44 pages • 1 hour read
Alice HoffmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The relationship between appearances and wealth is heavily investigated in this book. Despite the closeness of their upbringings, both Catalina and Estrella are aware of the financial differences between their two families and how those manifest visibly. While Estrella relies on Catalina emotionally, Catalina resents the differences between them. By prioritizing the trappings of wealth over human relationships, Catalina contrasts with Estrella’s emotional growth and embodies Christian attitudes toward Jewish people in Spain at this time.
Throughout the book, Estrella and Catalina rely on belongings and physical appearances as indicators of people’s social standing and wealth, but their responses to these indicators differ. Estrella sees that the juderia is populated with those who are oppressed in the current system. Noticing the lack of lime trees and gardens that she associates with comfort, she thinks to herself “the Jews [aren’t] rich” and has a hard time reconciling this fact with the complaint from the town that the Jewish population has been stealing (10). From early on in the book, Estrella therefore recognizes how prejudice and other negative emotions influence one’s perception of the truth. Moreover, Estrella herself does not particularly value wealth for its own sake or to display it. For example, where Catalina calls her father cobbler “worthless” and sets her sights on her cousin Andres as her path to financial success, Estrella appreciates Catalina’s father’s kindness, favorably comparing him to her grandfather. Similarly, when Estrella admits her feelings for Andres, she does so in secret and does not use him to gain any kind of status or benefit.
By contrast, Catalina values physical belongings for their ability to project the appearance of wealth and power. This is what motivates her to steal from the Arriases following their arrest. Catalina is also confronted by visual representations of Estrella’s relative wealth multiple times in the book, but she reacts differently based on whether she feels threatened by Estrella. When she first sees Estrella’s pearl necklace, she is dismissive, saying that she would rather have rubies when she’s older. At this point, Catalina believes herself close to her goal of marrying Andres, so her envy of Estrella is subdued. When Catalina asks for Estrella’s pearls, it is partly in response to Estrella’s avoidance of Catalina and her family.
Catalina’s society incentivizes such envy. A decree posted in the village proclaims that a person who turns in a suspected Jew is entitled to “all [the latter] owns, halved with the courts” (32). This rewards jealousy, plays on antisemitic stereotypes associating Jewish people with money, and ensures that the courts find the people they are looking to demonize. Because Catalina wants to increase her social standing, she seizes on the chance to enrich herself at others’ expense: Watching Catalina after Catalina has betrayed Estrella’s family, Estrella asks herself, “How had I never noticed how hard Catalina was, how brightly she shone when something bad was happening to someone else?” (56). In the courthouse, Catalina positions herself to be seen in her new finery while Estrella must hide herself in the back; Catalina’s ill-gotten material wealth is here a stand-in for her rising power.
The novel therefore positions Catalina’s jealousy within a broader societal system where success comes at the cost of someone else’s failure. This incentive to hurt a vulnerable population turns individuals and communities against others and conflates appearances with truth.
The plot of the book closely follows Estrella’s journey to discover a new identity within the crypto-Jewish tradition. While Estrella has always participated in aspects of her family’s secret culture, she did not understand them in the context of their religion. From their diet to their names, the significance of the family’s tradition is kept a secret in order to protect her. As she grows more curious, the novel contrasts her growth with other characters’ relationships with tradition versus individual expression. The book examines where people choose to bend traditions when under duress and where they do not.
When the novel begins, Estrella closely aligns herself with her friend, Catalina, The pair share nicknames and spend time at each other’s homes. However, those around them easily see differences between the two of them. Catalina’s own mother wishes aloud that her daughter could be as pretty as Estrella, which prompts Estrella to laugh and reply, “But she is! We look just like sisters!” (12). The quote demonstrates that while Estrella has defined herself by this relationship, others do not share her perception.
Estrella’s identification with Catalina stems partly from her uncertainty about who she is. She loves her family deeply and absorbs the lessons her mother teaches her, but without the context of the family’s Judaism, she has a hard time identifying deeply with either her relatives or their customs. When Estrella is young, she tries to ask her grandfather broad questions about their beliefs—e.g., why girls can’t be educated and why they “light candles on some nights and not others?” (10). It is not until she asks her grandmother “Are you Sarah?” that she gets a response (35). The form of this question has symbolic significance: By making her question one of personal identity rather than abstract practice, her family is forced to be honest with her.
Estrella’s behavior changes once she knows she is a part of this vulnerable community. The person who has the most impact on her new identity is her grandfather, who gives her near-daily lessons in language and religion. When he is arrested, he chooses not to break religious tradition and eat the pork sausage the judge tries to force him to consume. Even though he has done many things in order to appear Christian, he now refuses to betray his beliefs even to save his own life. Keeping this tradition reveals much about his character and the meaning of tradition to Estrella. Watching him, Estrella realizes, “I saw the end of his life right there in that single moment. His pride, his decency, his secrets, his death” (57). Her grandfather has defined himself through upholding this tradition. While Estrella flees Encaleflora, she chooses both to keep these secret traditions alive and to tell her descendants the truth about their identity, embracing the idea, “be yourself and you save your soul” (72).
As the book explores what drives people to lie and whether it is important to live honestly, the author highlights the dangers of silence and bystanders. While the book condemns those who actively hurt those around them, it also highlights those who choose to do nothing in the face of suffering. Estrella’s family operates in a gray area between lies and honesty; they are a part of a community where they can practice their true faith, but they have chosen to publicly convert to Christianity to achieve a degree of security. This belief that silence will protect them brings about the downfall of Estrella’s family.
When the novel opens, Estrella joins a crowd watching the burning of books and the violent abuse of a Jewish man. Catalina and Estrella go to the Plaza out of a sense of curiosity, and Estrella at first does not understand the reality of the situation, mistaking the burning pages for doves: “I felt so sad for those poor burning birds, then I realized the burning pile was made of books” (7). This confusion parallels Estrella’s broader ignorance. The text connects the man to the burning books by describing him as “a bird caught in a snare made of his own bones” (8), foreshadowing the death by fire that awaits the town’s Jewish residents. However, if Estrella cannot identify with the crowd’s animosity toward the man, she also does nothing to help him.
Estrella’s inaction in part reflects her ignorance of her own heritage, but the deMadrigals broadly also rely on silence to evade detection as crypto-Jews—e.g., saying nothing when their neighbors are arrested. The novel suggests that this is counterproductive, linking it the family’s decision to keep Estrella herself in the dark. Estrella’s grandmother says that they hid the truth from Estrella in order to protect her, but had they not done so, Estrella would have known to be more careful in her dealings with Catalina, who ultimately uses her intimate knowledge of the family to turn them in to the Inquisition. By the end of the novel, the family’s silence comes back to haunt them; Estrella and her grandmother are powerless to stop the deaths of their loved ones and must simply watch, reliving the passivity with which they observed their neighbors’ persecution and observing its consequences.
Estrella thus comes to see the value in truth and outspokenness. The author uses this change in Estrella to show how silence fails to protect people. While Catalina and her family betray Estrella, many neighbors and members of the community choose to protect and love her even once they know her real identity, including the Muslim doctor and, of course, Andres. While it does not deny that silence is necessary at times, the book chooses to focus on moments when people are rewarded for speaking out. Estrella learns to take an active part in her family’s survival and pass the truth along to her children.
By Alice Hoffman