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50 pages 1 hour read

Brittney Morris

The Cost of Knowing

Fiction | Novel | YA | Published in 2021

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Character Analysis

Alex Rufus

Alex Rufus is the protagonist and narrator. The 16-year-old is “five-foot-seven” (9) and has glasses and hair that is “cut short—a fade on the sides and slightly longer coils on top” (11). Alex is his own person while also giving a voice to the stress and pressure that many young Black men bear in silence. His powerful first-person narration shows the reader what it’s like to live with anxiety through visceral descriptions like the following excerpt from Chapter 6: “Another heat wave washes over me. My pulse is still thundering against my ribs” (129). While working to manage his anxiety, the responsible teenager also strives to be a high-achieving student, a diligent employee, an attentive boyfriend, and a protective older brother. Alex’s hard work and dedication are admirable, but they come at a cost to his well-being. He feels unable to open up about his struggles or share his burdens with anyone. In spite of the fear that he lives with on a daily basis, Alex finds the courage to face what frightens him most. By choosing to remain with Isaiah in his last moments, Alex breaks his curse and heals from the way he handled his best friend’s death three years ago. Alex gradually learns that he doesn’t need to carry so much responsibility on his young shoulders and finds courage where before he felt only fear.

As Alex grows and changes over the course of the novel, he gains valuable lessons about brotherhood, growing up, and free will. As a young Black man, Alex feels pressured to grow up too soon and to become a provider for others even though he’s only a teenager. Realizing that his brother’s well-being matters more than a paycheck helps him start to deconstruct some of the messaging he’s received about maturity. Eventually, he reclaims his youth and begins to act with a measure of joy and spontaneity as demonstrated by his purchases at the concert. One of Alex’s most important relationships is his bond with his brother, Isaiah. Alex shows The Importance of Brotherhood by sacrificing his job and his relationship with Talia so that he can make the most of Isaiah’s final days. Alex’s love for his brother also motivates him to fight against fate as he thinks, “[I]f I get nothing else right, if I can’t make up for years of not being there for him, I have to help him get rid of these visions. No kid should have to live with that” (97). Alex’s courage frees both him and his brother from the curse, allowing them to shake off their burdensome knowledge of fate and giving them the same sense of free will as everyone else. Alex begins the novel as an anxious, isolated teenager struggling to be a man and becomes courageous and knows that he isn’t alone and believes in his power to shape his own future.

Isaiah Rufus

Isaiah Rufus is Alex’s little brother. In Chapter 9, Alex provides a physical description of Isaiah that reminds himself and the reader that his sibling is only 12 years old: “His feet dangle off the side of my bed, and his small frame is drowning in one of dad’s T-shirts, the collar hanging lopsided off his bony shoulder” (206). Isaiah’s gangly frame emphasizes that he is only a child, but his thin shoulders already carry heavy burdens. At the start of the novel, Isaiah shows signs of depression. His visions cause him to dwell in regret, especially about the deaths of his parents and Shaun. With Alex’s help, Isaiah is able to regain his hope and show more of his personality. The creative 12-year-old dreams of being a rapper and spends much of his time composing songs and writing lyrics. Isaiah applies his creativity to his and Alex’s psychic situation, offering insightful solutions. He determines that their powers were triggered by near-death experiences and that facing their greatest fears could break the curse. Isaiah’s epiphany elicits the following praise from his older brother: “This goofy BeatBall-playing kid in front of me might still be a kid, but he’s wise when he wants to be” (198). While the Isaiah the reader initially meets is haunted by regret, his creativity and cleverness emerge over the course of the story.

Isaiah is a dynamic supporting character who advances the novel’s plot and themes. The transformation that the 12-year-old undergoes in his final days testifies to The Importance of Brotherhood. Having Alex actively involved in his life again gives Isaiah hope, courage, and joy. His recaptured happiness often bursts forth in the form of singing and dancing. In a matter of days, Isaiah goes from cloistered in his room to living his life’s dream by rapping with his favorite artist in front of a crowd of thousands. In addition to showcasing the importance of brotherhood, Isaiah plays a fundamental role in the novel’s plot and the protagonist’s motivation. Alex’s vision of Isaiah’s burial in Chapter 2 sets the rest of the story into motion as he resolves to fill his brother’s last days with hope and meaning: “Isn’t that what my whole mission has become? Bringing him joy?” (149). Prioritizing Isaiah’s safety and happiness brings about the novel’s conflicts, including the tensions with Talia and Scoop, and the most significant events, including the Shiv Skeptic concert. Isaiah also plays an important part in the magical realism novel’s exposition because he explains to Alex how the curse began centuries ago and suggests a way to break it. At the end of the novel, Alex is certain that Isaiah is watching over him with his ancestors and resolves to live in a way that makes Isaiah proud “that he spent his time on this earth as [his] brother” (321). Isaiah has a profound effect on the novel’s theme, plot, and protagonist.

MacKayla Kaplan

MacKayla Kaplan is Alex’s aunt and guardian. When she first appears in Chapter 2, Alex notes that Aunt Mackie’s “normally shoulder-length wash-and-go is now twisted up into Marleys, tied into a giant bun right at the crown of her head—neat and professional” (35). Her appearance reflects her love of tidiness and her imperturbable exterior. Her accomplishments as a real estate agent allow her to own a home in the gated community of Santiam Estates and make her famous in Chicago: “Her face is on buses, park benches, and taxis” (32). In addition to modeling professional success, Alex’s guardian is also an example of resilience in her personal life. After losing her sister, she became Alex and Isaiah’s guardian. However, Aunt Mackie’s fame doesn’t shield her from prejudice: “I’ve been pulled over by officers who had nothing better to do than make sure I didn’t steal [my Mercedes-Benz]. I’ve had cops assume I’m a sex worker, a drug dealer, the wife of one of those” (291). Aunt Mackie remains resilient in the face of personal tragedy and systemic injustice. She conceals her pain and hardships from her nephews and offers them her love, pride, and wisdom. In Chapter 9, she tells Alex that he and his brother “give [her] life meaning” (189) and teaches him that “[j]oy in the midst of oppression is its own kind of bravery” (191). These words inspire Alex during the climax at the concert. The steadfast Aunt Mackie is a model of professional achievement, personal resilience, and loving wisdom.

Brittney Morris uses Aunt Mackie to develop the novel’s themes and subvert stereotypes. Alex’s conversation with his aunt in Chapter 9 explores The Pressure to Grow Up Too Soon. She recognizes the stress Alex is under and thanks him for being a good role model for his little brother as she says, “You constantly impress me. And you, Alex, have been a stellar example to Isaiah of what it means to be a man. Even when it’s scary” (189). Later, after Isaiah’s death, she develops the theme of the pressure to grow up too soon by reminding Alex that he isn’t an adult yet and that he cannot eradicate prejudice on his own. By allowing Aunt Mackie to lower her walls and express her fear and sorrow, Morris subverts the stereotype of the “strong Black woman.” Aunt Mackie provides a safe, stable home for her nephews and is a loving if stern guardian to them, but she knows she can’t protect them from everything. The death of the unarmed 16-year-old rattles her by reminding her of the danger her nephews are always facing. Alex notes that this is the first time he’s seen his aunt in tears because she didn’t cry at her sister’s funeral, and he “always thought she got by with substituting duty where sadness would be” (185). Likewise, he describes his aunt as “an unscalable fortress” and “the strongest person” he knows in Chapter 13 (286). However, personal strength is not the same as invulnerability, and pretending otherwise can damage an individual’s well-being. Morris subverts stereotypes about Black women by creating the multi-faceted Aunt Mackie and honoring her resilience as well as her vulnerability.

Talia Gomez

Talia Gomez is Alex’s girlfriend. Alex’s description of her makes his feelings for her clear: “She grins up at me with a knowing smile framed by bubblegum-pink lips. […] I’d recognize those big brown eyes anywhere. Relief washes over me like rain across the wildfire of stress I’ve been battling all morning” (20). As this excerpt demonstrates, Alex and Talia’s relationship is a respite from the anxiety that torments him. Despite the grief that they’ve both experienced from losing parents and Shaun, Talia brings light into Alex’s life: “That’s how it works with Talia—her laugh, her smile, the way she flips her hair. The whole room feels brighter” (20). Talia sincerely cares about Alex and wants a future with him as seen when she points out the kind of house that she hopes to have with him one day. Her joy is contagious, and he cherishes how emotionally affectionate she is with him. However, conflict arises between the two when she wants to have more physical intimacy than he is ready for. Talia becomes concerned when Alex repeatedly declines her offers to have sex with him with little explanation and when he refuses to share his emotions and thoughts with her on other subjects as well. Feeling rejected, the usually cheerful young woman becomes confused and self-conscious as a result. At the concert, she confronts him about the emotional distance he’s created between them: “You know why I fell in love with you, Alex? You used to care. Now it feels like you’re a million miles away” (216). Talia is a loving, cheerful optimist, but Alex’s secrecy tests the limits of her sunny disposition.

Talia contributes to the novel’s plot and themes and ultimately grows closer to Alex. In Chapter 1, Alex has a vision of a bitter exchange between himself and Talia, and this foreshadowed fight looms over him until it comes true in Chapter 10. Alex’s interactions with Talia in the intervening chapters show how his powers physically and emotionally isolate him from others, even someone he loves. One of the sources of conflict between the teenagers is The Pressure to Grow Up Too Soon. In Chapter 8, Talia challenges Alex to act his age, asking, “Can you just be sixteen with me? For once?” (181). As this excerpt indicates, she doesn’t yet grasp the personal and societal pressures that make Alex feel compelled to act like an adult. Her character arc involves coming to a better understanding of Alex. She encourages him to communicate his thoughts and feelings, and he eventually promises to be honest with her. Two of the most important developments for her characterization are learning about Alex’s foreknowledge of Shaun’s death and forgiving him for hiding the truth. Talia changes over the course of the story by coming to terms with her own insecurities. When she and Alex reconcile in the hospital, she apologizes for pressuring him to have sex before he’s ready. Accompanying Talia to Shaun’s grave is an important moment of healing for Alex and for the young couple. Talia and Alex’s relationship ultimately grows stronger over the course of the novel and gives the story a hopeful resolution.

Karen Zaccari

Karen Zaccari is Alex’s neighbor. In Chapter 6, she wears “pressed white pants and a blue-and-white-striped top like she’s on vacation” (116). Her appearance indicates her privileged, comfortable lifestyle as a resident of Santiam Estates. In her alarm over the Shiv Skeptic concert, Mrs. Zaccari patronizingly proclaims that she knows what is best for the Rufus brothers even as her words and actions make it clear that she knows very little about them. She frets that the concert will be full of “drunk, high, strung-out people” who may rent homes in their neighborhood (120), oblivious to the bigotry underlying her assumption and to the fact that she is speaking to two of the rapper’s biggest fans. As much as Mrs. Zaccari paints herself as a kindly, protective figure, she wants to bake cookies for her Black neighbors and feel good about her good intentions, instead of examining her own prejudiced beliefs or challenge systemic injustice. Mrs. Zaccari refuses to acknowledge police brutality and fails to notice any signs of her own son’s threatening behavior. Mrs. Zaccari’s concerns about the Shiv Skeptic concert goers become ironic with the revelation that Eli participated in a mass shooting at the event.

Mrs. Zaccari allows the author to explore the insidious danger posed by “well-intentioned” white people who seek to soothe their own fears instead of combating racism. Her name plays into her role as a textbook example of white fragility, as “Karen” has become a slang term for an entitled white woman. Mrs. Zaccari contributes to the novel’s plot and character development. She creates an atmosphere of paranoia and discrimination that influences her relatives. In a single day, her husband and son commit three acts of racially motivated violence: the unarmed 16-year-old’s killing, the mass shooting at the concert, and Isaiah’s murder. At Isaiah’s burial, Alex calls out Mrs. Zaccari for her racism and her role in his brother’s death: “Brian may have been behind the wheel. But he needed a scout. [...] What could’ve possibly scared you into sending your husband to investigate? A kid” (298). Confronting Mrs. Zaccari helps Alex realize that he’s still a boy and that he shouldn’t have to take on all of the responsibilities he’s been trying to carry.

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By Brittney Morris