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58 pages 1 hour read

Andrea Beatriz Arango

Iveliz Explains It All

Fiction | Novel/Book in Verse | Middle Grade | Published in 2022

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Symbols & Motifs

Gardening

Gardening symbolizes a tangible reality for Iveliz because it provides relief from her mental health condition. Iveliz regularly presents the latter as abstract and intangible. She describes it as “darkness” or a “hole.” The PTSD and depression produce feelings that are overwhelming because she can’t grasp or quantify them. She feels them keenly, but at the same time, they’re not palpable objects. She can’t point toward a concrete “hole” or a specific “darkness.” They elude corporeality.

Gardening, however, is a tangible experience. Gardening class is the one class Iveliz likes. She says, “I don’t care if people see the dirt. / It means I planted FOOD” (34). Dirt and food are observable. They’re concrete, so they tether Iveliz to a physical reality. As gardening forces her to confront empirical reality, the untouchable world of feelings takes a backseat.

Engaging with gardening puts Iveliz in a transcendent state. She thinks,

[I]f I stretched
my toes they could
break out of my sneakers
and curl
around the little
worms and beetles
I imagine are happily waiting for
the
seeds
we’re
about
to grow (100).

The image consists of a series of tactile elements—toes, shoes, worms, seeds, and so on. The specific reality makes Iveliz feel like she can move out of her body and become one with insects and soil. As gardening contrasts with the abstract feelings that regularly dismay her, gardening brings bliss and rapture.

The Journal

From one perspective, the journal is a beneficial symbol. It provides Iveliz with a space where she can express her unmitigated feelings. Iveliz feels alone and isolated, and the journal makes her feel like she has someone who’s unconditionally on her side. From a different angle, the safe space enables traits that Iveliz needs to work on. Since the journal isn’t a person, it can’t moderate Iveliz’s sweeping emotions, nor can it push her to try to embrace different perspectives—attitudes that will make her less dependent on the journal since she’ll be able to confide in actual people. Thus, the symbolism is positive and negative. Iveliz realizes the limits of her journal when she announces,

I kind of like explaining myself
with my whole body,
and not hiding in paper,
where I can turn the page (261).

Due to Dr. Turnip, Iveliz becomes comfortable speaking to other people about her feelings. As she can tell them what she used to only be able to say in her journal, the journal’s importance diminishes. More so, Iveliz realizes that the security her journal represents has disadvantages. Swaddled in her journal, no one could get to her, so no one could pull her out of her “hole” or “darkness.” For substantial help, Iveliz had to go beyond her journal.

Talking

The motif of talking supports The Complexities of Mental Health Conditions. The story indicates that no one should expect people to immediately grasp what someone with a mental health condition is going through. Mental health conditions are multilayered and nuanced, and to understand them, the person with them must communicate what they’re experiencing. They must also be willing to listen. Once Iveliz adopted Dr. Turnip’s advice and began painstakingly speaking to people, they—her family and friends—listened and embraced her.

The motif of talking also underpins The Importance of Maintaining Balanced Relationships. One central reason why Iveliz has difficulty keeping even-keel relationships is that she doesn’t feel like she can properly express her overwhelming feelings. She expects people to know what she’s going through. When she calls Amir after Mimi calls her Tania, she assumes that Amir will answer. When she doesn’t, she becomes angry. A similar dynamic occurs with Akiko. She gets revenge on the boys who bully Akiko without speaking to Akiko, and she lets Akiko give her a makeover without communicating why a seemingly “fun” activity might bother her. The lack of communication produces immoderate reactions and connections between Iveliz and her friends.

The motif of talk bolsters Misunderstandings Between Adults and Young People, too. As Mami forcibly drives Iveliz to Dr. Turnip, Iveliz thinks she could get to choose if she wants to see him. Iveliz adds, “[I]t’s my body and my brain / don’t kids have any rights?” (90). Regularly, Iveliz depicts adults as oppressors who aren’t interested in what young people have to say. However, once she starts talking sincerely, Dr. Turnip and Mami listen, so sincere discussion helps collapse the conflict between adults and kids.

The Pill Bottle / Medication

The pill bottle symbolizes the complexity of Iveliz’s mental health and her struggle with acceptance. For Iveliz, the medication represents both a lifeline and a source of shame, reflecting the stigmatized views around mental health treatment. Early on, Mimi’s dismissive attitude toward the medication—“Las pastillas son para los locos y tú no eres loca” (56)—reinforces Iveliz’s internalized stigma about taking pills for her depression and PTSD. Her grandmother’s critique makes Iveliz feel like she’s “crazy,” a label she fiercely rejects. The act of taking the medication becomes fraught with conflict, as Iveliz vacillates between acknowledging her need for it and feeling judged for using it.

The motif of the pill bottle also supports the theme of Misunderstandings Between Adults and Young People. When Mimi throws away Iveliz’s medication, it isn’t just an act of negligence but a profound misunderstanding of Iveliz’s needs. Mimi believes she’s protecting Iveliz from something harmful, while in reality, she’s removing a crucial tool for her granddaughter’s well-being. This act of disposal leads to one of Iveliz’s lowest points, showing how stigma and lack of understanding can have devastating effects on young people with mental health conditions.

As Iveliz starts trusting Dr. Turnip and referring to him as Dr. Alex, her relationship with the pill bottle evolves. In a significant moment of growth, Iveliz decides to take her medication openly in front of Mimi, signaling a shift in her attitude. She no longer hides the bottle, illustrating her increased self-acceptance and her willingness to advocate for her own needs. By the end of the narrative, the pill bottle, once a symbol of shame and secrecy, transforms into a representation of self-care and empowerment.

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By Andrea Beatriz Arango