45 pages • 1 hour read
Kevin KwanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Charlotte Barclay wanders around Isabel Chiu’s wedding reception, studying the guests and feeling uncomfortable. She wishes she hadn’t borrowed stilettos from Olivia Lavistock, another guest. She stumbles through the party, searching for someone to talk to about what she’s just seen. She decides that Olivia is the perfect person and takes her aside. She begs for Olivia’s trust and help, and Olivia presses Charlotte to reveal what she’s seen. Charlotte starts rambling about her 19-year-old cousin, Lucie Churchill, and Charlotte’s responsibility to care for her during their trip to Capri, insisting that Lucie has ruined herself. She whispers what she saw in Olivia’s ear, and Olivia shrieks.
Lucie and Charlotte fly into Capri for Lucie’s friend Isabel’s wedding. Lucie expresses her interest in visiting the Blue Grotto while there, hopeful that Isabel’s itinerary for the week won’t keep her too busy. They land and make their way to the hotel. Charlotte scoffs about how poorly they’re treated along the way. Lucie wishes she were traveling alone, but her mother, Marian Churchill, insisted that Charlotte accompany her. She and her brother, Freddie, secretly call Charlotte “Madam Buzzkill.” Charlotte interrupts Lucie’s thoughts to talk about Isabel’s fiancé, Adolfo De Vecchi. Finally, they arrive at Hotel Bertolucci, and the concierge leads them to their room. Charlotte clarifies that she and Lucie are cousins and that Lucie’s “mother is Chinese, but her father is American” (25). As soon as they see their rooms, Charlotte demands to see the manager.
In the lunchroom, Charlotte continues complaining about their rooms because they don’t have the ocean views they requested. She whines about the food, too, and demands better service. A nearby woman named Rosemary Zao overhears Charlotte’s complaints and offers to swap rooms. She and her son, George Zao, are there for the wedding and aren’t bothered by rooms without views. They’re from Hong Kong and have houses in Sydney and Hawaii, where they always see the ocean. Charlotte declines the offer and remarks on Rosemary’s rudeness to Lucie after Rosemary steps away. Then, George approaches the table and insists that they take the rooms. Lucie studies his outfit and appearance and tries to look away. Charlotte refuses George’s offer, too.
Sitting by the pool, Charlotte continues complaining to Lucie about Rosemary’s rudeness. Lucie insists that she was just being a nice “Chinese auntie.” Charlotte’s acquaintance Auden Bebee approaches the pool, and Charlotte calls him over. He doesn’t immediately recognize Charlotte; he’s a yoga instructor, life coach, motivational speaker, and author and meets people all the time. He invites the women to join his yoga classes by the pool and informs them of a puppy yoga class he’ll be teaching in East Hampton, where Lucie summers.
Sisters Paloma and Mercedes Ortiz join Charlotte, Auden, and Lucie. They overheard what happened in the lunchroom and express their condolences. They agree that Rosemary has poor manners. Auden suggests that Charlotte thinks too much like a New Yorker and urges her to take the rooms. Charlotte’s insistence that the situation is tainting the family name irritates Lucie because Charlotte invokes their name whenever possible. Finally, Charlotte agrees to have Auden accept the Zaos’ offer on her behalf.
Lucie and Charlotte attend a party at the Gardens of Augustus. Finally, they find Isabel and Dolfi. Isabel tells Lucie to leave the party and look at the view to avoid the irritating guests. On the top deck, Lucie runs into Olivia, who has a Leica camera. Charlotte joins, and the women talk about Olivia’s work in entertainment in LA. Charlotte complains about their hotel rooms again and retells the story about Rosemary. Olivia guesses where they’re from in New York. Lucie is shocked that she knows the Upper East Side so well.
Afterward, Lucie walks in the garden alone and runs into George. George’s remarks annoy her, and she walks off again, running into Rosemary shortly thereafter. Rosemary begs Lucie to be kind to George because he doesn’t want to be there and doesn’t care about the right things. Lucie assures her that she wouldn’t be a good friend to George and storms off.
Lucie and Isabel meet for a walk. Isabel remembers when Lucie’s father died and how protective she has felt over her ever since. She dismisses the thought, and they continue chatting about the wedding as they arrive at the beach club. They study the landscape, exclaiming at the nearby Faraglioni rocks.
Lucie and Isabel join Isabel’s friends Amelia, Daniella, Sophie, and Talitha at the club. Lucie leaves to swim and goes out as far as she can. Auden joins her at the edge and starts talking to her about college life at Brown and Lucie’s artistic goals. He recommends visiting some artists’ houses and gardens and insists that he wants to see her paintings.
Lucie rejoins the other women on shore. They watch George dive into the water in a Speedo. The women exclaim at how attractive he is. Lucie feels embarrassed and angry.
Olivia and Lucie meet in the hotel lobby and wait for Charlotte. Olivia is supposed to take them “shopping for sandals” (61). They go on ahead without Charlotte and wander through a smaller neighborhood. Finally, they arrive at the sandal maker Da Costanzo’s shop. Lucie orders a pair of custom leather sandals, but Olivia disappears while she’s waiting. Lucie wanders back toward the hotel, stopping at a little café on the way. She orders a drink and watches the people seated nearby and walking past. Suddenly, the man next to her collapses. His head hits Lucie’s dessert as he tumbles to the ground. Other guests shout for help, but Lucie can’t move. Suddenly, George appears and starts giving the man CPR. Lucie flees the scene.
George finds Lucie sitting near the Arco Naturale. Lucie is surprised that he found her, but he was coming to the arch anyway. He asks if she is all right after what happened at the café, but Lucie doesn’t want to talk about the incident. George leads her away from the arch and into the nearby hills, where he identifies sights and shares facts about them. Finally, they arrive at the Grotta di Matermania. Inside the cave, Lucie says a prayer in front of an altar. When she turns, George is missing. She doesn’t understand why he brought her here and what she feels about him. He is one of the only Asian boys she’s interacted with other than Freddie.
After emerging from the cavern, Lucie finds George in front of a private property. He says that he knows the owner and is studying the property for an environmental class at the University of California, Berkeley. Then, George informs Lucie that he returned to the café to get her bag, but the bag and sandals were spattered in blood, so he threw them away. Lucie realizes that the man at the café died and that someone lost a father, husband, and friend. George tells Lucie a different version of the story, saying that he and a doctor saved the man’s life and he didn’t die. Lucie bursts into tears and leans into George, crying on his shoulder.
The opening chapters introduce the narrative world and its primary characters, conflicts, and stakes. These chapters also establish the narrative structure and form. The novel is written from the third-person point of view. The third-person narrator’s access is not limited to Lucie Churchill’s point of view, although Lucie is the protagonist. Rather, the narrator shifts between the primary characters’ points of view, thus creating tension between the ways they each see the world, the other characters, and themselves. These conflicts between the characters’ worldviews introduce the novel’s thematic explorations of the Tension Between Desire and Social Expectation, Satire of High Society, and Cultural Identity and Dual Heritage. For example, Lucie is from a wealthy, renowned family and is a member of New York’s high society. However, because Lucie is Chinese American, she often feels excluded from this elite social realm. While her cousin Charlotte is “inordinately proud of their storied roots” (38), Lucie often tries to dismiss this history so that she can understand herself outside of it. Her behaviors throughout this section contrast with the other characters’ behaviors at the Capri wedding because Lucie is eager to distinguish herself from high society. She lives with a conflict between the life she wants and the life her family expects for her. Although she’s reaping the benefits of her class and social station, Lucie has an artist’s sensibility and an inquisitive mind. Her encounters with characters such as George and Rosemary Zao, Isabel Chiu, Olivia Lavistock, and Auden Bebee heighten her secret inclinations toward independent self-discovery and actualization.
The Capri, Italy, wedding setting also introduces a network of significant narrative conflicts throughout these early chapters. Because the wedding is an exclusive gathering, the characters who’ve come to Capri are all members of the same social class. Isabel and her fiancé have assembled 408 of their closest friends, family members, and acquaintances in this luxurious Italian setting to display their wealth and status. The setting is, therefore, insular and elite. As a result, the assemblage of wealthy guests spawns a string of associated tensions. For example, the characters complain or argue about petty issues such as the positioning of their hotel rooms, the quality of their food, and the appearance of their fellow guests. These concerns establish the novel’s satirical commentary on high society and add humor and levity to the narrative. The Capri setting also shapes Lucie’s character in distinct ways. A 19-year-old student at Brown University, Lucie wants to “do as she please[s]” (21). However, her protective mother has insisted that Lucie can only “attend the wedding, with the caveat that […] Charlotte […] accompany her” (21). Charlotte’s presence throughout the Capri getaway precludes Lucie from adventuring, exploring, and behaving in the way she chooses. At the same time, Lucie is desperate to be a part of her friend Isabel’s life, which is “several notches more glamorous” than her own, so she decides that “any little annoyance” she might feel with Charlotte will be worth the trouble (21). Her competing desires for personal freedom and her obligation to her family define her time in Capri. Lucie attempts to exercise her autonomy and voice her opinions throughout these chapters but often finds that her environment limits her self-expression.
Lucie and George’s relationship introduces several of the novel’s primary stakes. Lucie and George first meet in the lunchroom when Rosemary insists that George speak to Lucie and Charlotte about the rooms on her behalf. Lucie isn’t bothered by Rosemary’s offer but is at once taken with and unimpressed by George. She notices that he is “strikingly, almost unbearably handsome” but is confused by “the simple nature of his outfit,” which consists of “khaki denim shorts, a black tank top, and Birkenstocks” (30). Lucie and George’s sensibilities align in several ways. However, George doesn’t compromise himself for his society or companions. Lucie, though, does everything in her power to appease others and make herself docile, acceptable, and amenable no matter how she truly feels. Despite these differences, Lucie’s feelings for George grow over the course of this section. She runs into him multiple times and struggles to understand the energy between them. She is drawn to George for reasons that seem illogical to her. Unlike herself, George isn’t presentable or tailored, nor is he charming or personable. However, the scenes in which Lucie and George witness the man have a heart attack and visit the Arco Naturale and the Grotta di Matermania intensify Lucie’s feelings. She doesn’t yet have the language to describe her emotions but can’t deny the intensity of what she feels in George’s presence. These interpersonal dynamics heighten the narrative tension and put something at stake for Lucie: her pride, reputation, and appearance. Furthermore, this series of events alludes to the mysterious scene in the Prologue, in which Charlotte reveals a secret about Lucie’s tainted reputation to Olivia. The Prologue suggests that Lucie’s involvement with George and the other characters during her time in Capri will lead her to a pivotal personal and public experience.
By Kevin Kwan
Asian American & Pacific Islander...
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