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54 pages 1 hour read

Pablo Cartaya

Marcus Vega Doesn't Speak Spanish

Fiction | Novel | Middle Grade | Published in 2018

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Themes

Complicated Family Dynamics and Their Consequences

The primary theme of the narrative is the importance of family. The protagonist and narrator, Marcus, lives in a loving household with his mother and his brother. Although the three of them are close, Marcus feels the void left by his absent father. His absence creates additional financial and practical stress for his mother and opens the door for bullies, such as Stephen and Stephen’s mother, to misjudge and torment Marcus and Charlie. For example, after Marcus hits Stephen for insulting Charlie, Stephen’s mother says, “Clearly that boy doesn’t have any positive male role models in his life” (39).

Likewise, Stephen baits Marcus by saying, “Your mom and dad must be...Oh wait, that’s right. Your dad went to another country and never came back” (36). Melissa works very hard to keep the family together, but she and her children pay a price for her determination to do so by herself, without reaching out to her Puerto Rican family. While she works late, Marcus assumes responsibility for himself and Charlie. He also contributes financially to the household while trying to navigate his own problems in middle school. Once he begins to imagine finding his father in Puerto Rico, Marcus convinces himself that his father will solve all their financial and household-management problems.

Marcus hears, but doesn’t listen to, what his relatives tell him about his father; instead, he assumes that they all misunderstand the situation. In Puerto Rico, Marcus observes the strong father-child relationships between Sergio and Maria and between the German twins and their father. Maria will leave for Florida in the fall, and Sergio is already emotional about her departure. Marcus notices this and thinks, “I wonder how it feels to have a dad who misses you before you’re even gone. Maybe my dad feels that way and I just don’t know it” (120). He longs to have the same bond with his father that Maria has with Sergio. Angela and Hilda also have a strong relationship with their parents and share stories of family trips. When the group wonders why Hilde wants to call their father in Germany before visiting the farm, she explains, “Our father worries. He likes us to call often” (199).

Marcus’s father has not contacted him for 10 years or answered any of his messages, but Marcus still holds out hope of a reconciliation. It is not until Marcus meets his father that he understands why his mother was reluctant to find him and why his other relatives were skeptical. Marcus’s father shows no familial sense of responsibility. He is focused only on himself, making him the outlier of the entire group. Marcus’s family recognizes that love and support entail sacrifice and work, and “sometimes the necessary thing isn’t always the easiest” (222); after seeing his father for the first time in a decade, Marcus finally understands that his father is not capable of either of these things. Marcus’s father makes a comment about the hotel, which used to be an orphanage, that sums up his inability to understand the concept of family: “Can you imagine how incredible it would have been to be an orphan living in this place? It would be like Puerto Rican Annie in Daddy Warbucks’s home!” (218). He is so detached from his fatherly obligations that he doesn’t recognize the loss inherent in being an orphan.

Because Marcus’s idea of family is centered on his father, it takes him longer than it takes Charlie to see that they have a large, loving, and complete family right in front of them: Ermenio, Sergio, Maria, Pepe, and Darma. The lost decade of family time is particularly upsetting to Melissa. She often expresses her regret and guilt, even admitting to Marcus, “We should have come here years ago […] I’m sorry for that” (196). Her Puerto Rican family members missed her, but they understand her absence and love her and her sons unconditionally. Ermenio reassures her, “You need to stop making yourself feel guilty about everything, Melissa […] Guilt does nothing for the spirit” (116).

The novel also explores sibling relationships. Marcus and Charlie have a loving relationship, but because Marcus has to look after Charlie alone, he can be overprotective and feel more like a father figure than a brother. Despite that, they have fun and are very affectionate together: “Charlie laughs uncontrollably and then hugs me. He takes my neck and brings me down to his face. ‘Nose kiss,’ he says, wiggling his nose across mine” (114). Angela and Hilda are twins who have a more traditional sibling relationship, arguing one minute and behaving as friends the next. They always check with each other before any decision is made, usually with good-natured teasing that it takes Marcus time to get used to: “I think they’re mad again, but they end up laughing” (107). Throughout the book, the importance of family and the support it provides is emphasized. Discovering his Puerto Rican family allows Marcus to view his family, and his life in general, through a wider, softer lens that reveals that his Springfield unit of three is not alone. He realizes that he is “finally part of something that’s way bigger than me” (249).

The Power of Words

Words, whether they are said without consideration or with deliberate cruel intent, are responsible for Marcus’s low self-esteem. He has suffered comments about his size all his life and is sensitive to the effect words can have on others. This is partly why Marcus walks other students to and from school; he helps them avoid Stephen, who doesn’t physically bully them but viciously ridicules and mocks them. Marcus knows “sometimes that hurts more. Sometimes that hurts longer” (12). Stephen deliberately uses a slur about Charlie and Danny because he knows it will be a trigger for Marcus. Stephen uses words as weapons to directly hurt others and to provoke an emotional response.

In contrast, Melissa’s preferred phrase—“Go team go” (22)—highlights the affirming and encouraging power of words. She uses this expression every time she leaves a note for her boys and whenever they have a new experience. She also says these words before they go to bed. Her catchphrase conveys support, encouragement, and inclusiveness. Melissa often refers to herself, Marcus, and Charlie as a team, her “all-star team” (22), and she uses words to cheer them on and unite them. The family members live up to this phrase by looking out for each other and working together. Similarly, the other word that recurs throughout the narrative and has a powerful effect on Marcus is “family.” Ermenio introduces Marcus’s team of three to the German twins by highlighting their connection to him: “This is mi familia. Melissa, Marcus Jr., y Charlie” (105). Later, Sergio says, “Marcus […] You’re family. Entiendes?” (178).

Marcus’s emails to his father, and the anxiety and pain that are provoked by continually finding them unanswered, emphasize the power of the absence of words. Marcus stresses over finding the right words to write in the first email to his father in 10 years: “I freeze. How do you start an email to a father you haven’t seen in ten years?” (65). He restarts the message multiple times. The anticipation of a reply starts as soon as Marcus presses send, and it builds over the following days. Marcus’s father does not respond to any of his messages until the day before they leave Puerto Rico, and his silence is painful. The lack of response and the scornful way his father refers to Marcus’s messages when they finally meet reveal that his father is selfish and unconcerned with his son’s feelings.

The Importance of Belonging and Discovering One’s True Identity

The themes of identity and belonging are present throughout the book, which opens with the names that Marcus is called at his middle school: “the Mastodon of Montgomery Middle, the Springfield Skyscraper, the Moving Mountain, the Terrible Tower… (1). Marcus has had his size commented on for so long that he assimilates these judgments into the way he self-identifies, often referring to himself as a “monster” or “big, bad, Marcus Vega” (83). He knows people assume he is a bully because his size is intimidating, so he is quiet and withdrawn in an effort to avoid fueling misconceptions about him: “I tried to keep cool about most things. When you’re as big as me you can’t get rattled easily or you’ll scare people” (35). Marcus also sees himself as Charlie’s defender and protector, and overstepping that role lands him in trouble. During the trip, Marcus has to reassess that part of his identity, as he sees that Charlie doesn’t need a protector as much as he had thought; being a good brother is enough. When Marcus opens up to his father, he reveals the depth of his suffering because of misconceptions about him: “It’s lonely being the biggest kid. Being feared just because of my size. Feeling invisible on the inside because all anyone ever sees is the outside” (221). His Puerto Rican relatives, who welcome Marcus with open arms, and his Colombian friend Danny, who petitions for him at school, convince Marcus that his negative self-perception is not his true identity. Everyone can see he is big, but very few people see him as a monster or a bully. By the end of the book, Marcus blossoms, making friends and educating others about Puerto Rico.

Marcus struggled with his identity, but he never felt that he didn’t belong in his small family with Charlie and his mother. The three of them were always very close, but after the trip to Puerto Rico, they have a deeper understanding of each other. Their sense of belonging extends beyond their team of three to their family in Puerto Rico, allowing them to feel support and connection beyond their home. Although their father is not part of this unit, Marcus feels that he is “finally part of something that’s way bigger than me” (249). He finds his identity through the family and friends who love and accept him and no longer needs his father’s presence to make him feel complete.

Marcus thought superficially about his cultural identity before his trip. He knew he was born in Puerto Rico, and his father is there, but this information defines him as “different” from other people at school. Only during the visit to Puerto Rico does Marcus really grasp the true meaning of his Puerto Rican heritage, realizing that it is something to be proud of and to embrace. His relatives help him understand that he belongs in both Philadelphia and Puerto Rico, as do Charlie and Melissa, and he begins to feel connected to his Boricua identity.

Cartaya highlights the struggles that Puerto Ricans have in maintaining their identity while dealing with issues such as high unemployment, political inequity, Americanization, and the island’s debt. Darma “busses kids from all over the island and teaches them about farming” (163), growing only traditional Puerto Rican fruits and vegetables, and Maria is going to Florida to study agricultural engineering with plans to bring her skills back to Puerto Rico. Both Maria and Darma actively work to preserve their Puerto Rican identity. Like them, the older woman Melissa talks to on the bus explains that it is up to the people of Puerto Rico to cultivate and maintain their heritage, opening Marcus’s eyes to the cultural differences between his two homes.

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