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45 pages 1 hour read

Patricia Highsmith

Strangers On A Train

Fiction | Novel | Adult | Published in 1950

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Chapters 16-18Chapter Summaries & Analyses

Chapter 16 Summary

Guy ponders whether Bruno committed the murder but turns his mind to the Palmyra building. The press documents its construction. Guy hopes that this project will be "as perfect as his original conception" (101). Rather than dine with investors, Guy spends his evenings with the club manager, Clarence Brillhart. Guy receives a letter from Bruno and realizes that Bruno is the murderer. Guy still does not tell Anne or his mother about Bruno.

Chapter 17 Summary

Guy's mother discovers newspaper clippings about Miriam's death in Bruno's room and Bruno tells her about meeting Guy on the train. Bruno is sure that he and Guy will not be found out. He feels frustrated about his situation in life and resolves to see Guy. Fantasizing about being interviewed about the deed, which he pronounces a "miracle," he contemplates returning to San Francisco, before deciding against it. 

Bruno goes to an amusement park with his grandmother. He is initially thrilled, then heartbroken when he receives a longed-for letter from Guy asking Bruno not to contact him again. Bruno argues with Sammy Franklin, a male friend of his mother's whom he dislikes. He threatens to shove the other man over the side of the parapet on which they are drinking. After further conflict with his mother, Bruno passes out.

Chapter 18 Summary

Guy blames his anxiety, joblessness and relationship problems on Bruno. Guy is at once incredulous and certain that Bruno is the murderer. After several months, Bruno calls Guy. Guy hangs up, but Bruno calls again. Guy feels that the lack of commissions is due to his debt to Bruno. A few days later, Bruno stalks Guy and Anne outside their house. Guy brushes Bruno off and tells Anne he is an alcoholic soliciting him about a job. During the movie they go to see, Guy resolves to threaten Bruno with a police investigation.

Chapters 16-18 Analysis

As the plot gains pace, there are frequent resonances between Bruno and Guy. Bruno plans the "perfect murder," Guy the "perfect building"; one destroys while the other creates. The pair are also linked by each drinking three ryes, Bruno after the murder, and Guy when he realizes Bruno is the murderer. The theme of duality is maintained by another Highsmithian joke. Bruno strangles Miriam to death in "a neckers' paradise," retiring to his home in Great Neck to await the murder of his father. After Bruno sets the plot into motion by committing the first murder, the sounds of tennis balls and clock chimes in Chapter 17 suggest that the ball is now in Guy's court. 

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