69 pages • 2 hours read
Jewell Parker RhodesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The day dawns bright and sunny. Lanesha enjoyed letting Spot sleep on her bed. Her mother’s ghost is resting on Mama Ya-Ya’s bed again, and Spot seems to see her. Downstairs, instead of cleaning up the breakfast pans as she typically does while Lanesha eats, Mama Ya-Ya sits to talk with her directly. Lanesha knows the talk is serious because Mama Ya-Ya’s hair is unkempt, something that never happens. Mama Ya-Ya tells her that in a dream, she saw the storm come and go; people went back to normal, but then “everything goes black. Like someone pulling a curtain. Or a shroud over the dead. Or God turning out the lights” (51). Mama Ya-Ya tells Lanesha to pick up a list of storm supplies, like bread and bottled water, after school.
Lanesha has a good day at school. A “popular and cute” (55) girl named Ginia is in Lanesha’s gym class; Ginia once asked Lanesha to try on clothes at the mall. Lanesha said no because she was afraid that Ginia or Ginia’s friends would end up making fun of her. Today Ginia asks again to hang out after school. They decide to go on Lanesha’s errand to the store together. When the storekeeper, Mr. Ng, mentions Mama Ya-Ya’s ghosts and asks what they might be saying about the upcoming storm, Lanesha worries that Ginia will laugh or leave. Ginia, however, tells Lanesha that her grandmother has a special sight as well. On the way back to Lanesha’s house, they stop by a crowd of neighbors watching TV on Mr. Palmer’s porch; Mr. Palmer, an amputee, keeps a TV on his porch because he rests there while his wife is at work. The weatherman is nervously discussing the possible storm paths. Everyone sees that the storm is now designated a Category 1 hurricane and has been named Katrina.
Back home, Lanesha invites Ginia inside, but Ginia must leave; she knows that she will be needed at home to help prepare for the storm. After dinner, Lanesha sketches bridges and tries to not feel scared or nervous, but the weather reports worsen, and she hears neighbors nailing planks over windows. Mama Ya-Ya stares at the TV, trying to see meaning in the maps and colors. Lanesha attempts to ignore it, focusing instead on her drawing.
Mama Ya-Ya watches the TV intently, unable to figure out why she feels so strongly that the hurricane is not the full danger. Lanesha hears the weatherman forecast “unfathomable” damage if the storm hits the coast; his tone and her unfamiliarity with the word makes her nervous. TaShon comes by to see Spot as Lanesha is leaving for school; he tells her school is canceled, but Lanesha does not want to believe him: “It’s hard enough that there’s a Saturday and Sunday. I’m less lonely at school with my teachers and books” (73). She makes the trip to the school building only to discover that many ghosts are in the halls—mostly nuns and priests because the building used to be a convent. She finds Miss Johnson packing a box of her personal things. Miss Johnson says she’s leaving town to be on the safe side but that they will probably all be back in school Monday. She says that Lanesha and her family should leave as well. Lanesha is upset at the thought of the storm approaching. Miss Johnson reminds Lanesha that she is very smart, especially with math, and could indeed be an engineer someday. She gives Lanesha a pre-algebra book so she can work on more advanced material independently.
The nervous anticipation for the storm worsens at home. Lanesha grows worried about Mama Ya-Ya, who cannot seem to rest. Ghosts congregate in the living room, and Lanesha wonders if they all lived in the house at some time. Lanesha looks up “unfathomable” and sees that it means “impossible to measure” (82). On TV, some in New Orleans party and celebrate, but in her neighborhood, those who can do so pack up and leave. Others board up windows. After dark, Lanesha goes outside on the porch where Mama Ya-Ya is looking for butterflies as a sign about the storm. Lanesha asks if she can run to Mr. Ng’s shop for more supplies even though it is past eight in the evening. Mama Ya-Ya gives permission, but when Lanesha gets to the shop, Mr. Ng is gone; the shop is closed and the shelves are mostly bare.
In Chapters 1 through 3, the storm’s early stages are only briefly and subtly mentioned; Mama Ya-Ya knows a storm is coming and tells Lanesha, followed by Lanesha hearing the forecast on TV in the background as she enjoys the activity and comfortable noise of an evening in her neighborhood. Everything changes at the start of Chapter 4, as Mama Ya-Ya’s dreams and feelings become impossible for her to interpret—but equally impossible to ignore. Up to this point, Lanesha handles conflicts in her life well; for example, her Uptown family’s dismissal of her is bothersome, but she loves and appreciates Mama Ya-Ya and her life in the Ninth Ward so much that it’s easy for her to push aside any frustrations about them. Lanesha also handles the unaccepting treatment from peers in a way that is mature and kind; it can make her sad, but she still loves learning and her teachers, and she agreeably helps Max and TaShon, though others do not treat her with the same kindness. The approaching storm, however, throws Lanesha’s Ordinary World into a chaotic and emotional environment that she does not like.
A lot of the chaos and fear Lanesha feels is a result of Mama Ya-Ya’s behavior and anxiety; Lanesha rarely sees Mama Ya-Ya vary from her routines, and her uncertainty regarding her dreams is unsettling. From the start of this second section (when Mama Ya-Ya sits at the breakfast table for the serious talk) to the end (when she sits on the porch looking for butterflies in the dark), Lanesha observes her caretaker’s actions and feelings with an uneasiness that is compounded by the worsening weather reports. The result is a slow build of tension for the reader, too, who knows the history of Hurricane Katrina. Another interesting dynamic emerges from this dramatic irony: The reader knows exactly what the “dark shroud” is that Mama Ya-Ya can’t quite see but is powerless to tell her or to stop it. In this way, the reader is just as powerless as the characters of the book and the citizens of New Orleans.
Lanesha, for all her maturity, strength, and appreciation for others, cannot accept that this storm is a potential threat to everything she knows and loves. She somewhat stubbornly concentrates on drawing bridges as Mama Ya-Ya obsesses over weather reports, and when TaShon announces the cancelation of school, she refuses to believe him. Her only reward for going to school to see for herself is more ghosts than usual and a brief conversation with Miss Johnson. Lanesha’s complex ideas about her own interests and skills dovetail with her paranoia about the storm as the two of them talk; Lanesha can’t help but tell Miss Johnson, “I could be you” (77). A classic example of a mentor archetype, Miss Johnson immediately tells Lanesha that her path forward must be chosen based on her own skills and interests, and that Lanesha should pursue engineering if she wants to because she is highly capable. Lanesha takes the pre-algebra book as if it is a talisman against danger—and indeed, she will use it Saturday morning to ward off fear.
By the time Lanesha finally acquiesces to the possibility that she and Mama Ya-Ya might need more supplies if the storm really does approach the “unfathomable” level predicted, it is too late: Mr. Ng at the market is gone, and everyone else has already emptied the shelves of food and water. Lanesha does not run home but walks slowly, struggling to comprehend and process the changes around her: “Everything is topsy-turvy, like in Alice in Wonderland. Except it’s a white cloud’s fault, not a rabbit hole’s” (86).
By Jewell Parker Rhodes