110 pages • 3 hours read
Louisa May AlcottA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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Keeping the secret about the marriage proposal from Mr. Brooke is difficult for Jo. She is also nervous about Laurie, “for he was an incorrigible tease, and she feared he would coax her secret from her” (220). On the other hand, Meg appears to be acting equally peculiar, which Jo attributes to “love”; Meg “is twittery and cross, doesn’t eat, lies awake, [...] mopes in corners” (221), and blushes when she accidentally says Mr. Brooke’s first name.
Meg receives a letter purportedly from Mr. Brooke announcing his unrestrained “passion” for her. Meg writes back that she is too young to make a decision and must wait on the consent of her father. In a reply, however, Mr. Brooke denies writing the letter, reducing Meg to tears. Mr. Brooke accuses her “roguish sister” Jo for playing such a prank, but Jo denies this accusation, knowing that Laurie must have written this note, along with the earlier one sent with the glove.
As Jo goes to fetch Laurie to clear things up, Marmee asks about Meg’s thoughts and feelings about Mr. Brooke, to which Meg responds, “I don’t want to have anything to do with lovers for a long time” (223).
Laurie arrives and stays for half an hour, and Marmee privately talks to him. When he comes out, he is ashamed for his conduct and asks the women for their forgiveness, as he did not mean any harm. He also confirms that Mr. Brooke does not know of the prank. Laurie leaves; later, Jo goes after him.
In the Laurence mansion, Jo learns from the maid that Laurie is not in an approachable mood, as he has had a fight with his grandfather. Regardless, she weasels her way into his room: “Please forgive me for being so cross. I came to make it up, and can’t go away till I have” (225).
However, Laurie’s problem is not with Jo but his grandfather. Mr. Laurence demanded to know what was wrong with Laurie, and when he did not receive a satisfactory answer, he “collared him,” injuring his pride. Jo decides to confront Mr. Laurence, convincing him to write a note of apology to Laurie, as Laurie may run away, like his father before him, which pains the elderly man. In addition, the women have already pardoned Laurie, and he gave his word not to repeat such a prank. While grandfather and grandson eat dinner together in a truce, everyone forgets the matter until one day, Jo finds a piece of paper on which Meg has scribbled, “Mrs. John Brooke” (233).
It’s Christmas time, and the weather is unexpectedly mild. The atmosphere seemed “bound to produce a grand success” (233). Overall, the household is brimming with cheer and merriment as presents are exchanged, Beth’s health is improving, and Mr. March promises to be home soon. Laurie and Jo present a snowman for Beth that they have made throughout the night, and she exclaims, “I’m so full of happiness, that, if Father was only here, I couldn’t hold one drop more” (235).
In the next moments, Laurie announces that there’s “another Christmas present for the March family,” leading in Mr. Brooke who brings in Mr. March (235). The surprise is too much for the family, as “Mr. March became invisible in the embrace of four pairs of loving arms” (235).
Dinner that night includes the Marches, the Laurences, and Mr. Brooke—who is the subject of Jo’s dark glances. Only a year ago, Jo reminds the girls, they had been “groaning over the dismal Christmas” they expected to have, and Mr. March agrees that it was “a rough road for you to travel, my little pilgrims” (237). Pressing him to elaborate, he explains: Meg’s hands are rough and used from work, Jo’s temperament is genial and more mature, Beth’s shyness has lessened, and Amy’s conceit has changed into humility.
After Amy thanks her father for the words, Jo asks Beth her thoughts: “I read in Pilgrim’s progress today how, after many troubles, Christian and Hopeful came to a pleasant green meadow where lilies bloomed all the year round, and there they rested happily, as we do now, before they went on to their journey’s end” (239).
With that, Beth seats herself at the piano and finally sings again after her long bout with illness.
Since Mr. March’s return, the ladies are tending him to the point that he could have been “killed by kindness” (241).
Meanwhile, Meg is nervous about how to respond to Mr. Brooke if he begins to court her. Mr. March believes Meg is too young to marry, and she therefore feels robbed of agency with respect to Mr. Brooke.
Mr. Brooke comes to request the umbrella he left and asks about their father. Meg is startled, but she composes herself. When he asks about her feelings for him, she admits she does not know. Mr. Brooke insists that perhaps she could learn to love him, to which she responds, “I don’t choose. Please go away and let me be” (245).
Meg revels in the power she has over him; when he leaves, Aunt March enters. She has come to meet her nephew, Mr. March, and looking at Meg’s expression, she knows what Mr. Brooke must have asked her. She threatens that if Meg marries this man, “not one penny of my money ever goes to you” (246). Meg is overcome with rebellion and defends Mr. Brooke by declaring, “My John wouldn’t marry for money, any more than I would. We are willing to work, and we mean to wait. I’m not afraid of being poor” (247). Realizing she has not yet decided on the fate of her and Mr. Brooke, she halts her speech, but Aunt March, taking offense, leaves without seeing her nephew. Mr. Brooke enters and reveals to Meg that he overhead her conversation with Aunt March. The two admit their admiration for one another and dream of marrying in a few years.
For Jo, this is “awful news” (249), and she dreads Meg’s imminent departure. The rest of the Marches all gather to offer their goodwill and support to the future couple as the Laurences enter.
The narrator draws the first part of the novel to a close as Mr. and Mrs. March reminisce about their own romances in years past, Amy draws the lovers, Beth is absorbed in conversation with Mr. Laurence, and Jo considers the situation with Laurie by her side.
At the end of Part 1, adulthood is sneaking into the lives of the girls, which causes much anxiety in Jo, as her family is bound to become separated. This is the first of many adult issues that enter Jo’s life. The other sisters are still too young to understand the implications of Meg marrying because for them it is a romantic or idealistic affair: “The little girls, however, considered it a most agreeable and interesting event, and Jo got little comfort from them; so she went up to her refuge in the garret, and confided her troubles to the rats” (249).
At this point, it is impossible for Jo to comprehend both Meg submission to adulthood and her conformity to gender expectations: “Jo lounged in her favorite low seat, with the grave, quiet look which best became her” (252). Additionally, by choosing Mr. Brooke, who has little wealth, Meg sacrifices her desires for luxury.
Meg’s decision also affects Aunt March, who “had set her heart on having her pretty niece make a fine match” (248), and does not understand how Meg can sustain herself by marrying someone perceived to be economically and socially inferior. Aunt March symbolizes the notion that the rich are lacking because they do not see the greater fruits of being loved, and she is shown to be lonely and bitter. Meg, then, accepts love over temptation.
By Louisa May Alcott