toad is a newer psychedelic, not known to Western science until 1992 (274). 5-MeO-DMt can also be found in some South American plants, which many tribes in the Amazon used in their rituals and ceremonies. There is very little information on side effects or dangers of The Toad, and many of the trip experiences detailed by others terrified Pollan. One of his friends who had tried the drug called it “the Everest of psychedelics” (274). Yet, Pollan was ready to try the drug and set up a time with Rocío for his experience.

To help ease his nerves, Rocío let Pollan watch another person take the drug. After inhaling, the other man was laid on a mattress; 30 minutes later his body was fine, but he had certainly experienced much in his mind (276). It was then Pollan’s turn, and as Rocío lit a flame under the pipe, he inhaled and was launched into his trip with no memory of exhaling or being put back onto the mattress.

He recounts, “All at once I felt a tremendous rush of energy fill my head accompanied by a punishing roar” (277). His ego was torn apart as he saw himself burst into confetti, something he found horrifying. Pollan writes that he struggled to find words to describe this experience, and most of what he tries to tell through metaphors falls short of what the trip was actually like. There were two metaphors that he kept returning to in describing his experience: “the image of being on the outside of a rocket ship” and “the big bang run in reverse” (278).

After watching the universe dissolve and reconstitute, he felt his own self and body return, and he felt his legs under the blanket:

“With the rediscovery of my body, I felt an inexplicable urge to lift my knees, and as soon as I raised them, I felt something squeeze out from between my legs, but easily and without struggle or pain. It was a boy: the infant me. That seemed exactly right: having died, I was now being reborn” (279).

Upon closer inspection he found that the boy was not himself but his son. As a father, he was able to experience giving birth to his own child, and he felt closer to his son than he ever had (280). Following that, he felt immense gratitude for his wife and his son, and “for the very fact of being” (280). Pollan summarizes this set of emotions in a phrase: “to be more and do less” (281). From immediate terror to immense gratitude, his trip with The Toad came to a close.

Chapters 3-4 Analysis

Timothy Leary has been credited with the downfall of the first wave of psychedelic research due to his negligent science, chaotic media presence, and desire to change society. His studies were not conducted rigorously and included falsified data. When he spoke to the general public, he talked about people dropping out and being free, insinuating that psychedelics drastically changed our minds and worldviews. The public met such statements with anxiety and fear. Though the collapse of psychedelic research was not entirely Leary’s fault, he did catalyze it by giving weight to society’s fears about the drugs.

Promising that a drug will change an entire society creates a lot of resistance, especially in a society built on a set of norms. The 1950s and 1960s were times of change, with movements that supported equality and opposed war; such rejection of the status quo was very new to people and to the government. The idea that a drug existed that could cause people to break free from established norms was compounded by the media overblowing cases of people who “went mad” or died, creating the perfect storm to criminalize psychedelics. Most people were OK with using psychedelics to help people conform, but the notion that psychedelics could help conforming people break free was worrying.

Looking at the changed climate from the first wave to the rise of the second wave today, there is a lot more acceptance of bending social norms. We see this in our equality efforts, our ability to have conversations on topics like death and disease, and the growth of the scientific community as a whole. Leary might have played a very large role in the fall of the psychedelic scene, but it’s possible that society simply wasn’t ready for that amount of change. Now that psychedelics are a household name (in part due to Leary), people are more willing to hold conversations about these drugs.

It can be difficult to understand what psychedelic experiences are like because they differ so drastically between people and between the times a single person takes the drug. This variability makes it hard for users to gauge if their own experience qualifies as “spiritual enough.” Pollan turned to other sources to determine if he actually had a spiritual experience. From his own perspective, none of his experiences felt all that spiritual. He compared his story to those of others, who mentioned how they felt closer to God, or as if God was speaking to them. He even encountered an atheist who described her experience in terms of God, though she staunchly believed that God was not real—she just couldn’t find the right words.

A spiritual experience doesn’t have to be laced with religion to be spiritual, the word itself can describe meditative practices and mindfulness. One user’s experience can’t truly be compared to another’s because of the uniqueness of each individual, their set, and their setting. Comparing experiences is akin to comparing apples to oranges. What truly makes an experience spiritual is having takeaways that you can return to for short or long periods of time.

Chapter 4 also shows why it’s so important to have an experienced guide present with you on psychedelic trips. They help users make sense of the thoughts and sensations they encounter while allowing them to search their consciousness without risking a bad trip, which can happen when there’s no guide to help a user through difficult emotions or thoughts. This concept becomes clearer in the later chapters.

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