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58 pages 1 hour read

Kaylie Smith

Phantasma

Fiction | Novel | Adult | Published in 2024

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Symbols & Motifs

The Nickname “Angel”

Blackwell frequently refers to Ophelia as “Angel,” including in their very first meeting when he cautions her against entering Phantasma. Though the nickname seems like an innocuous flirtation on the surface, it hints at a deeper truth about Blackwell and Ophelia’s romance, making the nickname a motif developing the theme of Romantic Love as a Source of Strength. When Blackwell first calls Ophelia by the nickname, she notes how strange his emotions are: “Something brushed gently across her cheek then. ‘Angel […] What’s your name?’ [Blackwell] interrupted, demanded, with a new desperation” (41). The “desperation” that Ophelia notes is a crucial piece of this scene. In the turnover period between games of Phantasma, Blackwell has access to all his memories, including those of the mortal lover he lost, a woman he called only by the moniker Angel.

In the flashback chapter about Angel’s death, Blackwell describes her as having dark brown hair and icy blue eyes, just like Ophelia. She visually reminds him of Angel while he has his memories, but even when he loses his memories after Phantasma begins again, he calls her “angel” when they meet inside the competition. Even when he cannot remember Angel or Ophelia, he is drawn to Ophelia, demonstrating the depth of their burgeoning romantic connection and hinting at the fact that Ophelia’s soul is Angel’s soul reborn. Despite the danger their romantic love puts them in, Ophelia and Blackwell are destined to be together, fated to find each other and set each other free from the bounds of Phantasma and the shackles of legacy.

The Grimm Family Locket

The locket that has passed from generation to generation in the Grimm family is a symbol of the family’s connection to Phantasma. The locket is an integral object within the narrative. When Ophelia first dons the locket, something alarming happens: “A moment later, the locket pulsed again, syncopating to the thrum within her own chest. A heartbeat” (6). The locket, once on Ophelia’s neck, manages to magically sync up with her pulse, with the very essence of her body’s life. The locket’s connection to Ophelia’s heartbeat continues to be significant, especially as Ophelia and Blackwell’s connection deepens. When Blackwell stays with Ophelia until she falls asleep, Ophelia notices that the locket is more active in Blackwell’s presence: “She took a deep breath and sank further into the mattress, counting the heartbeats pulsing from her locket—which had not let up since their kiss” (183). Both her heart and her locket beat strongly for Blackwell, illustrating the intensity of her connection to both Blackwell and Phantasma.

The locket also plays a role in guiding Ophelia directly toward Phantasma. As Ophelia thinks about the locket’s history in her family, she notes, “The golden bauble had been in her family for generations, enchanted with a powerful magic that bound it to its wearer. Her mother had always claimed it guided her through her toughest times and that one day it would guide Ophelia” (30). The use of the term “guide” illustrates that the necklace plays a role in pushing the Grimm women toward the destiny the King of Devils orchestrated for them 500 years prior. The locket likely pushed Tessie, Ophelia’s mother, toward Phantasma, just as it guides Ophelia toward Phantasma and helps her to succeed, as she often touches the locket to determine which course of action to take in the challenges.

Grimm Blue Eyes

The Grimm Blue eyes that Ophelia develops after taking over the family magic are a symbol of the crushing weight of the Grimm family legacy. When Ophelia sees her new eyes for the first time, she has intensely conflicted feelings, thinking, “The same color as the hazy, glowing outlines of the Apparitions she could now see lurking in the shadows of the room. Grimm Blue. A venomous pride shot through her, but the wave of grief and fear that chased it almost buckled her knees” (6). Ophelia feels pride at being able to carry on her familial legacy, but immediately that pride is followed by grief. The grief is not only for her deceased mother, but also for the life she thought she could have, the freedom to make her own decisions.

Genevieve finds Ophelia’s new eyes disturbing to look at, which Ophelia does not find surprising: “Her younger sister had always had an issue making direct eye contact with their mother and had made it abundantly clear all their lives that should Ophelia tragically pass on without any heirs of her own, Genevieve would not be carrying on the family legacy” (23). Genevieve refuses to shoulder the legacy, which makes it difficult for her to face the physical manifestation of that legacy. While Ophelia feels conflicted about her eyes, Genevieve’s feelings are simple: She wants no part of it. The difference in the Grimm sisters’ eyes illustrates the difference in their perceptions of the Grimm family legacy.

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