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24 pages 48 minutes read

Bernard Maclaverty

Secrets

Fiction | Short Story | Adult | Published in 1977

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Character Analysis

The Protagonist

The main character is an unnamed teenager who lives with his mother and great aunt. The story starts with him returning home to see Aunt Mary before she dies. Although the story is short, the protagonist matures emotionally via the loss as he confronts his guilt over a childhood incident: reading Mary’s letters without her permission. The impulsive nature of this behavior revealed more than he bargained to find, as he learned intimate details about a soldier’s life and relationship to his aunt. The protagonist’s youth and naivete did not prepare him for the intensity of his findings, nor for his aunt’s correspondingly harsh reaction to his invasion of her privacy.

In the years that followed, the protagonist did not fully reckon with what happened. However, when he asks his mother if Aunt Mary said anything about him before she died, he tacitly admits that he repressed and held onto his Guilt and the Desire for Forgiveness. It becomes clear that the protagonist wants to find closure with Aunt Mary, but he runs out of time. The story ends with him releasing some of the guilt and sorrow as he cries.

Great Aunt Mary

Great Aunt Mary could be considered the antagonist of the story: The protagonist experiences conflict with her throughout his childhood because she consistently deflects his inquiries into her life. Despite being part of the boy’s immediate family, Aunt Mary is a secretive character who has compartmentalized many parts of her past life. The tidy organization of her room—and especially of her letters—illustrates the control she exercises over what information she shares.

Though reserved, Aunt Mary is not cold, and she shows her loving side when she reads to the protagonist and allows him into her room to collect stamps from her postcards. Through the protagonist’s secretive reading of her letters, the reader learns about Aunt Mary’s past love affair with a soldier she met prior to World War I. This relationship—and her evident pride in her beauty as a young woman—reveals a softer side to the character. Far from being secretive, Aunt Mary once had “eyes that said so much without words” (30). The letters also imply the reason for Mary’s current secretiveness: the trauma of WWI, experienced both secondhand through John’s letters and in her eventual “loss” of him to the war, if not literally to death. Mary is thus the primary vehicle through which the story explores Secrets, Trauma, and the Limits of Emotional Intimacy.

John/Brother Benignus

John/Brother Benignus is a mysterious secondary character important to the story’s plot. The letters that the protagonist reads are written by this character and influence Great Aunt Mary’s personality for the rest of her life. Via John’s own words, MacLaverty characterizes him as reflective, sensitive, and vulnerable; he is candid about the depth of his feelings for Mary and strives to express himself even as trauma leaves him increasingly unable to feel anything but anger. Even then, he seems to regret the changes he is experiencing, apologizing to Mary for sharing graphic details of the war with her and lamenting, “I have no pity or sorrow for the dead and injured. I thank God it is not me but I am enraged that it had to be them” (31).

The fourth letter reveals John’s narrow survival; now recovering in a hospital, he explains that he feels called to a life of religious devotion as a result of his wartime experiences. The story implies that John becomes the Catholic monk named Brother Benignus, which explains why his romantic relationship with Aunt Mary ended. Aunt Mary’s reluctance to say whether or not John died in the war demonstrates that she feels she lost him to it regardless of him being physically alive; the John she knew before World War I was no longer the same person writing her letters after the war.

The Protagonist’s Mother

The protagonist’s mother is a minor, relatively flat character. The narrator recalls her doing various chores during his childhood, including “tidying out the drawers of the mahogany sideboard” that is organized similarly to Aunt Mary’s desk (29), perhaps hinting at a similarity between the two women. However, the mother’s primary importance to the plot comes toward the end of the story when the protagonist asks her whether Great Aunt Mary asked about him before she died, and the mother admits that she did not (though she also clarifies that Mary wasn’t able to speak at all). At the time, the mother is burning all of Aunt Mary’s papers after her passing, perhaps to rid herself of any sentimental memories of Aunt Mary, or to protect Aunt Mary’s privacy. The protagonist does not intervene or try to stop her, suggesting that he now understands his childhood transgression.

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By Bernard Maclaverty