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Rick RiordanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The waters of the sewers are freezing. To warm the group, Leo summons flames and congratulates Apollo on the display of his power. Apollo reminds Leo that he cannot control his powers; the last time he had experienced the surge was when he was protecting his children from the Germanus soldiers at Camp Half-Blood (The Hidden Oracle). Perhaps his power returned because Meg’s safety was at stake. This concern for others is a departure for Apollo, who, as a god, was most interested in his own well-being.
Apollo, Meg, and Leo reach the channel encircling Commodus’s throne room. They can spot Commodus and Lityerses busy in conversation. Lityerses says the trackers he had placed on the griffins have helped them pinpoint the exact location of the Waystation. Commodus asks Lityerses to attack the Waystation immediately, but Lityerses requires a couple of days to plan an offense. Just then, news about an incursion at the main gate draws Lityerses away. Commodus tells his bodyguard, Alaric, that Lityerses’s days are numbered. After Lityerses deals with the incursion, Alaric must kill him and wipe out the Waystation the next morning. Commodus and Alaric leave.
Apollo realizes they must urgently rescue Georgiana and the Throne of Memory from the palace and head back to the Waystation to warn the others. Meg uses chia seeds to sprout a path for them through the palace, which is mostly unguarded. They finally come across a blemmyae guarding a metal vault. Meg kills the blemmyae, and Leo works open the vault door. Inside is a circular chamber lined with glass cages that contain people and animals. Apollo shakes with anger at the sight, as he has always hated the idea of enslavement.
Meg cuts open the glass on the cages to release the prisoners, including a dracaena, or a human-snake hybrid, called Sarah, a hunter named Hunter, and a tall, handsome man called Jaime. In the last cell, Meg and the gang find Georgina, her mind obviously affected by the visit to the Oracle of Trophonius. She is sitting on a bronze suitcase, which is the folded Festus. Georgina looks at Apollo and says, “You and the dark. Some death, some death, some death” (222).
Finding the Throne of Memory is crucial to restoring Georgina’s mental state. Apollo and Meg look for the throne while Hunter and Leo take out the freed prisoners and Festus. Meg can sense the throne (as it is made of wood) behind a metal door. Apollo uses sulfuric acid from the nearby infirmary to melt the door open. The Throne of Mnemosyne is a chair carved from plain white birch. Apollo straps the chair on his back with medical tape from the infirmary. He asks Meg to carry lots of ammonia-filled syringes. On their way out, Meg is drawn to something and insists they make a detour.
Apollo follows Meg into an arena, much like a football stadium, except lined with a racetrack for cars. The crowd in the stands consists of blemmyae, Germani, and strange magical creatures. In a special box in the middle is Commodus, decked in a purple toga worn over a racing suit. Commodus spots Apollo and welcomes him. Apollo wonders if Meg has sabotaged him by leading him to Commodus, but Meg says she can sense “something” (236) important in the stadium. Commodus tells Apollo he is holding a dress rehearsal for his naming ceremony. In the ceremony, he will rechristen Indianapolis to Commodianapolis. A racing car derby and gladiatorial contest will be held to commemorate the dawn of his rule. But before the ceremony can be held, he will kill Apollo. The Oracle of Trophonius, whom the minions of Commodus consulted, was very clear Commodus’s dreams can only come true if he destroys the Waystation and sacrifices Apollo. Apollo secretly presses the tracking device on his leg to send a rescue signal to Jo.
Commodus shows Apollo a sample of the spectacle by making the formula race cars whiz around and animals and gladiators fight. Cannons fire, and basketballs begin to rain in the hundreds. Six battle ostriches attack Meg and Apollo, but the two are saved by basketballs falling on the ostriches. Apollo and Meg use ammonia, a known monster destroyer, to kill wolf-headed monsters lunging at them. Apollo rescues a chained elephant forced to wear a helmet. Commodus shows them the karpos Peaches suspended from the rafters in a rope cage.
Apollo realizes the presence of the karpos summoned Meg to the stadium. Commodus plans to race a lap, set Peaches on fire, and then return to kill Apollo and Meg. Once he is in the car, Meg and Apollo may try to rescue Peaches. Commodus begins to race. Meg climbs the rafters toward Peaches. Apollo rides the elephant, whose name tag says Livia, toward the race track. On Apollo’s request, Livia removes her helmet with her trunk and flings it at Commodus, upturning his car. Commodus gets out of the car and says he’ll save killing Apollo and Meg for the naming ceremony. Just then, Lityerses, badly wounded, leads a group of Germani to the emperor. He tells Commodus the infiltration at the main gates was the Hunters of Artemis. The hunters killed 10 of their men and ran away without casualties. An enraged Commodus asks Alaric to hold Lityerses so he can slit his throat. Meanwhile, Meg has managed to reach the karpos. The roof of the stadium crumbles.
Leo flies Festus into the stadium, and the Hunters of Artemis drop in on silver ropes. Apollo asks Meg to take Peaches and go with a pair of Hunters. Thalia Grace, the head of the Hunters, comes toward Apollo to rescue him. When Commodus asks Lit to fight the Hunters, he refuses since Commodus had planned to kill him moments ago. Commodus turns on Lit; Apollo rescues the young man. A fierce fight breaks out, with the Hunters gaining on the mercenaries of Commodus. Apollo asks Leo to take Lit and the Throne of Memory while he will ride Livia out through the main entrance. Thalia accompanies Apollo. The group manages to escape. Thalia gives Apollo moonwater, a magical elixir known only to the Hunters. She tells Apollo that Artemis has been forbidden by Zeus to see Apollo and asked Thalia to look out for her twin. When Apollo activated the beacon, the Hunters and Leo returned for him.
Once Apollo returns to the Waystation, Jo and Emmie place Georgina on the Throne of Memory. Calypso grabs a notepad so she can write down Georgina’s words. Georgina looks at Apollo and calls him Father. Apollo realizes Trophonius is speaking to him through Georgina. Trophonius’s voice refers to Georgina as “this little sister” (268), which suggests Georgina may be Apollo’s demigod child. Trophonius says Apollo and Meg must visit his cave tomorrow so he can deliver Apollo a prophecy. Either the prophecy for Commodus or that of Apollo will unfold in reality. Trophonius leaves Georgina’s body, and she topples sideways. Emmie and Jo wonder if she will ever recover. Apollo suggests she will heal as she has a strong mind. Emmie and Jo seem skeptical of Apollo. Meanwhile, Lityerses informs the group that since Commodus has the Waystation’s location, he will “wipe this place off the map” (272) the next morning.
This action-packed section finally pits Apollo against Commodus. The showdown is significant because it juxtaposes Apollo’s values against those of Commodus. It also shows what is at stake if Commodus is not checked. Commodus’s increasingly bizarre and cruel behavior is contrasted with Apollo’s humanity. Significantly, Commodus is described as wearing purple robes over his gold suit, which shows his love for regalia and spectacle. Since purple and gold are the colors of royalty, Commodus’s garments symbolize the corrupt side of authority. He is described as having “perfect gleaming white teeth” (234), a detail that simultaneously shows his beauty and his love of artifice. The excess with which Commodus conducts himself may seem absurd and comical, but it has an ominous aspect. Commodus loves the drama and spectacle that he thinks violence offers. He can stoop to any level of cruelty as long as it provides him entertainment. For instance, he casually mentions that once he has killed the inhabitants of the Waystation, “any bodies we retrieve […] are dangled on the ropes from the girders up there […] and then the fun starts!” (237).
Although Meg has indicated the Triumvirate thinks Commodus is the weakest of the three, it is clear that he is as malicious as the other evil emperors. Through the exaggerated portrayal of Commodus, Riordan references the historical tradition of hosting brutal games for sports, such as gladiator matches. He also subtly critiques contemporary media, which often depicts violence as a spectacle. One of the key characteristics of the violence of Commodus is his tendency to treat people and animals as playthings. He keeps his prisoners in glass cages as if they were exhibits. He likes hoarding magical objects, such as the Throne of Memory, and thinks nothing of harming creatures, such as the griffins, ostriches, and elephants. The cruelty toward animals shows that Commodus disdains nature and the environment. In The Hidden Prophecy, Nero displayed a similar disdain for trees. Thus, the Triumvirate symbolizes a malicious desire to harm nature and impose itself on the natural order of things.
The text heightens suspense over the question of Meg’s loyalty in this section. Meg’s insistence on taking a detour raises questions in the mind of Apollo and the reader until she finds Peaches in the arena. Of course, many questions about Meg remain unanswered, such as why she has chosen to return to Apollo. The narrative keeps these plot points open to heighten the reader’s curiosity around Meg’s true motives. A mystery that is easier to solve is Apollo’s trust in Lityerses. Lityerses, the son of the legendary King Midas is a character first mentioned in The Heroes of Olympus series. He and his father returned to life when the Doors of Death were opened by the earth mother Gaia. While Lityerses was an antagonist in that series, here he appears as a more complex character. Apollo senses that Lityerses’s decisions have something to do with the trauma he has experienced and decides to give him a second chance. This highlights the text’s themes of the lasting effects of trauma and the importance of redemption.
With the arrival of Thalia Grace, leader of the Hunters of Artemis, Riordan gives another shout-out to The Heroes of Olympus and The Percy Jackson series. Thalia, a demigod daughter of Zeus (and hence technically Apollo’s half-sister), features in both these universes. Her descent into the arena echoes rescue sequences in many canonical works of mythology and fantasy, such as the riders of Rohan rescuing main characters in the Lord of the Rings trilogy. Such narrative actions where a fortuitous event saves the protagonists at the ninth hour are known as deus ex machina or acts of god.
By Rick Riordan
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