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57 pages 1 hour read

Cormac McCarthy

Suttree

Fiction | Novel | Adult | Published in 1979

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Themes

The Absurdity of Modern Existence

McCarthy’s novel is a study of the absurdity of modern existence. By highlighting the uselessness of social structures and biases, the battle between the individual and community, and the cycles of self-abuse bred by absurdity and modernism, McCarthy speaks to the complexity of the human experience.

In Suttree, absurdity is developed as a criticism of society’s structures and institutions. Characters in this novel are at odds with society. They have been displaced or have run away from the responsibilities of modern society. Although their lives in Knoxville are impoverished and characterized by danger, McCarthy writes an admirable portrait of the ingenuity people are capable of when they refuse to be a part of society. Harrogate is an excellent example of this theme. Harrogate lacks a clear moral compass to guide his actions. His first crime in which he burned a woman to death in her own home is incredibly violent, but he feels no remorse. When Suttree meets Harrogate in prison, he sees firsthand how Harrogate can be cowardly and unwittingly antagonizing to others. Harrogate’s lack of compassion and self-awareness is a sign that he will be in and out of prison, possibly for the rest of his life. Harrogate doesn’t fit in with society. Prison provides Harrogate with community, food, and shelter. Even within this very structured microcosm of society, Harrogate struggles to fit in. Harrogate is a puzzle that no part of society can quite figure out. In the poor neighborhoods of Knoxville, where Harrogate attempts a living, he demonstrates characteristics of intelligence and cunning. He comes up with scheme after scheme to keep himself fed and paid. These schemes are illegal and often don’t work well, such as when he steals a pig from his neighbor but can’t figure out how to cleanly kill and prep the pig for food. Harrogate also poisons bats to turn them in as rabies-infested pests for money from the government, and his ploy is quickly found out. When he searches the tunnels under Knoxville to find a way into the bank vaults, he detonates the tunnels and nearly dies of his own foolishness. His coin-robbery scheme is the most successful one, but it ultimately sends him back to prison. Harrogate is crafty, but he doesn’t have the skills or wherewithal to understand how predictably his schemes will fail. Harrogate is also an outcast of society. He was imprisoned so young that he doesn’t know how to reintegrate into society. No one has taught Harrogate how to be a person operating within larger society. Thus, it is also modern society that is absurd for not giving Harrogate the compassion and skillset to be successful.

There is also an absurd battle between the individual and the community. In McAnally, people experiencing homelessness create a community of their own. Suttree makes friends with many characters, and he checks in on all his friends on a regular basis. They do the same for him, such as when J-Bone finds him deathly ill with typhoid fever in a hotel, or when Michael looks for Suttree when he moves away from the river. People can be a source of comfort to one another. Often, however, the community spirit enables people to behave in ways that hurt their prospects. Suttree helps Leonard dump Leonard’s dead father’s body in the river, even though Suttree knows that Leonard’s scheme won’t work and even though he is disgusted by Leonard’s plan. Suttree won’t get anything from this, but Suttree doesn’t think of reciprocation or rewards. Still, it is absurd that he goes along with plans he knows are wrong or doomed to fail. His sense of community overrides his logic. Further, he ultimately learns that no community can make him better or worse—it is up to the individual to determine the path their lives will take.

Essentially, the conclusion of McCarthy’s novel on questions about life’s meaning is that life has no meaning. Suttree could just as easily have been his stillborn twin or the body on his houseboat that was mistaken for him. McCarthy’s use of vivid imagery to describe nature and setting demonstrates that elements of the world are beautiful because of their existence, not because of a higher meaning. Suttree endures many hardships, including the death of his son, incarceration, and poverty. Yet Suttree ultimately learns that nothing in his life has had meaning. There is an existential benefit to this attitude, and it frees Suttree by motivating him to live life for whatever he determines his life to be. Value of life is in an individual’s projection of meaning. As in existentialism, it is absurd to rely on society, authority, religion, or other external structures for meaning.

Compassion in the Face of Indignity

McCarthy explores two pathways to compassion: compassion for self and compassion for others. McCarthy’s novel is dark, but it also proves that people maintain compassion even in the worst indignities.

Suttree is poor and hungry and feels depressed. Even so, he looks after his friends in Knoxville. He checks in on the old railway man and the old ragman, for no reason other than his compassion for them. With these men, Suttree has deep conversations about God, life, and death. These old men are poorer than Suttree and have been without permanent shelter for most of their lives. Society’s social structures have lost them, and they have no family to which to turn. They are wholly alone in the world. Suttree extends a friendly hand to them because he understands that people can humanize one another through compassion. So long as Suttree can maintain compassion, he can retain his own humanity.

Suttree visits his aunt in a psychiatric facility. These types of institutions were abolished in the 1980s due to their deplorable conditions; throughout the 20th century there was widespread prejudice against people with mental illness. Suttree has a fraught relationship with his family, but he visits his aunt anyway because he puts her needs first. Suttree is saddened by his aunt being committed to a psychiatric hospital, but he doesn’t let it show. He is kind to her. This is another example of Suttree using compassion in the face of indignity to humanize both himself and other people.

Suttree is welcoming to Michael, who is referred to around town as “the Indian.” The use of an ethnic categorization instead of his real name makes clear that in the eyes of townsfolk, Michael is seen as an “exotic” figure on the fringes of ostracized society. Suttree befriends Michael, highlighting Suttree’s rejection of his society’s racist attitudes toward people of color. He and Michael have a genuine friendship. Suttree helps Michael track down his stolen rowboat without any thought of repayment. Michael is one of the only characters who actively reciprocates Suttree’s compassion. He gives Suttree his fish bait and teaches Suttree how to prepare a turtle to cook. Mutual compassion helps both these men survive.

Compassion for others is often easier than compassion for oneself. In this novel, McCarthy also emphasizes the importance of compassion for oneself in the face of one’s own indignity. Suttree has a difficult time wrestling with his past. There are certain things about his past that fill him with shame. His arrest and incarceration make him so ashamed that he tearfully refuses to see his mother when she visits him in prison. When he is released, he renounces his ties to his family, preferring not to confront the complexity of family expectations, disappointments, and responsibilities. Suttree confronts the death of his son, but his abandonment of his wife and son fills him with guilt and depression. Suttree sees himself as incapable of giving or receiving love. Thus, when he does meet other women, like Wanda or Joyce, he embraces them sexually but can’t maintain a healthy and committed relationship with them. Suttree’s inability to forgive himself for his past mistakes stunts his ability to grow.

When Suttree faces death, he finally learns how to extend compassion to himself. He learns that there is only one Suttree; in other words, Suttree’s life is valuable because he has life, because he hasn’t yet died, and because he means something to himself. He leaves Knoxville behind in pursuit of new adventures and the formation of a new self. Freeing himself from this chapter of his life is the best thing Suttree can do for himself. He learns the importance of taking a chance on himself and believes in himself.

Crises of Faith

McCarthy’s novel deals with crises of faith—faith in God, faith in self, and faith in the world.

Religious and existential crises of faith preoccupy the characters in this novel. Because life is so bleak and difficult, it is easy to want to turn to religion for comfort. A belief in God and salvation can make people believe that the difficulties of their lived existence can be eased in celestial existence. However, people in this novel have experienced so much hardship and social rejection that they have a hard time believing that God can accept them. Their crises of religious faith are part of an internalized self-perception of lack of worth and value. They’ve seen the worst of life: murders, death by suicide, and deep hunger. Suttree’s crisis of faith has to do with repressed childhood fears. He was raised Catholic and therefore taught to feel guilt over his human nature. Suttree doesn’t believe in God, but he entertains conversations about religion because he is, like most people, afraid of his own mortality. While some people turn to religion to help them endure and embrace morality, Suttree rejects religion so he can live on.

Crises of faith, especially faith in self, are also tied to crises of faith in the world. Suttree turns to nature when he wants respite. He goes into the forest of the mountains, hoping to discover revelation. He notes the sublime beauty of the Earth and becomes lost in Earth’s beauty. He also can’t survive in the wilderness; he doesn’t have the skills to hunt, eat, and make shelter for himself. Thus, even when Suttree wants to escape society, he can’t find a place for himself. Suttree doesn’t believe that his family truly wants him or cares for him. He rejects his parents, his wife, and his child in favor of radical autonomy and self-sufficiency. Rejecting the traditional structure of the family is symptomatic of his apathy for a society that has not done enough for people of color, people in incarceration, people without housing, people suffering illness of all kinds, and people who think outside of the box. Characters in this novel can’t place their trust in a structure that doesn’t care for them. Therefore, their crisis of faith in society turns into a crisis of faith in self and crisis of religious faith.

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