45 pages • 1 hour read
Oliver GoldsmithA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Mr. Hardcastle instructs his servants on how to behave towards their guests. Most of them are not aware of proper behavior, being lower-class workers taken from their usual jobs at the stables or farms. Marlow and Hastings arrive at the house, still believing it to be an inn. Hastings mentions that Marlow is known to have problems talking to women of high social status, while he is very flirtatious and bold with lower-class women. Marlow admits that he becomes very nervous around women whom he actually admires due to his lack of experience interacting with them, which is why he would prefer to marry with no courtship. He tells Hastings that he is lucky that Constance and her late father both approved of him.
The men are welcomed into the house by Mr. Hardcastle, who attempts to tell them old war stories. However, Marlow and Hastings interrupt and ignore Mr. Hardcastle, whom they still presume to be an innkeeper. They demand punch and ask to change the dinner menu, which shocks Mr. Hardcastle. He thinks they are extremely impudent, ascribing their rude behavior to modern manners, while Marlow and Hastings are perplexed by Mr. Hardcastle's strange over-familiarity and talkativeness.
As Marlow goes upstairs to see the rooms, Hastings encounters Constance Neville. She reveals that the house is not an inn, but actually the Hardcastles’ manor, and that this must be one of Tony Lumpkin's pranks. They plan to elope to France together as soon as they can get Constance's fortune of family jewels. However, Mrs. Hardcastle does not often allow her to wear them. Hastings and Constance decide to continue Tony's prank, fearing that if Marlow finds out about his embarrassing mistake, he will force them to leave the house before they can execute their plan to elope.
Marlow returns, still mystified that the innkeeper is trying to talk to him and even planning to dine with him. Hastings and Constance introduce Marlow to Miss Kate Hardcastle, claiming that she is also a guest at the inn that evening. Marlow is terrified but manages to introduce himself. When Hastings and Constance leave him alone with Kate, however, he is so nervous that he is barely able to carry on a conversation. Miss Hardcastle does most of the talking, while he cannot get a sentence out clearly. They discuss the hypocrisy of modern-day people and then Marlow ends the conversation and leaves.
Meanwhile, Tony returns to the house and Hastings introduces himself to Mrs. Hardcastle. Hastings tells Mrs. Hardcastle about the fashions of London, claiming that women in their 40s and 50s are considered to be very fashionable and only they are usually seen wearing jewelry. He attempts to flatter her and asks about Constance and Tony's relationship. While Mrs. Hardcastle thinks that they are acting like a squabbling married couple, Tony says that he finds Constance very annoying and unpleasant and seeks to be away from her company. Hastings takes Tony aside and offers to free Tony from his obligation to marry Constance by eloping with her to France if he can help them get the jewels, which Tony agrees to do.
Act II of She Stoops to Conquer uses Tony Lumpkin's prank on Marlow and Hastings to depict how preconceived biases can hinder perception, particularly when it comes to The Instability of Social Class Identity. Goldsmith uses asides—dialogue spoken by the characters to themselves rather than to other characters—to convey the incorrect social expectations of Marlow, Hastings, and Mr. Hardcastle.
When Marlow and Hastings enter the Hardcastle house, believing it to be an inn, they are shocked by Mr. Hardcastle’s behavior. While his actions would not be unusual for an aristocratic gentleman welcoming a peer into his home, they appear bizarre and inappropriate for an innkeeper. When they enter the “inn,” Mr. Hastings greets them and attempts to engage the two young men in conversation, telling them a story about his service in the war. Marlow finds this oddly familiar and too casual for an innkeeper, remarking, “a very impudent fellow this! But he’s a character, and I’ll humor him a little“ (26). While Marlow is willing to engage the man he believes to be an innkeeper in conversation, he is continually surprised that Mr. Hardcastle will not leave them alone. He points out the misaligned class behavior when he notices, “my host seems to think it ill manners to leave me alone, and so he claps not only himself, but his old-fashioned wife, on my back. They talk of coming to sup with us too“ (32). While it would be normal to eat dinner at the home of a family friend, it is unusual to dine with the innkeeper at an inn.
These asides are ironic and expose The Instability of Social Class Identity, as Mr. Hardcastle actually is a gentleman. The only reason that his actions seem annoying or rude to Marlow is that his perception of social class has been manipulated by Tony Lumpkin. Particularly, when Mr. Hardcastle begins to discuss philosophy, Marlow dismisses the idea that working class people ought to talk about such topics, joking, “well, this is the first time I ever heard of an innkeeper’s philosophy“ (27). Mr. Hardcastle is actually an educated gentleman and really does know about philosophy and politics, but the play suggests that real wisdom will not be recognized unless it comes from an authoritative source—an aristocrat.
Mr. Hardcastle, similarly, finds Marlow and Hastings to be rude, as they are behaving in a way appropriate for the upper class towards a servant, and not towards a fellow gentleman. He is shocked when Marlow and Hastings demand that he make them some punch, try to change the dinner menu, and continually interrupt his stories, remarking to himself, “this is the most unaccountable kind of modesty I ever met with“ (25). The interactions between these characters indicate that proper behavior is not universal and that correct manners are dependent upon class and context. The polite way to interact with a servant is seen as very inappropriate towards a fellow gentleman. Through this encounter, Goldsmith suggests that the differences between the social classes are not always obvious, particularly when the characters’ expectations are biased by misleading information. This destabilizes the assumptions of inherent superiority or inferiority that class is based upon, subtly challenging the idea that there is anything truly different between an innkeeper and a gentleman other than their reputation.
The relationship between Constance Neville and Tony Lumpkin also hints at the way in which people can delude themselves and misread behavior because of their preconceived notions, evoking The Deceptive Nature of Appearances. In this case, however, it is not a misunderstanding of class dynamics that causes the confusion, but rather wishful thinking. Constance is pretending to be in love with Tony so that she can persuade Mrs. Hardcastle to give her the inheritance of jewels left to her by her family. Tony, however, hates Constance and does not try to hide his disdain for her. When Mrs. Hardcastle witnesses their fight, however, she does not perceive Tony’s behavior correctly, telling Hastings, “observe their little sports. They fall in and out ten times a day, as if they were man and wife already“ (39).
While neither Constance nor Tony truly like one another romantically, Mrs. Hasting's desire to have them get married so that she can keep the valuable jewels in her family distorts her perception. Constance deliberately plays into her incorrect assumptions, encouraging her belief that they will eventually get married. She tells Mrs. Hardcastle, “there's something generous in my cousin's manner. He falls out before faces to be forgiven in private” (39), suggesting that any apparent dislike between the two of them is only how it appears to an outsider, and that they are much better friends in private. However, in this case, the outward appearance of their relationship is the truth about it. It is only Mrs. Hardcastle's imagination and biased perspective that leads her to misinterpret their behavior towards each other.
By Oliver Goldsmith