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55 pages 1 hour read

Kate Alice Marshall

No One Can Know: A Novel

Fiction | Novel | Adult | Published in 2024

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Chapters 13-23Chapter Summaries & Analyses

Chapter 13 Summary: “Emma. Now”

In the present day, Nathan, angry after the police’s visit, refuses to come to bed. The next morning, Emma finds toast on her bedside table. She takes it as a peace offering from Nathan, who is out buying cleaning supplies. She Googles news reports about her parents’ murders. One of the reports mentions that the police found footprints from size-10.5 Doc Martens on the scene, but never recovered the gun. Emma knows Gabriel’s shoe size is 10.5, but she is not sure whether he wore Doc Martens. She finds an unfamiliar woman who turns out to be JJ, now tattooed and boldly dressed, on her doorstep. JJ asks what Emma will tell the police about the night of the murders if they reopen the case, and Emma realizes JJ is hiding something. They argue about the past, and Emma suggests JJ abandoned her and Daphne. JJ tells Emma she was in no shape to take care of her sisters after she left home, using drugs and getting into dangerous situations. Nathan returns, and he and JJ discuss selling the house. JJ tells him they can sell it once they have Daphne’s signature and leaves. Nathan suggests that Emma call JJ for the keys to the carriage house, but she is reluctant. Nathan tells her he does not want her going into town because it gets people talking about her. Emma finds Nathan’s control suffocating, especially since he insinuates the predicament is her fault. She wants to remind him that moving here was his idea, but stays quiet to hold the peace. She lies that she will stay at home.

Chapter 14 Summary: “Daphne. Now”

Daphne has a one-bedroom cottage in Arden Hills, five miles from her childhood home. When she is not travelling, she stays at the cottage. Few recognize her because her appearance has changed over the years. She goes to the Palmer house, where she finds Nathan out and Emma asleep. Seeing prenatal vitamins on the kitchen counter, Daphne concludes Emma is pregnant. She makes toast for her sister and places it on the bedside table as Emma sleeps. She unlocks Emma’s phone and activates a location tracking app. Daphne feels Nathan does not love Emma enough. She will do whatever it takes to ensure Emma is safe.

Chapter 15 Summary: “Emma. Then”

At the time of the murders, Emma examines her eighth oil painting, a portrait of Gabriel. She has been taking painting lessons from Lorelei, Gabriel’s grandmother. Although her parents disapprove of her art lessons, Emma loves oil painting. Irene spots the portrait and asks if Emma is sleeping with him. Emma is astonished because she has not even kissed anyone yet. Irene tells Emma to stay away from Gabriel and go downstairs to play the piano. Emma dislikes playing and punches the keys too hard in the effort to produce a tune. Irene shuts the fallboard to protect the keys, bringing it down on Emma’s hand and badly bruising her fingers. Juliette takes Emma’s place at the piano and plays flawlessly.

Chapter 16 Summary: “Emma. Now”

In the present, Emma recalls that she was mostly at Gabriel’s house the night of her parents’ murders, though they were not in a romantic relationship. When she returned home, she found Daphne in the treehouse, her clothes soaked with blood. Emma told Daphne to change and burned her clothes in the fireplace of the Saracen House, a nearby abandoned building. Afterward, she called the police.

Emma calls her lawyer, Chris, wondering if her parents had enemies. She knows Randolph had affairs. Chris recalls that Irene once told him she discovered something illegal and wanted to report it to the police, but she was too scared. Emma suddenly remembers a hidden flash drive and a green post-it-note with numbers scribbled on it. Just then, seeing two teenage boys flinging a rock at the house, Emma hangs up and follows them to the Saracen House. The boys apologize and leave. Emma recalls that all the cool teenagers in her youth spent time at the ruined building. Inside, Emma finds carved initials and discovers that Juliette did one of them. This seems impossible, since Juliette, the perfect child, would never visit Saracen House.

Chapter 17 Summary: “Emma. Now”

Emma goes to the Mahoney residence to ask Gabriel about Juliette’s past. Emma talks to Lorelei about Kenneth Mahoney, Gabriel’s father and Lorelei’s son, who went missing two months before the Palmers murders. Kenneth struggled with alcohol addiction, and Lorelei raised Gabriel. Emma apologizes to Gabriel for leaving him with no alibi and asks about Juliette. Gabriel replies that he heard Juliette was dating Logan Ellis, the police chief’s son, and used to meet him at the Saracen House. Logan used to run an illegal side business selling prescription drugs. Gabriel asks about Emma’s renewed interest in the past. She tells him she does not want her child to think she is a murderer.

Gabriel confides that he suspects his own father, Kenneth, of the murders. Kenneth worked for Randolph, who fired him for theft months before the murders. Kenneth was never seen again, but may have returned for revenge on the Palmers. Lorelei, however, says that Kenneth’s theft charge was false. He was fired because he found a discrepancy in the cargo weights of Randolph’s trucks and brought it to his notice. Everyone believed Randolph’s version because of his wealth and supposed respectability.

Chapter 18 Summary: “Emma. Then”

At the time of the murders, Emma secretly prepares an art portfolio to apply to UCLA and thinks fondly about Daphne’s interest in poisonous plants. Emma has not told her parents about her UCLA application because her parents have decreed the girls can only go to colleges located within an hour of home. Just then, her parents call her downstairs and tell her they discovered Emma’s UCLA application, through Daphne. Randolph orders Irene to leave the room and beats Emma. Upstairs, Irene slashes Emma’s portrait of Gabriel. When Emma discovers this, she shoves her mother. Randolph intercepts and punches her, then destroys the rest of her portfolio. Emma leaves.

Chapter 19 Summary: “Emma. Now”

In the present day, Emma returns from Gabriel’s house and to find Nathan, back from the hardware store, angry at her for breaking her promise and leaving the house. Emma tells Nathan that he cannot imprison her. Nathan asks Emma about her visit to Gabriel’s house, revealing he has been tracking her phone. Emma is stunned at the violation but before she can respond, Nathan accuses her of harboring feelings for Gabriel. Emma explains that she is trying to investigate her parents’ deaths. Meanwhile, Gabriel sends Emma an old photo of Juliette, taken at Saracen House. In the photo, Juliette wears a red flannel shirt and oversized Doc Martens. Emma remembers Juliette wearing the shirt the night of her parents’ death, but not the shoes, which Emma decides means the Doc Marten footprints are not Juliette’s.

Chapter 20 Summary: “Juliette. Then”

On the night of the murder, Juliette sneaks out of the house at 11 o’clock, ditching her usual dress for jeans and her secret, beloved Doc Martens. She says goodbye to Daphne, who is in the treehouse. Juliette knows Daphne won’t tell on her. Logan picks up Juliette and gives her relaxant drugs. They go to Saracen House and drink with many other teenagers. Nina, an older girl, joins the group. Juliette thinks Nina is cool, and the two girls kiss as a dare. When Juliette realizes she may have feelings for Nina, she panics and leaves.

Chapter 21 Summary: “Emma. Now”

In the present day, Nathan installs security cameras around the house. Emma dislikes the cameras, feeling that they give Nathan more opportunity to watch her. Meanwhile, JJ comes over with the keys to the carriage house, which Nathan requested unbeknownst to Emma. Emma is weak from morning sickness, and JJ helps Emma up when she swoons. The sisters discuss the scene of their parents’ murder: Randolph, shot in the back of the head, died instantly, his brain matter splattered the floor. Irene’s death was longer, as she bled out from a bullet wound in the chest. When Emma asks JJ if she ever went out with Logan, JJ grows evasive and leaves. Emma and Nathan fight because he contacted JJ without telling Emma and brought her father’s guns in from the carriage house, ostensibly for their protection. Emma asks Nathan to get the guns off her property.

Chapter 22 Summary: “Emma. Now”

Emma and Nathan spend the night apart. Emma reflects that she and Nathan usually do not fight because she avoids contentious issues or adapts to Nathan’s point of view. However, now she feels vestiges of her rebellious teenage self beginning to reappear and refuses to submit to Nathan. She finds a half-assembled gun on the dinner table. She cleans it, an expert at handling guns because Randolph taught all his daughters how to shoot and maintain them. When Emma tries to go outside for some air, Nathan grabs her arm hard. He lets go eventually.

Chapter 23 Summary: “Emma. Now”

Emma goes to the bar where Logan works to ask him about his relationship with the teenage JJ. Logan says that he really liked JJ. The night of the murders, JJ was at Saracen House for a while but ran away. To Emma’s surprise, Logan reveals that he sold Irene drugs for nearly five years. He suspects she dropped him when she began using harder drugs, such as heroin. Logan does not sell drugs anymore. Emma asks if Logan knows who sold her mother heroin, but he has no idea.

Chapters 13-23 Analysis

In this section, the author escalates the mystery around Randolph and Irene Palmer’s deaths by spotlighting important clues, include the Doc Marten shoeprints, the flash drive Emma remembers, and Kenneth Mahoney’s disappearance. As the clues take center stage, they suggest that the murder mystery’s scope is much broader than Emma presumed. For example, though Emma initially believes her sisters’ abuse is behind her parents’ murder, Marshall shows in this section that other factors, such as Randolph’s business dealings, also played a role. Emma notes that the reason nobody believed Kenneth Mahoney was that “Randolph Palmer was a pillar of the community” (111).

The narrative continues the literary device of foreshadowing to allude to latter events in the story. For example, Randolph’s poor treatment of Kenneth foreshadows the true extent of his cruelty and criminality. This section also provides clues about Nathan’s cruel and dishonest behavior. For example, he brings guns inside from the carriage house, disregarding the fact that Emma’s parents died from gunshots. Another example of foreshadowing is Emma’s memory about Daphne’s interest in poisons as a child, which alludes to her future willingness to murder.

Highlighting the theme of The Psychological Effects of Abuse and Trauma, the author further develops the abusive conditions in the Palmer household in this set of chapters. As Emma, Daphne, and JJ delve deeper into their childhood, they reveal additional details about their unhappy childhoods. For example, Emma remembers Randolph’s physical violence against her and Irene’s destruction of her artwork. Marshal juxtaposes this abuse against the Palmers’ outward respectability and Irene’s insistence that her daughters appear well-dressed, demure, and pretty. Further, mirroring the suffocating circumstances of her childhood, Nathan tightens his control over Emma in this section, asking her to stay inside the house. This section also further develops the theme of The Domestic as a Dangerous Space. For example, the author shows that the appearance of respectability matters more to Randolph and Irene than actual respectability. In this context, the name of their town, Arden Hills, is an example of Marshall’s use of irony. Arden suggest an idyllic forest, but here the idyll is a nightmare. The author also links Randolph and Irene’s abuse to the motif of lies and secrets. As Emma digs deeper into her parents and sisters’ lives, she realizes that she hardly knew them. Irene kept her drug use a secret and Randolph’s shady business deals were shrouded in mystery. Randolph and Irene’s cruelty is also an important plot point, providing the Palmer girls with motive to harm their parents.

The Palmer sisters’ relationships in both the past and the present also become more complex in this section. It becomes obvious in the past sections that the Palmer parents played the sisters, especially Emma and JJ, against each other. Marshall illustrates this, for example, when JJ takes Emma’s place at the piano after Irene crushed Emma’s fingers. The stark scene provides psychologically realistic context to the sisters’ relationship. JJ takes her place at the piano because she does not want to suffer like Emma. However, Emma interprets this as JJ’s lack of empathy for her. In trying to cope with their parents’ abuse as best they can, both sisters end up thinking of each other as adversaries. Reflecting this, in the present timeline, JJ and Emma are initially uncomfortable with each other, Emma thinking JJ abandoned her, and JJ blaming Emma for stirring up the past. This suggests their relationship is still burdened by the weight of their childhood. However, JJ’s attitude toward Emma has softens as they see each other more. For instance, JJ notes Emma looks like she has not been eating, and the sisters discuss the past, foreshadowing the sisters’ warming relationship. The increasing care they show for each other foreshadows that their broken bonds will mend, illustrating the theme of The Complex Bond of Sisterhood. Daphne’s secret visit to Emma, during which she leaves toast for her sister, further highlights this theme. This symbolic act suggests that the sisters will nurture each other. Daphne’s concern for Emma contrasts with Nathan’s callousness to Emma. While Emma does explicitly acknowledge Nathan’s neglect, he does not prepare food to quell Emma’s morning sickness or stay home to support her, suggesting that Nathan represents toxic patriarchal power. Emma’s redemption ultimately lies not in Nathan, but the nurturing bonds of sisterhood.

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