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56 pages 1 hour read

William Styron

The Confessions of Nat Turner

Fiction | Novel | Adult | Published in 1967

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Part 3Chapter Summaries & Analyses

Part 3: “Study War”

Part 3, Pages 251-311 Summary

Nat begins Part 3 by explaining that, at least through his eyes, “real hatred” of white people “is not common to all Negroes” (251). Rather, “without knowing the white man at close hand,” working in a field “knowing no white man other than that overseer,” a black man “can only pretend hatred” (251). Finding men “in whom hatred was already ablaze” (252) and cultivating it in others becomes Nat’s primary mission leading up to the rebellion.

This passionate hatred rises in Nat at Moore’s farm. He describes a specific instance in which he feels that hatred. Left alone while Moore shops, Nat encounters Thomas Ridley’s fiancée, a beautiful white woman newly arrived from the North. She notices Arnold, a freed man who was an “insoluble difficulty” (254). Nat looks down on Arnold, who he calls “more insignificant and wretched than he had ever been in slavery” (255). Ridley’s fiancée asks Arnold directions to the courthouse.

Arnold speaks in impenetrable “blue-gum country-nigger talk” (256). The woman cannot understand Arnold’s offer to take her there, or his grasping at her arm, and she is overtaken by “chagrin, sorrow” (256), or maybe horror or pity. Suddenly, the woman starts to sob, “as if something long pent up within her had been loosed” (257). This emotion feels, to Nat, like nakedness, and he lusts after the woman. As the distraught woman leaves town, Nat’s excitement is visible to others, and he feels “a deep shame” (259). In this moment, Nat explains, he learns that it is not abuse but pity that fuels his hatred of white people.

While Nat’s years at Moore’s are miserable, they also allow him to reflect spiritually and evangelize. Even though Moore “hated all Negroes with a blind, obsessive hatred which verged upon a kind of minor daily ecstasy” (261), he never whipped Nat again after his first day. Nat begins to see the need for patience with his master, “at least for the present time” (262). Moore brags about his docile enslaved “black gospeler” (263), and Nat continues to work hard and read the Bible in his spare time through his 20s.

Despite the “loathsome, unrewarding toil,” Nat is able to survive it by falling “into meditation upon spiritual matters” (265). At least, he remembers, the food cooked by Miss Sarah, Moore’s wife, is better and healthier than that provided by Reverend Eppes. Even in the earlier years, before the arrival of Joseph Travis, Putnam Moore disdains Nat. In this behavior, he mirrors his father and his father’s cousin, Wallace. This family could be escaped, and Nat establishes special spaces in the forest where he can meditate. He begins a private practice of fasting, inspired by the Bible.

When Hark arrives into Travis’s home, he has on his mind the hope of running away. His prior owners, the Barnett family, were cruel; as a final act of cruelty, they sold Hark but took his mother and sisters with them to Mississippi. Travis’s land is easy to escape from, and “running away seemed to be no great undertaking after all” (271). For six weeks, Hark travels aside roads, using the North star to contemplate their many turnoffs and confusions. In what he believes is Richmond, he is tempted to mingle with the large number of black people, both free and enslaved, who he can see from the road.

Eventually, he asks an old black man where he can find the Quaker meeting house. At peace, believing that the man will help, Hark falls asleep; he is awoken by the same black man, with a white man, capturing and tying him up. Within three days, he is returned to Travis and discovers that “he had walked those six weeks in circles, in zigzags, in looping spirals, never once traveling more than forty miles from home” (278). Hark and Nat meet while Moore is still alive and they live on separate farms, because Travis lends Hark to Moore.

Nat sees the start of the 1831 rebellion in the droughted summer of 1825, when he has his first vision. The land is taken over by fire, but with properties abandoned by both masters and slaves, there is not enough labor to fight it. Because of the drought, Hark and Nat have five days off at one point; Nat decides to fast for the duration, and while Hark does not fast, he joins Nat in the forest. On the fifth day, Nat is weak and the day seems hot. Nat prays for “the first sign” (283).

At that moment, fire crowds in over the sky and, Nat remembers, he sees “a black angel clothed in black armor with black wings” (283). Then, he sees more, including a white angel that fights with the black. Nat feels “surrounded by the flames of hell” (284). He interprets this vision “as a mandate to destroy all the white people” (284). This interpretation largely extends from the subsequent events which alienate him from white people only further.

On the way back to the farm, Nat passes the cottage of Isham, a free man struggling to feed eight children. Their garden lies “withered and shrunken” by the drought, and all seem extremely thing, including a baby who looks “like a bundle of twigs” (288). Moore and Wallace drive by the ramshackle home, and Isham, who looks mad, calls Moore a “fuckah” (289) for failing to pay him for labor and leaving his family to starve. Nat has never “heard raw hatred like this on a Negro’s lips” (289).

Moore does not respond with anger; instead, “Isham’s unbelievable words” push him “into a strange new world of consciousness which lacked a name” (290). Nat recognizes that it is terror. The episode leads Nat to believe that “people whose skins were black would never find true liberty—never, never so long as men like Moore dwelt on God’s earth” (290). But he is also fascinated by Moore’s terror.

Nat describes Miss Sarah’s brother, Francis, who is famously ruthless toward slaves. Nat meets two of his young men, Sam and Will, when they are loaned out, and finds that they are customarily “thrashed until [...] bleeding and senseless” (293). This treatment affects their minds even more than their bodies. Will does not only hate Francis, “not just white men but all men, all things, all creation” (294).

After the encounter with Isham, Nat travels to deliver Moore’s firewood to other houses. The work strains on Nat, who is weak in the heat. At the end of the day, after the final delivery to the market, Nat and Hark rest. Nat feels detached from the world while Hark plays music. Into this peace, though, commotion takes over the crowded gallery. Through the crowd, Nat and Hark discover that Francis, drunk, has forced Sam and Will to fight one another to entertain the poor whites gathered behind the gallery. Hark calls it “some kind of cock fight” (297).

Others around them laugh, but Nat is filled with a sense that no indignity could be more evil for a black man than “that he be pitted in brutal combat against his own kind for the obscene amusement of human beings” (298), especially poor whites. He feels rage and describes his heart dying.

As he sees them walk home, Nat calls to the boys, and a crowd of black people assemble around him. This becomes “the first sermon” he ever preaches, using language that is “theirs” which he speaks “as if it were a second tongue” (299). He encourages the rage in them: “This is no time fo’ singin, fo’ laughter” (301). He calls for “pride,” which will set them free; he notices “rapt black faces” (302) looking back at him.

In the wake of this event, Nat starts a Saturday Bible class for black people in town. Weeks later, a small white man known as Ethelred T. Brantley introduces himself to Nat. He wants to be saved, like the black men to whom Nat preaches. Sick, jobless, and loveless, Brantley feels hopeless and sees hope in Nat’s message. “All men,” Nat assures him, “can have pride” (305). But Nat is also hesitant, because he does not like this pitiful man being on an equal playing field with black people. Reluctantly, he agrees to work with and meet Brantley again.

The day after he meets Brantley, Nat visits the Whitehead’s house. The house is nice compared with Moore’s, although it’s lack of luxury makes Nat see his distance from life back at the Travis home. This visit marks Nat’s first exchange with Margaret Whitehead and her father, the Reverend, who seems on guard. Nat asks the Reverend if he can baptize Brantley in his church.

Because Brantley is a known “sodomite” (309), Whitehead is appalled at the idea. But Nat appeals to the idea that “the Son of man is come to save that which was lost” (309). Whitehead rejects him anyway, furiously, and so Nat baptizes Brantley in a pond. White and black people circle the pond to watch, and during the baptism, white people begin to through sticks and stones at them. As they return to the bank, Nat advises Brantley “to leave the country soon, because the white people are going to be destroyed” (310). 

Part 3, Pages 312-342 Summary

As Nat approaches his 30s, he notices that a more secure atmosphere returns to the Virginia region. Roads and weather improve. Apples grow robustly and become good brandy. Nat’s carpentry skills are suddenly in demand. Although Reverend Whitehead rejected Nat, his mother, Catherine, values his gifts and hires him out to build a barn as well as to serve as coachman and butler.

Even as he works, Nat feels divided, “straddling two worlds of the mind and spirit” (313). In 1829, though, the questions of how and why to complete his mission are settled in a vision. In the Whitehead library, Nat finds a map of the area and traces it secretly. As he heads out, Mrs. Whitehead apprehends him and asks him about his work, which bothers Nat to an outsize degree. She wishes she could purchase him and speaks about his fine handiwork and his cognitive ability, which she thinks is set far apart from the others who she enslaves. She has, she explains, offered Moore a $1,000 in exchange for him.

From this scene, Nat’s narration cuts into a document that is both an outline of his plan of attack, beginning at the Whitehead home, and a prayer to God. It is clear, from the outline, that Nat is prepared. However, he is waiting for a sign, likely in August, but unsure of “[w]hat yr” (320). After the written interlude ends, he explains that he hoped to engender in his followers “a sense of black militancy” (322) in his preaching years. He develops a closest four followers: Hark, Nelson, Henry, and Sam. While Nelson is old and Henry is deaf, Sam’s “hatred [is] the least complicated of all,” for he wants “simply to eliminate Nathaniel Francis from the domain of his own existence” (324). Nat uses an animal metaphor to picture Sam as a caged animal who, released, would kill ruthlessly.

Nat ranks men based on their rage and their domination, Hark being the most loyal. The group meets regularly in Nat’s woodland sanctuary, and he comes to know “that by the grace of God this escape could be achieved” (325). The men know clearly about the mission of escape, but until the call from God, “they could not know of [Nat’s] vision nor that a true escape into freedom must include not a handful of Negroes but many, and that the blood of white men must flow on the soil of Southampton” (326).

Once he has established the roots of his movement, Nat signals that he will enter a “fragment of a memory” (326). He vividly remembers building more bookshelves for Mrs. Whitehead and rediscovering the map he had once traced. Distracted, Nat drops a tool that cuts his hand, which starts bleeding profusely.

Suddenly, Margaret enters the library looking for a Wordsworth poem, and Nat stares at her youthful beauty. This “Godless white bitch” (329) provokes nervousness and desire in Nat. When she notices his wound, she moves closer and tries to help him. Nat refuses the help, and as Margaret leaves, Nat is confused by his heart’s loud pounding and the fact that his “hatred for Margaret is, if anything, deeper than [his] hatred for her mother” (330).

Nat exists this memory to proceed with his story. The next major event of his life is Moore’s drunken death at the hands of an errant cow, which leaves him fearful of being sold. When Joseph Travis marries Miss Sarah, though, and the family moves “to those more pleasant acres nearby” (331) where he joins Hark’s living quarters for the next two years until the uprising.

Travis values Nat’s skills, which offer much to his wheelmaking business. Though his master is “at bottom a decent and sympathetic man” (332), Nat also recognizes major problems in his treatment of Hark and his odd, outsider’s demeanor. Prosperity brings out better and happier qualities in Travis. In this setting, Nat reminds his reader that Jeremiah Cobb visits, as he recounts in Part 1.

At this time, Nat receives “the final mandate” (334) from God. After weeks of hard work enhancing Travis’s wheelworking workshop, he heads to the woods to pray under the guise of setting up a new rabbit trapline. He planned for fast for days, for fasting “helped quench all fleshly longings” (336). But he feels “beset by devils and monsters,” “visions of the flesh of women” (336), and other evils. Desperately, he asks God for a wife to alleviate his lust after his mission is complete.

Nat lyrically describes a solar eclipse, after which “the seal is removed from [his] lips” (338). Hark arrives to bring him food, but Nat tells him to gather Henry, Nelson, and Sam in his spot at noon the next day. He tells the men what has happened and that he has been commanded to “take on the yoke” of Christ to “fight against the Serpent” (339). Nat explains the need to create a mob to run away, then falls silent; it is Henry who suggests that “[u]s gotta kill all dem white sonsabitches” (340).

Nat finds that the men are unafraid of killing. The more he explains the plan to them, the more he begins to revel in it. That night, as he sleeps in the woods, he dreams peacefully and awakens to what he interprets as a good omen. At the same time, he starts to taste “a sinister taste of death” (341) that is new and pervasive. This feeling persists from that day on, each time he sees a white person. When Travis welcomes Nat back to the farm, Nat hallucinates, envisioning all the white people around him dead in bloody murder. 

Part 3, Pages 343-404 Summary

Nat selects Independence Day for his attack out of “deliberate irony” (343). But the date is also practical because white people would gather to celebrate. “It was,” Nat explains, his “purpose to slaughter without hesitation each man, woman, and child who [lays] in [his] path” (344). He cancels the plans, though, when the town moves the celebration to the center of town. The shift leads Nat to panic.

Travis hires Nat out to Mrs. Whitehead that summer. While at the Whitehead house, Nat learns from the Reverend that there will be a massive Christian meeting nearby in August. An “unforeseen bounty” would be in Jerusalem, ready “to capture and destroy” (346). Nat considers this his final sign.

Sam and Nelson continue to persuade a “body of men” (346 )to Nat’s band. They usually focused on finding enslaved men who had attempted to run away and drawing out their rage or readiness to kill. Each enlisted in the movement was “sworn to the profoundest secrecy […] on pain of death” (348). Nat considers this vow unnecessary, as he believes that none of the men would “have given away their magnificent secret for all the world” (348).

Nat plans that, rather than meeting all together, his band will go from house to house adding numbers gradually. The band would be the signal for each man “to take up arms against his master as soon as [they] appeared” (350). Nat’s closest four followers repeat this plan to their troops to ensure that each man would be in place on the assigned Monday. As the date draws near, Nat feels confidence in this “majestic black army of the Lord” (350) that he envisions growing gloriously.

Just before the appointed day, Will fights Francis back during a beating and flees the scene. Nat is relieved that Will, who has an extreme desire to rape white women, is gone. But at the same time, the event engenders a new kind of suspicion toward black people. Reverend Whitehead, for one, joins the band that sends out to search for him.

In the wake of his departure, as they drive together, Margaret expresses to Nat that she thinks Will’s actions are justified, given Francis’s cruelty. Enthusiastically, she expresses distaste for her anti-abolitionist friends at school. While she continues, Nat thinks only of his desire for Margaret: she fills him “with boredom and lust” (358). He becomes troubled with doubts about whether he should kill her.

When Margaret stops the cart, spying a crushed turtle on the side of the road, she expresses her sympathy for “suffering things” (359). The two venture toward a river for a drink, and Margaret acts out a play she has performed at school. For a moment, she falls into tempted Nat’s arms. As they head back, Nat looks, for “the last time” (363), into her face.

Just before the appointed date, Nat sets fire to the sanctuary where he’s gone for meditation over the years. Seeing the smoke, Will emerges to meet Nat, who feels “anew the old dread his presence always caused” (365). To Nat, he appears animal, “a wicked little weasel or maddened fox” (366). Unhappily, Nat agrees to let him join the group.

As Nat’s followers join together, he demands reports from each “troop” leader on their charges. A new recruit, Jack, shows up drunk, and Nat grows angry with Nelson for allowing him to disrupt their order. Nat imagines himself among Saul, Gideon, and David—Biblical heroes—and starts to doubt himself; he fears that he is “even beyond the reach or counsel of the Lord” (371). After some time alone, though, he rejoins his men to prepare torches and other materials. The “enemy had supplied [the group] with all the instruments of his own destruction” (371).

Nat describes the band’s gradual arrival to Travis’s place, the first home that they plan to strike. They disturb his “sleep of the innocent,” achieved through acceptance of the “fragile testimony of history” (375). Nat inaugurates the mission by swinging at Travis in his bed, though he misses both his master and Miss Sarah; his strength and ability leaves him as Travis and Sarah cry out in terror. Will emerges into the room and brutally decapitates Travis, shouting: “If’n you cain’t do it, I do it! Das de way us rock dem white fuckahs!” (378). Will kills Sarah as Nat runs, as if trying to escape, out of the room. “Like music, a horn blow,” Hark cries out from upstairs, where he has killed Putnam and the other apprentice, Westbrook. When Nat sees blood coursing around the house, he doubts whether this was truly God’s calling. Moses, a little black boy on the property, bites Nat’s wrist, “driven quite mad by all he had witnessed” (380).

Nat returns, for the first time in Part 3, to his jail cell, where Gray continues to describe his brutality and goads Nat to admit remorse. More than any guilt, Nat explains, he feels “weariness” (381). Gray commends Nat on the “pretty complete and satisfactory job” he did of achieving his goal of “slaughter” (382). “No niggers,” he says, “ever done anything like this” (382).

At the same time, though, Gray reminds him that his mission “was a flat-assed failure” (382). Moreover, a relatively small number of enslaved people joined his movement after hearing his call. Rather than an “army,” Nat’s group is “a draggedly mob of drunken black ruffians” (383). Nat admits that his troop’s drinking was “one of the worst things that went wrong” (384), along with other plundering. Moreover, Gray explains, there were “active enemies” (385) among black people to Nat’s work.

After Gray leaves to submit Nat’s “not guilty” plea, Nat wonders: “Is it true that I really have no remorse or contrition or guilt for anything I’ve done?” (386). What he really feels is “an entombed, frustrated rage” (386) at both black and white people. Nat admits that “the black men had caused [his] defeat just as surely as the white” (386). He remembers the end of the conflict, in which his troops are “intimidated nightmarishly” (387) by both the white men and the black men firing at them to sustain their privilege over enslaved black people. Nat remembers running, hoping to rejoin others but knowing that this will not happen.

Returning home for food and then to the woods to meditate, Nat remembers sadly recognizing that “for the first time in [his] life” (390) he could not think or pray. This silence and absence lead to the fear that Nat still feels in the cell, as he stares out the window. He accepts that he feels remorse for only one death, and then retells the part of the evening when he kills Margaret Whitehead. Fearful that Will would take control of the mission, Nat confronts him, and only Nelson’s intervention prevents the mission from exploding into infighting.

At the Whitehead house, Nat remembers, he feels ill and dizzy. Nevertheless, he chases Margaret, who falls into the field grass. They do not speak; their “last encounter may have been the quietest that ever was” (401). When she trips, Nat plunges his sword into her, then flees from the body “calling out to [himself] like one bereft of mind (401). As he departs, he hears her voice asking him: “Please kill me Nat I hurt so” (402). In an act of mercy, he grabs a fence rail and thrusts it into her, then circles her body “like some roaming dog” (402). He hallucinates that she is alive again. Finally, he returns to the troops.

At the end of Part 3, Nat explains that the troop never actually met Nathaniel Francis, the most hated white man. Although they killed every white person within 20 miles, their “work of death was not absolutely exhaustive, not complete” (403). One white girl, who escaped, ran to raise the alarm. Nat was the only person who had seen her, and “dispirited and overcome by fatigue,” full of “obscure, unshakable grief” (404), he lets her go. At the end of the mission, Nat wonders if he had allowed her to go “to vouchsafe a life for the one that [he] had taken” (404).

Part 3 Analysis

In Part 3, Nat explains the formation of his troop, the progress of their actions, and his motivation for brutal murder. A large part of this work involves finding men “in whom hatred was already ablaze” (252) and cultivating it in others. Pity, especially the pity of white women, inflames the ever-present hatred of white masters for Nat. His confused sexual attraction to women like Margaret Whitehead and Ridley’s fiancée manifests in anger at their pity or sympathy.

Margaret expresses her sympathy even for a small turtle in the road, one of the “suffering things” (359) that attracts her affection. Nat, however, has little sympathy for suffering things, especially his fellow black men, who he often compares to animals. Indeed, he calls Will “a wicked little weasel or maddened fox” (366) when the man appears from the woods. For Nat, there is a separation between dignified and skilled black people, like him, and others. Although he wants to raise a “majestic black army of the Lord” (350), he continues to see himself set apart from it, both as a divine figure and as an exceptionally skilled example of black learning.

Nat’s connection to nature solidifies across the story of his revolt. Travis’s home becomes the birthplace of his mission as he creates his “sanctuary” in the woods. When Nat burns this sanctuary, that burning symbolizes the end of a phase of dreaming; without that natural space, he cannot access God. There is a connection between a man’s spirit and the nature that surrounds him. Burning the sanctuary also demonstrates the concrete and unchangeable ramifications of Nat’s actions: it provides a visual picture that he has enacted a kind of change.

For Nat, preaching is a tool for revolution. He becomes a “Reverend” almost by accident, preaching his “first sermon” when he translates the Bible to regular black people’s speech “as if it were a second tongue” (299). He calls for “pride” (302), which will set them free, the same kind of pride that he later explains, to Brantley, all can have. His follower, Nelson, is a deeply religious man, but for Nat conversion is partly Christian and partly conversion to his own particular mission, in which he takes on the “yoke” of Christ to “fight against the Serpent” (339). In some sense, Nat enacts this religious translation to facilitate the parallel, more convincing interpretation that Henry makes: that “[u]s gotta kill all dem white sonsabitches” (340). 

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