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45 pages 1 hour read

Andrew Peterson

On the Edge of the Dark Sea of Darkness

Fiction | Novel | Middle Grade | Published in 2008

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Chapters 10-19Chapter Summaries & Analyses

Chapter 10 Summary: “Leeli and the Dragon Song”

The dragons emerge from the sea, and the spectacle is so beautiful that the children forget about the Fangs. The cliff is extremely high, but Tink is temporarily unafraid. Entranced by the dragons, Leeli appears to go into a religious trance. She sings a beautiful song that she has never been taught, and the dragons stop to listen to her. When her song finishes, the dragons return to the sea. As they turn to leave, the children run into Slarb, one of the Fangs from the alley.

Chapter 11 Summary: “A Crow for the Carriage”

Slarb and four other Fangs capture the three children, but Nugget escapes. The Fangs bring the children to the town jail, which is run by a Fang called Commander Gnorm. The siblings sit in a cell and await their fate; they will either be tortured at the jail or sent away in the Black Carriage to their deaths. They hope for the former, and Slarb seems keen to whip them, but Gnorm orders him to send for the carriage instead.

Chapter 12 Summary: “Not the Same as Ships and Sharks”

The children are horrified, but there is nothing they can do. Janner tries to keep his siblings from falling into despair. Hours pass, and Tink and Leeli fall asleep as Janner tries to think of a way out. Eventually, they hear Nugget barking outside. Shortly thereafter, Gnorm comes to release them. Nia has bribed Gnorm with a stash of jewelry that her children did not know she had. She is waiting for them with Nugget outside the jail.

Chapter 13 Summary: “A Song for the Shining Isle”

Nia leads her children home. Nugget, after escaping from the Fangs on the cliffs, ran home and led Nia to where they were kept at the jail. Nia explains that she was keeping the jewels in case of an emergency like this. She got the jewels from Esben. Fangs can sometimes be bribed because they covet gold and jewels, but Nia also had to promise to make maggotloaf for Gnorm; otherwise, he might have simply taken the jewels and killed them all. On the way home, Nia and the children run into Armulyn, who sings a moving song for a small audience. Janner, Tink, and Leeli feel homesick when they listen to the song but do not know why. Nia hurries them away from Armulyn, who seems interested in the children.

Chapter 14 Summary: “Secrets and Cheesy Chowder”

Janner, Tink, and Leeli tell Nia and Podo what happened to them over bowls of cheesy chowder. Podo is particularly impressed to learn that Leeli kicked a Fang. Later, Janner overhears Nia and Podo talking about who might have thrown the stones in the alley. They seem to have a theory, but he is not sure who they are talking about.

Chapter 15 Summary: “Two Dreams and a Nightmare”

The next morning, Podo gives Leeli a new crutch; she lost her old one in all the commotion. He has carved the words “Leeli Igiby: Lizardkicker” on it. Things are back to normal, and the children have chores and studying to do. Janner asks if he and Tink can visit the bookshop to borrow books from Oskar and help him sort a new shipment. Despite her misgivings, Nia agrees to let them go after lunch, as long as they are careful.

Chapter 16 Summary: “In Books and Crannies”

Podo brings the boys into town and goes to the pub. Janner and Tink visit Oskar and Zouzab. Oskar’s shop is a labyrinth, with many fascinating books and curiosities on the shelves. The boys help Oskar sort his latest shipment of books, which come from all over Skree.

Chapter 17 Summary: “The Journal of Bonifer Squoon”

As he sorts the books, one catches Janner’s eye. The Journal of Bonifer Squoon was written by the “Chief Advisor to the High King of Anniera, Keeper of the Isle of Light” (111). An image of a dragon adorns the cover. Oskar takes the journal before Janner can read more, but he allows the boys to borrow three other books each, subject to his approval. They explore the shop to make their selections. Tink finds a map hidden under the floorboards.

Chapter 18 Summary: “Stumbling onto a Secret”

Tink examines the map, hoping nobody will find him. It is a map of Anklejelly Manor, a nearby ruin. An inscription suggests that something is hidden there, but it also warns of dangers and a ghost. When Oskar suddenly arrives, Tink hides the map in his sleeve. The boys leave, and Tink tells Janner about the map. As they walk through town, they hear a carriage and run in case they are about to be kidnapped. They hide and watch Commander Gnorm talk to the driver; it is not the Black Carriage after all. Slarb finds the boys and sneaks up behind them.

Chapter 19 Summary: “Pain and Woe and Sorrow”

Slarb threatens Janner and Tink, but another Fang sees him and stops him from hurting them—Commander Gnorm will be upset if anything happens to them because he wants Nia’s maggotloaf. The boys hurry home. They go to their room and examine the map together. It has a few tiny holes in it and features the same illustration of a dragon that was on Bonifer Squoon’s journal. The dragon illustration also has an inscription mentioning the “Jewels of Anniera” (124). Tink wants to visit Anklejelly; Janner is horrified by the idea and refuses. He reveals to Tink that he has learned their father’s name. Tink continues to insist that they visit Anklejelly Manor.

Chapters 10-19 Analysis

The Struggle Between Good and Evil continues as the children are captured by and then escape from the Fangs. This section again links the Fangs with antisemitic stereotypes, particularly when Peterson notes that “Fangs have a weakness for jewelry” and are “inclined to kill one another for it” (86, 346). Because the Fangs have already been connected with antisemitic tropes, this detail builds on the stereotype of Jewish people as greedy and money-obsessed, which has existed in Europe and around the world for centuries and which was a big part of Nazi propaganda before and during the Holocaust. In contrast to most children’s fantasy books, there is no magic in On the Dark Sea of Darkness. However, there are supernatural beings, most notably the Fangs. By having the Fangs be one of the only supernatural elements of the story, Peterson further emphasizes that they are evil, in accordance with Christian beliefs about magic being associated with the devil.

Peterson’s work draws on many inspirations, but it has particularly apparent links to C. S. Lewis’s The Chronicles of Narnia. When the children approach the cliffs above the ocean, they are so high up that “if someone were to tumble over the cliff they would have time to stop screaming and take a final, breezy nap before crashing into” the sea (64). This parallels a moment in Lewis’s The Silver Chair when the characters find themselves at the top of a cliff so high that what they initially perceive to be sheep grazing far below are actually clouds. Two characters do in fact fall off the cliff, and both sleep in the air before (safely) reaching their destination. There are many such direct references to Lewis’s series in On the Edge of the Dark Sea of Darkness.

In this section, Janner is still struggling with The Process of Self-Discovery and Coming of Age. He does his best to keep Tink and Leeli from despairing when the two of them are in jail, even though he is terrified himself. He continues to avoid asking too many questions, demonstrating remarkable restraint and respect for Nia and Podo. Leeli’s coming-of-age journey also begins in these chapters when she sings the mysterious song for the dragons. Nobody can explain why she knows the song, as she was never taught it; this installment in the series will not go on to provide any answers, though hints at the idea that music has the power to protect people from the Fangs.

Leeli’s mysterious song also hints at The Discovery of Ancestral Legacy and, more specifically, the people of Aerwiar, as do other subtleties in this section. In these chapters, the children do not have too many opportunities to wonder about their father or where they belong because they must put most of their energy into fleeing the Fangs. During the times that they can return home and rest, Nia and Podo make sure to help the children understand that they belong at Igiby Cottage. They belong within the framework of their family. The role of the nuclear family in ensuring children’s belonging and legacy is a significant part of American Christian cultural values, and Peterson’s work fits neatly into that political framework.

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