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77 pages 2 hours read

Olga Tokarczuk

The Books of Jacob

Fiction | Novel | Adult | Published in 2014

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Symbols & Motifs

Books

The Books of Jacob is presented as a compendium of written sources, as well as third-person narration and source material. As such, books play an important role in the depiction of Jacob and his life, becoming a central motif.

In the novel, the written word is the dominant form of media. Books symbolize authority, either in the form of religious texts, law books, or the status acquired by being an author. The innate power contained within these books is emboldened by the limited literacy of some of the characters: Not everyone can read and access the information contained within books, which is a way to access knowledge and power. Druzbacka acknowledges this, writing to Chmielowski to criticize him for writing in Latin (a language of the elite) rather than vernacular Polish, especially given that his encyclopedia is an attempt to increase the knowledge available to the average Polish citizen. Chmielowski’s efforts to acquire the knowledge that he enters into his encyclopedia also indicate the symbolic power of books. He covertly tries to acquire Jewish texts, even though he cannot read Hebrew, and he offers to shelter books for Elisha Shorr. Books are to be read, protected, shared, and—for those in power—potentially destroyed because they contain such valuable information. The information contained within these books grants them an authority; the books symbolize the vitality and importance of information and access to that information.

Nahman’s aspirations as a writer and a biographer of Jacob run counter to the idea of books as a symbol of authority. Instead, Nahman’s writing is a symbol of anti-authority. The subject of his writing is explicitly a controversial person. In both Jewish and Christian communities, Jacob is labeled an outsider and a heretic. As such, a book written about his life—especially one written from such a subjectively preferential point of view—would be considered equally heretical. Jacob seems to understand the symbolic threat that such a book might contain, so he orders Nahman not to write it. Nahman disobeys. He hopes that a book about Jacob’s life will have the power to spread the word of Jacob’s Messianic status far beyond Poland and the region. In this sense, Nahman understands the power of literature. The books symbolize the intensity of his belief, which he believes should be spread far and wide. At the same time, however, the very existence of the books is dangerous. Nahman’s writing has the power—or so he hopes—to alter the social order. By evangelizing about Jacob, Nahman is creating a symbolic threat to the ruling hierarchy of the world. This threat cannot be tolerated.

For all the symbolic power of books, however, they are brittle and fragile objects. Nahman’s writing is lost to the ravages of time while Chmielowski’s encyclopedia is eventually derided for the shallowness of its information. For all the power contained within these books, they cannot withstand the relentless march toward the future. Fate and circumstance conspire against them, destroying them in fires or elevating the baseline scientific understanding of the society in such a way as to render them irrelevant. Nahman and Chmielowski both believed in the symbolic power of their book to change the world. That neither of their works succeeds in leaving a lasting impression on the successive generations symbolizes the fragile nature of knowledge and understanding. During these men’s lifetimes, these books felt vitally important. In the wider scheme of history, they are rendered irrelevant.

Baptism

As a religious leader, Jacob is very invested in symbolism as a means to achieve his goals. When he is attempting to demonstrate the sincerity of his claims to the Christian authorities, he offers to have himself and his followers baptized. Given that the majority of his followers are Jewish, the mass conversion of thousands of Jews to Christianity is an appealing public relations coup for the bishops with whom he is conversing. Jacob wants to symbolize his group’s difference from other Jewish communities. The baptism is a symbolic gesture, not only representing the difference between the Contra-Talmudists and the other Jews, but also symbolizing the extent to which Jacob is willing to engage with the Christians on their own terms.

However, the religion that Jacob preaches is not traditional Christianity. Given that he frames himself as a Messiah who has come to save his people, his theology runs against the teachings of the Christian church. Jacob does not say this. Instead, he offers the symbolism of the mass baptism as a symbolic conversion which provides some social protection for his people while also benefiting the church leaders. The baptism is not just a religious gesture, but a symbol of Jacob’s innate understanding of political gestures.

The mass-baptism takes place, but the true meaning of the event is debatable. Not only is Jacob’s religion not Christianity, but there are those among his followers who disagree with the decision. His own wife Hana tries to delay her baptism because she does not want to become a Christian. This reluctance suggests that not everyone among the Contra-Talmudists understands the true symbolism of the gesture. Added to that, the society that Jacob is trying to endear himself to also seems to reject the sincerity of his actions. After the baptism, his heretical teachings are reinvestigated by the church. The true hollowness of the baptism as a religious symbol is exposed when Jacob is arrested and spends more than a decade in prison—Jacob and his followers are only ever “Christian” when being so suits the authorities. The rest of the time, their Christian status and their vapid baptism are easily dismissed. Ultimately, the baptisms and the ensuing events symbolize the cynicism of a prejudiced society.

Medicine

The Books of Jacob is a novel about competing systems of belief. Christianity, Judaism, Islam, and Jacob’s own amalgamation of all three compete against one another to provide meaning and purpose in the lives of the people. However, some people find alternative systems of belief which give their lives just as much meaning. The best example of this is Asher Rubin, who wholly invests himself in medicine as a competitor to religion. Whereas the other people of Rohatyn are swept along by Jacob’s charisma and the promise of salvation, Asher is fascinated by a different kind of truth. The quiet diligence with which he studies and practices medicine gives him an understanding of the world, satisfying the same cravings for which other characters require religion. Throughout the novel, the medical world changes. Much like the religious world, the medical world undergoes a paradigm shift in which old systems are discarded and new understandings are adopted. The medical world, therefore, functions as a secular and symbolic echo of the religious world as it falls under the sway of modernity.

The treatment of Asher by the other characters demonstrates the way in which medicine can operate as a symbolic alternative to religion. When someone is sick, Asher is summoned. His entrance to their homes is described in a manner similar to a priest being summoned to a deathbed. Sometimes, Asher also performs this function. He treats the physical maladies of the people while the priests treat the people’s spiritual maladies. While Asher might enjoy the comfort that a scientific understanding of the world provides to him, his patients view him very differently. They do not understand the scientific basis of his work so, to them, his work is essentially a different form of mysticism. Asher does not have the time or the patience to dissuade them from this opinion. He accepts his role in society, as the man who understands the truth behind the mysticism. Just as medicine is a symbolic echo of religion, Asher functions as a symbolic echo of Jacob. To the wider world, both men appear to understand the mystical on a level far beyond average comprehension.

In his later life, Asher settles down in Vienna with Gitla. He becomes rich by making and selling spectacles. As an optometrist, he symbolizes the ways in which modernity is reshaping the world. In a very literal sense, he is helping people to perceive the world around them. Anyone who struggles to see can visit Asher and be given a new way to view the world. Rather than anything magical, however, this gift is the product of hardworking, modern manufacturing techniques, and a diligent understanding of science. Asher’s work may be regarded as mystical by his patients, but he fundamentally understands that his work is not based on belief or mysticism. There is a fundamental bedrock to the work he does which symbolically distinguishes him from Jacob. Both men want the world to see something in a different way, but only Asher is honest and humble enough to acknowledge his limitations. The spectacles and medicine symbolize the difference between the religious and the secular, particularly in terms of how and by what means they are able to promise salvation and healing to the general population. 

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