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49 pages 1 hour read

James L. Swanson

Manhunt: The 12-Day Chase for Lincoln's Killer

Nonfiction | Biography | Adult | Published in 2006

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Prologue-Chapter 1Chapter Summaries & Analyses

Prologue Summary

Content Warning: This section mentions suicide.

Manhunt: The Twelve-Day Chase for Lincoln’s Killer begins with a description of the Lincoln’s Second Inaugural Address on March 4, 1865. President Abraham Lincoln gives a speech that references the coming end of the Civil War. Even though it is a gloomy day, while he speaks, the sun comes out from behind the clouds and shines on him. A month later, on April 3, 1865, the Union Army captures the capital of the Confederacy, Richmond, Virginia. A few days after, the actor John Wilkes Booth tells a friend he regrets not killing President Lincoln on Inauguration Day, because he was standing nearby. On April 9, the Confederate General Lee’s army surrenders to Union General Grant at Appomattox. Booth is devastated about the loss.

On April 11, a crowd marches to the Executive Mansion to Washington, DC, to hear Lincoln give a speech about the retreating Confederacy. In the speech, he says he will give the right to vote to Black Americans. Booth tells a friend, Lewis Powell, “That is the last speech he will ever give” (6).

On April 13, Washington, DC, is lit up to celebrate the fall of the Confederacy. Booth, in his room at the National Hotel in DC, writes his mother that “Everything was bright and splendid. More so in my eyes if it had been a display in a nobler cause” (7).

Chapter 1 Summary: “I Had This Strange Dream Again Last Night”

On April 14, 1865, John Wilkes Booth wakes up “hungover and depressed” (9). Booth is a popular and celebrated actor from a well-known family. He goes to Ford’s Theatre to pick up his mail. That morning, the theater had received a note from the president’s messenger that the First Family was planning on attending their show of the comedy Our American Cousin that evening. When Booth arrives at the theater, he hears the news and begins to set his plan in motion.

That same day, President Abraham Lincoln is having a very good day. He saw his son, Robert, who had recently returned from witnessing the surrender at Appomattox and met with the Cabinet. The president also received a good omen in the form of a recurring dream that “he had preceding nearly every great and important event of the War” (14). He plans to finish his work by three o’clock so he can meet with his wife, Mary Todd Lincoln.

The owner of Ford’s Theatre, Henry Clay Ford, puts notices in the newspapers that President Lincoln is planning on attending the play that evening to help spur ticket sales. His brother, James Ford, gets American flags with which to decorate the president’s box, and on his way back he runs into Booth.

Booth is in the midst of his preparations for that evening. He picks up a rented horse. Then, he writes a letter at the National Hotel and gives it to a fellow actor, John Matthews, telling him to make sure it is published in the National Intelligencer newspaper. Booth sees General Grant and his family leaving town and is annoyed, wondering if it means the president will not be attending the play after all, as they were to go together. Then, Booth goes to Kirkwood House, where he leaves a note for Vice President Jackson that reads “Don’t wish to disturb you. Are you at home?” (19). Next, he goes to a boardinghouse at 541 H Street to meet with Mary Surrat, mother of his friend John Surrat, to whom he gives a package to be delivered at a tavern in Surrattsville, Maryland. Booth stables his horse at Ford’s Theatre. He then returns to his hotel and picks up a .44-caliber handgun and a Bowie knife. Around seven o’clock, he leaves the hotel.

Mary Surrat arrives in Surrattsville, and she gives the package, which contains Booth’s field glasses, or binoculars, to John Lloyd. She returns to Washington. Lloyd gets out two rifles Surratt’s son had previously hidden in the tavern and puts them in his room, and then goes to sleep.

That evening, Booth meets with his co-conspirators at Herndon House in Washington. Since at least 1864, Booth had been working on a plan to kidnap President Lincoln to “hold him as a hostage for the Confederacy, and turn the tide of the war” (23). Booth and his co-conspirators had come close, in March 1865, but their intelligence was wrong and they weren’t able to grab the president. After the retreat of the Confederacy, Booth decided to escalate the plan. On April 14, 1865, he tells the co-conspirators present, Lewis Powell, David Herold, and George Atzerodt, that they would be killing President Lincoln, Vice President Andrew Johnson, and Secretary of State William Seward. Atzerodt was tasked with killing Johnson. Powell, guided by Herold, would kill Seward. And Booth would kill Lincoln. Atzerodt tries to back out, but Booth had already signed Atzerodt’s name to the letter he had given to Matthews to be printed in the paper the next day referencing their plans.

That afternoon, Lincoln tells his wife that he wants to improve their relationship and they talk about the future. That evening, they pick up Major Henry Rathbone and his fiancée Clara Harris, the daughter of a senator, and they go to Ford’s Theatre together. They arrive at the theater around 8:30 pm and the crowd cheers President Lincoln’s entrance, halting the play, which had already started. The band plays “Hail to the Chief.”

Prologue-Chapter 1 Analysis

Manhunt: The Twelve-Day Chase for Lincoln’s Killer is largely written as a “tick-tock” or a moment-by-moment account of the assassination of President Abraham Lincoln and the search for his assassin afterwards. However, before beginning this fast-paced narrative, Swanson uses the Prologue to provide important historical context that illustrates Lincoln’s place in history. It describes the inauguration of the president, the important Confederate defeats in the days following, and the popular reception of both. In the moment, Union supporters see the unexpected sunlight during President Lincoln’s Inaugural Address as an “unexpected omen…so might the darkness which had obscured the past four years be now dissipated” (2). The fall of Richmond and the surrender at Appomattox prompt an outpouring of support from a populace exhausted by the war effort. This context is key to understanding Booth’s motivation at that moment to definitively put in motion his assassination plot. His despair and “melancholy” (7), as shown in his letter to his mother, is in sharp contrast with the happiness and joy being expressed popularly in the streets over the weeks between March 4 and April 13, 1865.

In addition to providing this context, Swanson’s Prologue also establishes the poetic language woven together with historical facts that characterizes the narrative. In the opening lines of the Prologue, for example, he writes, “It looked like a bad day for photographers. Terrific winds and thunderstorms had swept through Washington early that morning, dissolving the dirt streets into a sticky muck of soil, garbage, and horse droppings” (1). These facts are established by weather reports and a historical understanding of Washington, DC, at that time. Instead of dryly repeating these facts, Swanson presents them in a way that evokes a sense of witnessing these events firsthand. The sensory details such as the feeling of the street, the evocation of its smells, the look of the sky, and the feelings of the people who document the inauguration create verisimilitude.

In Chapter 1, Swanson begins to introduce the theme of The Role of Coincidence and Individual Agency in Historical Events. Nothing about the assassination plot and its success were inevitable, Swanson shows. It is clear that Booth decided to take action even as his coconspirators objected. Booth’s determination to go forward is an example of his agency, as is Atzerodt’s hesitancy, itself foreshadowing his eventual decision not to assassinate Vice President Johnson. The possession of agency shown by Booth can be contrasted with the lack of agency of Major Henry Rathbone and his fiancée Clara Harris. By happenstance, having been a last-minute invitation after others declined, they end up having front row seats to the assassination of Lincoln. The complex combination of agency and coincidence shows the possibilities and limits of individual agency to change and drive history.

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