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57 pages 1 hour read

Rick Riordan

The Dark Prophecy

Fiction | Novel | Middle Grade | Published in 2017

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Chapters 8-14Chapter Summaries & Analyses

Chapter 8 Summary

While Emmie and Josephine are away, Apollo recalls the working of the Oracle of Trophonius. Two springs—memory and forgetfulness—bubble at the entrance of the oracle’s cave. A questioner must drink from both to prepare their mind for the oracle. Inside the cave, Trophonius fills their minds with nightmarish visions and words, driving them “mad.” When the questioner returns, they are made to sit on the Throne of Memory so they can recount the words of prophecy they heard. If the questioner is lucky, their mind will then calm down. Apollo deduces that Georgina never got to sit on the Throne of Memory since the New Hercules stole it. Meanwhile, the crash on the roof turns out to be Britomartis, the goddess of nets. She is here for Apollo.

Chapter 9 Summary

The goddess of nets and traps has promised Artemis to help her twin. Britomartis wants something from Apollo in return: Apollo must rescue the griffins before the goddess tells him the way into the palace of the New Hercules. Griffins are the sacred animals of Britomartis; therefore, she wants this pair saved. Going to the palace is crucial for Apollo’s quest to retrieve the Throne of Memory. Only on this throne can a prophecy from Trophonius be recounted. The griffins are being kept in a secret place at the Indianapolis Zoo along with other magical creatures so they can take part in the naming day ceremony in three days. The emperor plans to name Indianapolis after himself. Apollo and Calypso will head to the zoo, while Leo will stay back to fortify the Waystation.

Chapter 10 Summary

The night before Apollo and Calypso head out to the zoo, Leo tells Apollo about his relationship with Calypso. Though the two are inseparable, Calypso may resent Leo for taking her away from the island where she was imprisoned by the gods for millennia. Calypso loves gardening and weaving and staying in one place, but Leo, who has been raised in foster homes, has always been on the run. Calypso also lost her magical powers when she chose freedom. Apollo tells Leo their relationship is going through teething troubles; the friction will end when he and Calypso begin living together in a safe place.

Chapter 11 Summary

Apollo has a dream that clarifies his relationship with Trophonius. Trophonius was Apollo’s demigod son with the wife of King Erginus. Agamethus, the headless ghost of the Waystation, was the half-brother of Trophonius. The brothers, great architects, were tasked with building the treasury of King Hyerius but planned to rob it. King Hyerius suspected a breach and booby-trapped the treasury without their knowledge. When Trophonius and Agamethus were sneaking out of the treasury with their loot, a mechanical bow fatally shot Agamethus. In agony, Agamethus begged Trophonius to kill him so his body couldn’t be identified. Trophonius beseeched Apollo to save them, but Apollo ignored his prayer, upset that Trophonius would use his magical powers for theft. A despairing Trophonius beheaded Agamethus.

In the present, Apollo’s dream changes. He sees the New Hercules, whom he recognizes as the ancient Roman emperor Commodus. Commodus is in a huge hall lined with TV screens. He shouts at Marcus and Vortigern over losing Meg, whom they were accompanying. He blames the debacle on Cleander, his chief advisor. Commodus summons the next person in the chain of command, a young man called Lityerses. On the emperor’s order, Lityerses beheads Cleander, Marcus, and Vortigern. Commodus is delighted, names Lityerses his chief commander, and charges him with capturing Apollo and Meg.

Chapter 12 Summary

On the way to the zoo, Apollo tells Calypso about his nightmares. Calypso thinks Trophonius may be angry with Apollo for not answering his prayers, which makes the already-dangerous oracle an even greater threat. To find the magical creatures, Apollo consults the talking arrow that the Grove of Dodona fashioned for him. The arrow speaks in old-fashioned English and answers only direct questions. Through a series of queries, Apollo manages to deduce that he and Calypso need to ride a “CHOO CHOO” (111) or toy train to get to the creatures and can gain the beasts’ trust with “tater tots” (111).

The zoo is curiously empty of people. Apollo and Calypso snipe about their lost powers while they look for the enclosure of the magical animals. Apollo tells Calypso her exile on Ogygia was comfortable because the tropical island was so beautiful. Calypso chose to give up her powers for a mortal life with Leo, whereas Apollo was made human against his will by an angry Zeus. They halt their argument when they spot a café advertising four kinds of tater tots. Just then, they overhear Lityerses close by. Calypso and Apollo hide inside the café.

Chapter 13 Summary

Calypso wishes Apollo would experience a surge of godly strength that would save them. Apollo’s superhuman powers had returned for an instant while fighting Nero’s soldiers in The Hidden Oracle. Calypso uses her weaving skills to pick a lock in the café with a hairpin. The unlocked door leads to a freezer containing treats for the magical animals. One of these treats is gold-coated tater tots for the griffins. Another is cubes for combat ostriches. The mention of combat ostriches triggers more memories in Apollo. For entertainment, Commodus used to host cruel games pitting starved and angry animals against each other and people. The combat ostriches were particularly dangerous. The young Commodus was extraordinarily handsome—thus, the title New Hercules—and Apollo’s lover. When Commodus’s father died, Apollo blessed him but knew the cruel young prince would turn into an even more brutal emperor. In the present, Calypso asks Apollo to grab the gold-coated tater tots so they can leave the café.

Chapter 14 Summary

Calypso and Apollo run into Germanus (plural Germani) soldiers—ancient warriors used by the Triumvirate. Apollo nocks an arrow to shoot at them, but Calypso suggests a different tactic. She fake-curses Apollo, and Apollo pretends to faint. Fearing she may do the same to them, the Germani flee. Calypso leads Apollo to the toy train ride, the “choo” mentioned by the Dodona arrow, only to find Lityerses waiting for them. Lityerses shouts for his guards. He taunts Calypso when he realizes she is Leo’s girlfriend. Lityerses fought against Leo in The Lost Hero, part of Riordan’s Heroes of Olympus series. Meanwhile, Apollo tries to think of a plan of escape. He can sense ivy growing on the canopy above the train station. The canopy collapses on Lityerses, and Apollo and Calypso get onto the train.

Chapters 8-14 Analysis

The motif of flashbacks continues in this set of chapters with Apollo remembering his connection to Trophonius and Agamethus. The flashback does not necessarily paint Apollo in a favorable light since he ignored Trophonius’s pleas for help, leaving him to make the terrible decision of killing his own brother. In the present, Apollo almost winces at the memory and has great trouble accepting his own cruelty in the past. Apollo’s discomfort with his past highlights that, as a mortal, he is dealing with something he never dealt with as a god: his conscience. Although Apollo often laments his mortal form, the text shows that one of the benefits of being a human is considering the effect of one’s actions on others. Thus, while Apollo’s memories cause him pain, they also prove that he is a better entity now in moral terms than he has ever been in his thousands of years of existence.

This section establishes the relevance of the second oracle and the relationship between divination, prophecies, and Apollo. In Greek mythology, Apollo is the god of prophecy, among other things. He established the Oracle at Delphi, a temple where his prophecies were delivered through the medium of his Pythia or priestess. Several other oracles exist in Greek mythology and history, some predating the Olympian gods, though the one at Delphi is the most famous by far. The cave of Trophonius was a historical site described by the ancient Greek geographer Pausanius. The novel’s description of the cave is directly inspired by the accounts of Pausanius. In the universe of The Percy Jackson series, The Heroes of Olympus series, and The Trials of Apollo books, prophecies play an important narrative role. Characters often receive prophecies that guide them toward next steps or point to a future event, thus providing narrative impetus. Prophecies, which usually rhyme, are also cryptic, so solving them becomes like solving a puzzle. In The Trials of Apollo, prophecies take center stage, with one big prophecy revealed in each book—befitting as Apollo is the god of prophecies. Apollo’s deep relationship with prophecy can be used to explain his dreams, visions, and premonitions.

If the Waystation represents the human values of teamwork, perseverance, and community, Britomartis the goddess symbolizes the immortal disdain for these very principles. Britomartis states her position plainly when she tells Apollo he must find first her griffins, rather than Emmie and Josephine’s daughter, because “being a goddess, my needs take precedence” (86). Britomartis also looks down on Emmie and Josephine for choosing love and family over immortality and power, saying their priorities have been compromised. She mocks Calypso for waiting for a man to rescue her. Britomartis’s attitude serves as a foil for the growth in Apollo’s character. Previously, he may have shared most of her views. But as a human, he is forced to reckon with the rigidity and cruelty of his god-self and learn from his past. Thus, the novel foreshadows that Apollo will not be the same god even when his immortality is restored at the end of the series.

The question of the validity of Calypso’s exile comes up again when Apollo and Calypso are on their rescue mission. Apollo considers Calypso’s exile a blessing since “you were on a tropical island with pristine beaches, aerial servants, and a lavishly appointed cave” (113). Moreover, Apollo thinks Calypso has no right to rue her loss of magical powers since she chose to go with Leo. Like Britomartis, he, too, is disdainful of a magical being giving up immortality for love. Apollo’s insensitive comments highlight that he has a long way to grow as a character. He assumes Calypso’s choice is free, even though her choice was highly constrained. Apollo’s relationship with Calypso is contentious, perhaps because he resents her decisions. Calypso is generally dismissive of the Olympian gods because she feels they have a sense of superiority. In his divine form, Apollo embodied that entitlement. Therefore, Calypso is often biting in her criticism of Apollo. For instance, when he tells her about his connection with Trophonius, she asks, “Do you often forget when someone is your child?” (109). The Calypso-Apollo dynamic highlights the toxic effects of power imbalance. However, since the two are often thrown together, the narrative offers hope that they will learn to coexist peacefully and understand each other’s points of view.

Humor continues to pepper the narrative through Leo’s witticisms, Apollo’s commentary, and other devices, such as the arrow of Dodona. For instance, when Apollo asks Leo to change after their ordeal with the blemmyae, Leo nonchalantly says, “I’ll shower in the morning. If I get itchy in the middle of the night, I’ll just burst into flames” (93). This funny exchange shows why Leo is a good foil to Apollo. While Apollo tends to overthink and worry about his next course of action, resourceful and irreverent Leo believes in simply forging ahead. The arrow of Dodona—made from the wood of a tree in the Oracle of Dodona and hence possessing prophetic powers—has a unique, snarky voice. The arrow speaks in a variant of Shakespearean English yet uses contemporary references like Google, leading to much hilarity. When Apollo asks the arrow to guide him in his quest in the zoo, the arrow waspishly remarks: “MY WISDOM DOTH NOT SPEW FORTH ANSWERS AS IF ‘TWERE GOOGLE” (111).

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