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Oscar WildeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The protagonist and title character, Lord Arthur Savile, is very much a man of his era and social class, whose credulity and capability for self-delusion is taken to an absurd extreme. Although he does succeed in committing murder by the end of the tale, he does not conform to criminal stereotypes: he lacks for nothing in his luxurious life, he does not bear any ill will toward the relatives he attempts to kill, and, despite occasional bouts of despair and panic, sets about his “duty” in a methodical, common-sense fashion. Significantly, he proves himself to be unable to plan and carry out a crime. He never sets out to murder Mr. Podgers; their encounter is spontaneous and the crime almost instantaneous. Once the possibility of scandal is removed, the murder also fails to provoke any further reflection.
Lord Arthur is a comic, rather than disturbing figure. He receives his palm reading and not only believes that it is true that he is destined to commit a murder, but also that his best course of action is to go ahead and commit that murder right now to get it out of the way before his wedding. Wilde uses Lord Arthur’s flawed logic and reasoning abilities to underscore the irony in what Lord Arthur perceives as his duty, which itself is only an outsize version of familiar Victorian discourse.
Despite the narrative’s references to Lord Arthur’s “common sense” (in Chapters 3 and 5), he never considers the obvious fact that Mr. Podgers’s prediction in itself cannot force him to commit a murder. He could simply choose to ignore the prophecy or decide to make it not come true. He could even laugh about it, since a murder makes no sense in his life circumstances in which he is wealthy and happily engaged. Instead, he goes about fulfilling the prophecy because of his unshakeable belief in fate and his own lack of free will in life. At the end of the story, he is happily married to Sybil, with two adoring children and an unaccountable—to other people—commitment to cheiromancy. The narrator presents this final scene without much commentary, leaving an assessment of his personal growth or any sense of whether he feels that he deserves his happy ending unspoken.
Lady Windermere’s presence frames the story; it opens at an opulent party at her home and ends with her pronouncement that Lord Arthur’s continuing attachment to cheiromancy is “nonsense.” Her epigrammatic comments (“The proper basis for marriage is a mutual misunderstanding” [Chapter 1, Paragraph 44]) suggest the values held by those who make up Lord Arthur’s broader social milieu. Moreover, as much as she avows her dependence on Mr. Podgers’s palmistry skills, her arch tone makes clear that she would not be so naïve as to let them materially affect her life. As she says to the Duchess of Paisley, “I think every one should have their hands told once a month, so as to know what not to do. Of course, one does it all the same, but it is so pleasant to be warned” (Chapter 1, Paragraph 15). To her, Mr. Podgers is more of an entertainer than an adviser—one of her “performing lions”—and he is certainly not the prophet that Lord Arthur takes him to be.
In the final chapter, Lady Windermere visits the home of Lord Arthur and Sybil outside of London some years after their marriage. The subject of the “horrid Mr. Podgers” (Chapter 6, Paragraph 6) arises during a brief conversation that suggests that the world of London society has continued to function in much the same way as it had at the beginning—though Lady Windermere, for her part, has moved on from cheiromancy to telepathy. Her status as the voice of authority is cemented when Wilde allows her the last word on Lord Arthur’s belief that cheiromancy is the source of all his happiness.
Mr. Septimus R. Podgers is a cheiromantist, or palm reader, who is invited by Lady Windermere to appear at her party in Chapter 1. His purpose at the party is to provide entertainment to all the guests by reading their palms. The guests are delighted by his skills, though they become uncomfortable when he approaches the truth too closely.
Mr. Podgers, unlike the guests at the party, is not part of the upper class and stands out among the “lions.” He is also, according to Lady Windermere’s description, not as mysterious or fascinating to look at as his talent would otherwise make him out to be. In fact, his common, simple appearance disappoints her and it is his talent to read palms that makes him valuable to her.
Mr. Podgers as a character is not well-developed. He appears in Chapter 1 at the party and reads Lord Arthur’s palm (as well as that of other guests). The reader learns very little about Mr. Podgers’s view of the events that unfold. It is clear that Mr. Podgers sees something disturbing when he first examines Lord Arthur’s palm and is reluctant to talk about it. Only when he is cornered again by Lord Arthur does he give the prophecy, and, except for the financial negotiation, this conversation is conducted off the page. We therefore only have Lord Arthur’s information to know about how the exchange occurred.
Ironically, Mr. Podgers turns out to be stunningly good at his job, at least when it comes to Lord Arthur. He correctly predicts the loss of a distant relative, a period of travel, and the murder itself. What Mr. Podgers fails to read on Lord Arthur’s palm is that he himself will be the murder victim. As morally bankrupt as Lord Arthur’s act would be in real life, it functions as an aesthetically convenient, and somewhat amusing, plot twist. Mr. Podgers’s insignificance is reinforced by how quickly he disappears into the Thames; he lives on in Lady Windermere’s memory only as an imposter who dared to behave as her social equal. Whatever his skills at reading palms, he manifestly fails to read social situations correctly.
Unlike Lady Windermere, Sybil Merton, Lord Arthur’s fiancée and the other prominent female character in the story, offers no clever epigrams. The most sustained description of her appearance takes place when Lord Arthur gazes at her photograph, underscoring her status as a “flat” character with few desires beyond her marriage. She accommodates Lord Arthur’s postponements of the wedding date, despite her own disappointment. Little else is revealed about her character, save for the fact that she is not the kind of woman to immediately eat a sweet discovered in a bonbonnière; this quality saves her from inadvertently poisoning herself with the pill intended for Lady Clementina. Ultimately, Sybil stands outside of the artificial social world inhabited by Lord Arthur and Lady Windermere. She appears content to give her husband “worship, tenderness, and love” (Chapter 6, Paragraph 1); as such, she is one of Wilde’s rare characters who is exactly who she appears to be.
By Oscar Wilde