logo

48 pages 1 hour read

Beatriz Williams

Husbands & Lovers

Fiction | Novel | Adult | Published in 2024

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Prologue-Chapter 5Chapter Summaries & Analyses

Prologue Summary: “Mallory. June 2019. Mystic, Connecticut”

Content Warning: This section of the guide discusses antisemitism, racism, abuse, rape, and child loss. Racist language is repeated only within quotation marks in this guide.

Mallory kissed her 10-year-old son, Sam, goodbye when he left for camp, but within a week, they called to tell her that he ingested a poisonous mushroom. On the three-hour drive to the hospital, she hits a baby owl, which gets trapped in her windshield wipers, but she is afraid to stop. Her sister, Paige, arrives shortly after Mallory. Sam is in a coma, fighting for his life. A nurse mentions that he’s a “dead ringer” for a famous musician, and Mallory learns that her son no longer has functioning kidneys. When she returns to her car, she sees the dead owl and thinks of how the bird’s mother doesn’t know what happened to him. She looks down at her golden cobra bracelet, an item Mallory inherited when her mother died a year and a half ago.

Chapter 1 Summary: “Hannah. August 1951. Cairo, Egypt”

Hannah’s husband, Alistair, warned her about cobras when they arrived in Cairo, but she isn’t thinking about the snakes when she goes to the garden behind her hotel. After surviving World War II and the Soviet invasion of Hungary, being bitten by a cobra would be an unexpected way to die. Lucien Beck, the Swiss hotelier, passes by, asking if Hannah needs anything. She doesn’t. Cobras are often called asps in Egypt, which makes Hannah think of Cleopatra, and she wonders if the asp was a metaphor for a man. When Hannah sits, her face is but three feet from a cobra. The snake lunges, and she flings a hand before her face. She loses consciousness, thinking of Lucien.

Chapter 2 Summary: “Mallory. June 2022. Cape Cod, Massachusetts”

Sam is now 12. Mallory remembers the day Paige called her to tell her about their mother’s death. Their mother was visiting Peru, and she fell off one of the terraces of Machu Picchu and died of a brain bleed. Paige found out first because she was their mother’s emergency contact; she is, in fact, everyone’s emergency contact. Mallory always seems less reliable than Paige.

Paige inherited their mom’s house on Cape Cod, and she and Jake, her husband, renovated it. Mallory and Sam visit every summer, and Mallory drives Sam to the nearest hospital for his dialysis. Today, Paige tells Mallory that she should approach Monk Adams, Sam’s biological father, to see if his kidney is a match. Mallory points out that Monk is one of the most famous men in the world, but Paige is undeterred. Paige can’t understand why Mallory has never shared the story of what happened between her and Monk 13 summers ago. Mallory insists that there’s nothing to tell because it was a mistake. Sam overhears, and she reassures him that she doesn’t regret his birth. She regrets not giving Sam a “real” dad, though Sam already knows who his father is. Paige mentions doing some family research to look for another potential kidney match for Sam, and she learned that their mother was adopted from an orphanage in Ireland.

Chapter 3 Summary: “Hannah. September 1951. Cairo, Egypt”

A doctor told Alistair that he needed a warm climate for his health, so he got a job as a political liaison to the ambassador in Cairo and informed Hannah that they were leaving England. He relied on her to make arrangements. Now, five weeks after they arrived, Hannah is home from the hospital, recovered from her snake bite. She recalls her initial shock at the city’s chaos and tension and the misery of the vulnerable, exploited Egyptians beside the indifferent, affluent English. She thinks that the Egyptians have become spectators in their own country, just as she feels like a spectator in her own life. The Ainsworths stay at Shepheard’s Hotel, a very English establishment, where Lucien works. To her, his eyes are the color of hope.

Now, Hannah wants to know why Lucien was in the garden that night. He says that she already knows, and they speak in French, which feels more intimate. He kisses the scar on her hand. Lucien wants to take her to see the pyramids—Alistair saw them already so has not made the visit a priority—and when Hannah meets Lucien’s green eyes, she accepts his invitation.

Chapter 4 Summary: “Mallory. June 2022. Cape Cod, Massachusetts”

Mallory recalls learning that her mother left her the cobra bracelet given to her by her mother at birth. She looks at the cobra’s emerald eyes and thinks of her mother’s own green eyes. Now she wonders which mother passed it down to her own. She remembers the first time she googled Monk’s name, when Sam was a year old. Paige asked if Mallory knew a “Monk Adams” from school and told her that his debut album hit number one on iTunes. After that, he became a household name. He’s getting married to a “lifestyle influencer” named Lennox Lassiter on Winthrop Island this summer. Paige plans to have her DNA tested to learn their ancestry and to connect with possible kidney donors for Sam.

One Sunday, years before, Mallory’s mom dropped her off at school, and she asked Monk to help Mallory with her bags; Mallory couldn’t believe that Monk knew her name. That night, they hung out, and she recalls how he made her feel like the most fascinating person in the world. Later, Paige mentions her friend Lola, who has a house on Winthrop Island, and Mallory recalls a line from The Great Gatsby about being pushed by the current back into one’s past.

Chapter 5 Summary: “Hannah. September 1951. Outside Cairo, Egypt”

Hannah met Alistair six years ago, outside Vienna, at a displaced persons camp. She’d been there for three weeks and helped as a translator for the English, including 60-year-old Alistair. One day, she identified a German man pretending to be Hungarian, and he was ultimately prosecuted for war crimes. Alistair got a commendation from Churchill for it. Now, in the car, Lucien asks if she loved Alistair when they married, and Hannah admits that she did not. She respected his intellect and integrity, and he had money to support her. Hannah and Lucien arrive, walking around the Sphinx. He tells her that he was born in Alexandria, and his mother’s family still lives there. His father was Swiss, but he and Lucien’s mother never married. Lucien kisses Hannah deeply, and she thinks of János, her first husband, though she hasn’t allowed herself to for years.

Lucien points out the smaller pyramids, those dedicated to the Pharoah’s queens. Hannah realizes that they would be “colossal” on their own but are dwarfed by the Pharoah’s much larger pyramid. Lucien can tell that she is full of sorrow, and he wants to remind her what love feels like. She is aware of the bargain that she made when she married Alistair, trading passion for security. Hannah collapses against the pyramid built to memorialize a wife’s fidelity. Alistair was 61 when they married, though he was more nervous on their wedding night than she was. She thought of her body as merely a “bag of bones and skin” (98), while her soul lived elsewhere. She lay still while he had sex with her, and when she woke at dawn, he looked like a corpse. She wondered then if she’d have another child. Now, Hannah longs to be loved by Lucien. She could go on existing like a stone pyramid, or live again in “mortal sin.”

Prologue-Chapter 5 Analysis

There are several clues, in these early chapters, that suggest the familial connection between Mallory Dunne and Hannah Ainsworth (it is later revealed that Hannah is Mallory’s biological grandmother). First, Mallory and Paige learn that their mother was adopted after being born in an orphanage and that her mother was “white, English, thirty-four years old [and] married” (46). This is unusual because most mothers wishing to give up a child for adoption during the early- to mid-20th century were young and unmarried. Hannah recalls her early marriage to Alistair, how she “wonder[ed] if [she was] going to have another baby” (100), demonstrating that she has had children and suggesting that she might have more. However, she hasn’t had a child in the five years she’s been married to Alistair, so another man would have to father such a child. In addition, Hannah is white, married to a British man, and likely to be in her 30s given her life experiences.

Green eyes, a key symbol throughout the text, provide a further parallel. Hannah describes the eyes of Lucien Beck as “true green,” which she calls the color of “hope.” When Mallory considers her cobra bracelet’s green eyes, she recalls the “warmth of [her] mother’s green eyes” (63). Green eyes are rare, so this shared trait is a significant clue that connects Lucien and Hannah to Mallory’s mom and therefore Mallory herself. Hannah also was bitten by a cobra, an accident from which Lucien saved her, connecting her to the bracelet Mallory’s mom passed down to Mallory. Finally, Paige tells Mallory that she’s going to send away for information on their DNA, a move that could lead them to find an unknown family history that includes Hannah.

Several objects acquire symbolism during these chapters, and they create an ominous mood. First, when Mallory learns that Sam has been hospitalized and rushes to New Hampshire, a baby owl “[s]macks into the windshield and the jaws of the wipers” (8). What ensues highlights The Power of Maternal Love. She’s afraid that Sam could die, so she needs to get to his side as fast as she can and refuses to stop. The description includes a metaphor, comparing the wipers to a set of enormous jaws, suggestive of a monster or threat. When the bird gets trapped, the wipers smear its blood across the windshield while Mallory “beg[s] God to free the bird because [she] can’t pull over” (8). Because this happens on the way to the hospital, where her son is in a coma, it foreshadows an awful outcome—Sam’s renal failure and ensuing physical vulnerability—and darkens the mood. Later, when Mallory thinks of the young owl, she realizes that it likely “just left its nest […], and the mother owl […] never knew what happened to him” (18). To consider the owl as young and vulnerable in a dangerous world and then sympathize with its mother solidifies the owl’s figurative connection with Sam, who is growing up as Mallory tries to protect him.

The three smaller pyramids at Giza, which are dedicated to Pharoah Khufu’s wives and exist beside his much larger Great Pyramid, acquire symbolic significance as well. The pyramids are tombs, and when Hannah wakes up after her wedding night with Alistair, she realizes that he lies “as if in a coffin,” and when he climaxed, he’d gone “stiff as a corpse” (100), similes that link her to the pharaoh’s wives. Hannah realizes that, without the Great Pyramid standing next to the smaller monuments, “they would be colossal [and] wondrous” (95), as she recognizes Female Perseverance and Strength. However, the pharaoh’s pyramid dwarfs them, and their construction prevents them from being moved beyond the literal and figurative shadow of his tomb. In short, the wives are remembered because of their relationship with their husband, not for themselves. Hannah believes that this is what the pharaoh intended, and she considers the quality the wives’ pyramids represent: marital devotion. Presented with the opportunity to embrace love again, but with a man who is not her husband, Hannah has a choice: to go “on existing like a stone pyramid, a monument to fidelity, or she returned to life in mortal sin” (101). If she remains faithful to Alistair, she will feel like an object, a pile of rocks that isn’t alive, though—like the pharaoh’s wives—she’ll be considered a good wife. She can continue to allow Alistair to render her life figuratively smaller, as the pharaoh made his wives’ tombs, like when Alistair calls her “Good girl” or takes the credit for unearthing a German war criminal whom Hannah identifies. Hannah’s other option is to abandon this most cherished of female qualities, embrace love, and live, ruining her marriage, reputation, and perhaps her soul. That Hannah and Lucien begin their affair at the site of so many tombs foreshadows a tragic end. As she is, though, Hannah feels that she’s married to a corpse, whose hold on her will be eternal if she doesn’t choose differently. Either way, the symbol and the mood it creates suggest death: a figurative one if she does not follow her heart and a literal one if she does.

blurred text
blurred text
blurred text
blurred text