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The theme of obsession plays a large role in shaping the plot and character development in The Cartographers, most particularly in terms of Wally and Nell, but also to a smaller extent with the Cartographers themselves during the Agloe project. Obsession is clearest in Wally’s character; in fact, it is almost built into him from the beginning. Described as a quiet perfectionist, Wally is always the most resistant to change, but becomes the most adamant support of a new idea, once he has been convinced (usually by Tam). However, Wally’s obsession with Tam leads to his obsession with secrets, and later, control. One Cartographer observes that his feelings for Tam are “like a phantom limb” (144), secret even from himself although he could still feel them.
This is why he doesn’t want to share the secret of Agloe with the others. In his mind, because he and Tam found the map and discovered Agloe, it should remain their secret, but once the other Cartographers are brought in, Wally’s obsession with keeping Agloe secret spirals out of control. Ironically, because Wally is powerless to prevent Tam’s choices, he becomes obsessed with controlling everything else. This mindset is first portrayed through Wally’s robberies and inquiries about other copies of the 1930 General Drafting New York road map on which Agloe is depicted; his collection and subsequent destruction of the maps indicates the extent of his desire for control and implies just how far he might go to maintain it. Although Wally initially defends his actions as “protect[ing] the town” (264), in reality, Wally seeks the power he lost within the Cartographers, his past relationship with Tam, and the trust lost with each perceived “betrayal” by the other Cartographers.
This paranoia grows worse after Tam’s supposed death. Because she is the center of his world, Wally’s grief for her—and his lack of social support—cause him to turn to his obsession as a primary focus in life. Although he claims that his creation of the Haberson Map—meant to be the perfect map capable of changing the world—was all done for Tam, she responds, “I didn’t want you to do any of this” (357), thereby rejecting Wally’s overtures of love and his twisted desire for power. Nell also observes that as the years passed, Wally’s obsession festered; while locating Agloe was initially a means to find Tam, Agloe eventually supersedes Tam in Wally’s eyes, becoming both the means and the end. By the final confrontation in Agloe, Wally has learned to exist without Tam, but he can no longer live without Agloe—after losing it, he is a broken man, abandoned by his loved ones because of his choices.
While Nell faces a similar dilemma, she escapes Wally’s fate because of the support she both receives and relies on. Nell’s obsession with the 1930 map of Agloe is less about the town itself and more about seeking knowledge and being vindicated. A genius cartographer raised by genius Cartographers, Nell knows that she is gifted, even if she doesn’t always believe it. She is also aware that her stubbornness is a family trait, and like her family, she doesn’t back down when she wants to prove herself. The first culmination of this is the Junk Box Incident—which reveals another layer of stubbornness with each reflection: first, her insistence that the Junk Box maps are valuable; then, her rejection of her father’s rejection without listening to his reasons; and finally, the excommunication of not just her but also Felix from the field, a disaster for both their careers.
This “excommunication” is Nell’s version of the fire in Agloe—her chance to calm down, reflect, and recalibrate. Like Wally, Nell doesn’t know the full truth about Agloe, the maps, or her mother; like Wally, this leads her to obsess over the perceived injustices of the consequences of her actions. Unlike Wally, however, Nell has supporters to help her: Bear, who gives her a job, and Swann, who maintains contact and becomes more of a father figure to her than Daniel is. Due to this support, Nell does not remain dependent on her ex to survive, the way Wally obsesses over Tam, and this allows her to slowly begin to consider a new relationship with Felix after the Junk Box Incident has settled.
However, Nell’s struggle centers around her desire for answers and her inability to move on. Felix, frustrated, feels that Nell chooses the Agloe map over her future. Nell’s obsession with uncovering the truth about Agloe and her mother takes precedence again and again, preventing her from moving on in her life, even when her loved ones are threatened. For example, after Swann is killed and Felix is held hostage, Nell still chooses to go to Agloe to find Tam and see the town, rather than simply giving the map to Wally. Though Nell does eventually save Felix and Tam from Wally, she remains in Agloe despite her love for the people around her; for Nell, maps win every time. Although Nell gives in to her obsession, she does so in a less destructive way than Wally does, sharing the knowledge of Agloe with the world and embracing the Cartographers’ goals rather than rejecting them in favor of solitary secrecy.
The other Cartographers deal with obsessions too, but to a far lesser extent than Nell and Wally do. Eve and Francis’s obsession with each other leads to their affair, while Romi’s obsession with sensing secrets leads her to discover everything her friends are hiding, breaking the group apart. Tam is drawn to understanding Agloe as a place, while Daniel becomes fixated on protecting Nell from Wally. Bear, though left solitary like Wally, is obsessed with holding the group together rather than isolating himself from it, to the point that he will ruin himself financially to support the others.
In this way, each major character in the novel either faces or succumbs to their individual obsessions. While Nell and Wally’s obsessions have the widest reaching consequences, Peng Shepherd observes that no one is immune to the dangers of these feelings; the choices one makes determine the outcome, not the feelings themselves.
Obsession plays a major role in the novel, but so the actions that stem from those obsessions. Another major theme of the novel is the idea of letting go and separating the past from the present and the future. Wally and Nell are the clearest examples of what not letting go looks like, but other characters, especially Felix, Irene, and Tam, demonstrate what moving on can look like. Meanwhile, other characters fall somewhere in the middle.
As discussed above (see Obsession), Wally’s obsession with Agloe and Tam affect the trajectory of the rest of his life. Wally continues to hide in the shadows, even as he develops a hugely successful corporation, Haberson Global. Haberson, the name of one of Tam’s favorite fictional characters, reflects Wally’s continued obsession with Agloe, as does his quest to create “the perfect map,” which can change (and thus control) reality. Wally is so determined to create this map that the team—including Felix—is top secret and the interview consisted mainly of one question: “What makes a perfect map?” (206). While Wally’s obsessions are supposedly for Tam, they are in reality for Wally himself, as he could never learn to let go—of Tam, of the Cartographers, or of Agloe.
Nell faces a similar struggle because of the Junk Box Incident. Proud and confident, Nell seeks both her father’s approval and the academic prestige that seems a given, due to her passion, intellect, and cartographical heritage. When Nell finds the Junk Box, she knows she’s right about the value of its contents but won’t listen to her father’s reasons to reject her findings. This stubbornness and unwillingness to let go also has a huge impact on her life, cutting her off from nearly all of her positive relationships as well as from the industry of her dreams. The reappearance of the 1930 Agloe map gives her a chance to rectify this—Felix re-enters her life, interested in rekindling their romance, and Irene offers her a chance to once again work in the hallowed halls of the New York Public Library, as her father’s replacement—but Nell is unable to let go of her past and nearly ruins everything again with her secrets. However, in her quest to learn about Agloe, she is forced to learn how to listen; by doing so, she slowly begins to understand the Junk Box Incident, both in terms of her father’s desire to protect her, and her own pigheadedness. In this way, she does learn to let go somewhat—she admits she makes mistakes and that she doesn’t prioritize people despite her own personal desires. Nell realizes her choice between maps and people will always favor maps—in this way, her decision to stay in Agloe is an informed choice, if not a premeditated one.
Felix, on the other hand, is a foil to Nell in this way. Felix, too, suffered from the Junk Box Incident and was similarly ousted from the cartography industry. However, his specializations—contemporary maps and geospatial cartography—allow him more opportunities to embrace a new path. Unlike Nell, who distrusts technology and specializes in ancient maps, Felix embraces the marriage of cartography and technology. While he, too, loved working at the NYPL, he adjusts to his new career at Haberson and embraces new relationships with his coworkers. Felix learns how to move on, to embrace the present over the past, and to let go of past drama—he initiates the rekindling of his romance with Nell, wanting to start fresh, and he encourages her to leave Agloe behind in favor of her dream career. In this way, Felix conflicts with Nell, because he can adapt to changes that she cannot—or refuses to fully acknowledge.
Tam, too, has a similar outlook to Felix, making her a foil for Wally. When the Agloe project falls apart and she is forced to remain in Agloe, she accepts her new life. While she is devastated to be separated from her family because of Wally’s obsession, she takes advantage of the opportunity to explore Agloe and understand the new world she now lives in. She bends the rules to study them, not to control them, and completes her part of the new Dreamer’s Atlas (the Agloe version) both for something to do as well as a way of letting go of the project. Her sacrifice also brings most of the Cartographers back to reality, and she later takes up a position at the NYPL: her own way of moving on from the Agloe disaster in ways that Wally never could.
The other Cartographers want to let go, but because of Wally, they remain somewhere between the two extremes. Eve and Francis remain in contact, though they never rekindle their affair. Romi forgives their transgression but keeps her distance from them. Although they have moved on enough to work together to help Nell stop Wally, they remain tense around each other. They want nothing to do with Agloe, yet they still seek out trap rooms and phantom settlements, both for their own safety and because they cannot quite let go of the magic of the maps. Bear, too, follows a similar path; he distances himself from the Cartographers and Wally but refuses to cut himself off completely, helping Nell after the Junk Box Incident. While the Cartographers would move on if they could, they remain pawns in the chess game against Wally, and thus linger in limbo.
In this way, Shepherd uses her characters to explore not just obsession, but the ability to let go of an obsession and move on, as well as the consequences of remaining fixated and all the shades in between.
Two important questions in the book that the characters constantly struggle to answer are “What is real?” and “How can reality be influenced?”. Shepherd explores this theme through four important aspects: maps with trap rooms or phantom settlements; Agloe; the Dreamer’s Atlas; and the Haberson Map.
The idea of maps connected to both reality and fantasy is not a new one, as the Cartographers acknowledge via their original Dreamer’s Atlas. Many mythological tales are connected to real places and vice versa, and many fantastical places are inspired by reality. The original Dreamer’s Atlas sought to combine the two even further and blur the boundary between “reality” and “fantasy”: the Cartographers sought to depict fantastical maps, like Tolkien’s Middle-Earth and Lewis’s Narnia, as regular street maps like the gas station map of Agloe, while “real” places like New York City or London would be drawn in the fantastical sense of literary worlds like Discworld or Earthsea. This project would, they hoped, not only bring back the wonders of cartography, but it would ideally marry opposing ideas like science and art, both of which are integral to cartography and to the human mind.
Shepherd continues this analogy with her blending of realism, magical realism, and fantasy genres. This is most evident in her incorporation of phantom settlements and trap rooms, but with a magical twist: they are real—sort of. The idea of phantom settlements and trap rooms is true; for real-world maps often included such details as copyright traps to protect the intellectual property of map companies and cartographers (see Context). The lawsuit by the General Drafting company was historically true as well. The fantastical element that Shepherd introduces is the idea that by using a specific map, fictitious rooms, stairs and even towns can manifest in real life. This element reflects the genre of magical realism, in which the world is depicted mostly as it really is, with a few elements of fantasy that often remain unexplained and are simply accepted as truth. This is reflected by the fact that most people in the novel have no idea that trap rooms and phantom settlements exist, and those who do often fail to realize how real they are. Felix, for example, is aware of the historical existence of trap rooms because of his specialization, but he doesn’t realize that they can manifest until he opens his mind to the concept and studies the security footage from the NYPL. Nell, however, with her imaginative work in studying ancient maps and creating replicas at Classic, is more open to the concept and more often sees it in action.
Shepherd explores this theme further by also incorporating elements of true fantasy: the ability to change reality by changing a map. This is most clearly demonstrated by Tam’s actions in Agloe and Wally’s Haberson Map. While Tam was trapped in Agloe, she created resources by adding what she needed to her map of Agloe. Similarly, the Agloe weather is constant, no matter the weather in the real world. Nell also utilizes this ability when she changes the location of Agloe, preventing Wally from controlling the town. Wally himself wants to control the world through his Haberson Map, because as he points out, people are “not comparing our map [the Haberson Map] to the world—they’re comparing the world to our map” (325). In this way, Shepherd not only reminds readers of the effect they have on their reality, but also how they can actively change reality and affect it—all they need is a bit of imagination. Thus, through blending genres and the various utilizations of maps and cartography in the novel, Shepherd explores the boundary between reality and fantasy, forging new connections between the two concepts and highlighting the vast agency that people have to affect each.
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