49 pages • 1 hour read
Hermann HesseA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The quest for meaning beyond the material, carnal, and physical daily life that humans lead has been a theme in philosophy and literature since the earliest times. Socrates decried “the unexamined life,” and the belief that there is something more to our existence has been the driving force behind religion, art, the use of hallucinogenic drugs, discussion, and debate throughout human history. Hermann Hesse brought to this theme his interest in Eastern religions, specifically Buddhism and Hinduism, and created in his book a character whose search for enlightenment reflects that of the historical Buddha and his own. The book became very popular in the 1960s amongst intellectuals and spiritual seekers in the Western world, where the Counterculture and Hippie movements embraced writers and texts that offered an alternative way of life or reality.
The story contains a structure common to the Hero’s Journey type of plot, as well as that of the Quest. Siddhartha determinedly pursues his spiritual goals while moving along a physical path, undergoing a long and eventful journey. He keeps moving, through groups of people, towns, forests, alongside the river, away from and back to his friend Govinda, the ferryman, and even his parents, as he comes to appreciate them at the end of his journey. He recognizes and venerates the paths as necessary and inevitable: “Then he had felt in his heart: ‘A path lies before you which you are called to follow. The gods await you’” (65). His body’s movement and spiritual development follow the same trajectory, although there are times when Siddhartha is slowed down, for example when he feels his soul stagnate in Sansara: “Slowly…did the world and inertia creep into Siddhartha’s soul […] made it heavy, made it tired” (60). He needs to move on, learn, experience new sensations and reflections, and keep searching, until finally, beside the river, he is calm and fulfilled.
Siddhartha is not the only character in the book seeking enlightenment. Others include his family of Brahmins, his friend Govinda, his lover Kamala, and his guide Vasudeva. What Hesse shows the reader is that there are various ways to achieve this goal, but the most effective is that of Siddhartha, who comes to his own conclusions after a lifetime of varied experience and intense reflection. This is in contrast to Govinda, who, by merely listening to and following narrow and prescriptive doctrines, remains dissatisfied until the revelation transmitted to him by Siddhartha.
Siddhartha rejects the authority, teachings and laws of the Brahmins, the Samanas and Buddha Gotama himself, instead building his own belief system. His beliefs are gathered through his multitude of relationships, emotions, and the revelations offered to him by elements like the river. As he tells Govinda, “Wisdom is not communicable. The wisdom which a wise man tries to communicate always sounds foolish” (109). He rejects words and thoughts as vehicles for teaching and learning, and he prefers to rely on what he learns from the natural world: “every wind, every cloud, every bird, every beetle is equally divine and can teach just as well as the esteemed river” (113).
Paradoxically, Siddhartha explains that in his search for meaning beyond concrete and physical daily existence, it is his interaction with the elements of that very physical world that allow him to find spiritual meaning. Likewise, he integrates himself into the life of ordinary people and is thus bestowed with a greater understanding of them, of humanity, and ultimately of the nature of existence: “It seems to me that everything that exists is good—death as well as life, sin as well as holiness, wisdom as well as folly” (111). To reach Nirvana, it is necessary to accept Sansara, or suffering, as Siddhartha explains to Govinda. This is the major difference between the teachings of the historical Buddha, represented by Gotama Buddha in the book, and what Siddhartha claims: “Never is a man wholly Sansara or wholly Nirvana: never is a man wholly a saint or a sinner” (110). Govinda, meanwhile, still struggles to understand. Finally, his quest is achieved through the conventional method of a revelation from his guru, Siddhartha. The book ends with Govinda’s sudden enlightenment at the end of his quest. This contrasts sharply with Siddhartha’s long and gradual progress toward understanding, which it takes the whole book to reveal.
Closely intertwined with Siddhartha’s quest and his attainment of wisdom is the theme of the cycle of life. The concept of rebirth and a never-ending cycle is common in Eastern religions, unlike in Christianity. Reincarnation, the return to life after death—whether in a better, equal, or less attractive form—is central to Buddhism and Hinduism. The structure of the book and the stages of Siddhartha’s journey form a parallel with the concept of the return to an origin and the endlessly repetitive nature of life. This journey sees him go through several cycles of experience, loss, and reawakening—after he leaves the Buddha, after he leaves the city, and when he loses his son. His overall journey starts with him disobeying his father’s wishes and leaving home, just as his own son does to him later in the story. He returns to a childlike state at various moments, open to new sensations and with a fresh perspective on the world.
The importance of the river as a symbol emphasizes the cyclical nature of life, with the water cycle as an example of the flow of a natural element that never disappears but changes place, state, and size to circulate endlessly.
The cyclical, nonlinear nature of time is one of the central features of what Siddhartha learns during his quest. As he tells Govinda: “Time is not real […]The world is not slowly moving along a long path to perfection. No, it is perfect at every moment” (110). During meditation, he says “it is possible to dispel time, to see simultaneously all the past, present and future” (111). Govinda himself perceives this as part of the revelation he receives when kissing Siddhartha: “He saw all these forms and faces. [...] Yet none of them died, they only changed, were always reborn” (116).
Siddhartha’s major conclusion is that life is unity; it is not separated into elements, stages, or individuals. The overall unity of human experience and existence, and the fact that all feelings, actions, and states are as valuable as each other, is the centerpiece of his message.
Love, in all its forms, is a theme which runs through the book from beginning to end and is of major importance to the protagonist and to most of the characters. Readers learn straight away that Siddhartha is loved by all who know him, that he inspires love in the Brahmins’ daughters who see him, and that Govinda loves him “more than anything else. […] He loved everything he said and did” (4). Siddhartha is the object and recipient of familial love, love between friends, and even love based on physical attraction from an early point in his life. Yet he is unable to reciprocate that love wholeheartedly and selflessly for most of his lifetime. He tests his father’s love when he rejects him and does not look back. He leaves the weeping Govinda with Gotama Buddha, feeling he doesn’t need his friend. He comes close to loving Kamala, in the carnal sense and as a companion and teacher—a true soulmate. Their relationship shows all the signs of being based on love, yet he denies this feeling and does not acknowledge that Kamala loves him. Siddhartha tells her. “I am like you. I cannot love either” (58).
As Siddhartha moves through the world of ordinary people, partaking in their pleasures and sorrows yet remaining detached from them, he witnesses their relationships and everyday behavior, most of which are based on love. At first he feels disdain and superiority over them, but eventually he becomes envious of “the anxious but sweet happiness of their continual power to love” (61). Still, unable to learn how to love, he becomes sick in his soul, able only to suffer the negative aspects of his hedonistic life amongst the rich—a life which he recognizes as Sansara. He leaves the city and its populace to be alone.
By the river, Om and Govinda return to him, and he realizes that the love he now feels is what has been missing: “And it seemed to him that that was just why he was previously so ill—because he could love nothing and nobody” (76). From this point on, Siddhartha begins to experience love for people, for the world, and even for the river and a stone. He learns the most powerful form of love from his experience with his son: that of a parent suffering both for themselves and for their child, yet able to selflessly let their child go out into the world to learn for himself or herself. He realizes that this is what he put his father through. Now able to empathize with the common people, Siddhartha is transformed. His understanding of the importance of love in all its forms is such that he contradicts the Buddha’s teachings. He explains to Govinda, “It seems to me, Govinda, that love is the most important thing in the world” (113). When Govinda points out that Gotama “forbade us to bind ourselves to earthly love” (113), Siddhartha argues that it is just words that separate him and Buddha, and that the Illustrious One showed love through his deeds and life. At the end of his quest, his love and all he has learned about love is transmitted to Govinda through his kiss.
By Hermann Hesse
9th-12th Grade Historical Fiction
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Asian History
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Coming-of-Age Journeys
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Philosophy, Logic, & Ethics
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Religion & Spirituality
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Required Reading Lists
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School Book List Titles
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Valentine's Day Reads: The Theme of Love
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