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42 pages 1 hour read

Edwidge Danticat

The Dew Breaker

Fiction | Short Story Collection | Adult | Published in 2004

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Part 6Chapter Summaries & Analyses

Part 6 Summary: “The Bridal Seamstress”

After Part 5 brings all of the preceding parts together, Part 6 works to slightly unravel this tight web of connections. This story recounts an interview between a young journalist named Aline and a retiring seamstress named Beatrice. The newspaper is the Haitian American Weekly. The editor’s wedding dress was made by Beatrice, so she simply wants a small column regarding the seamstress’s retirement. In the back of her mind, Aline is thinking about a recent breakup with an older girlfriend, a female professor.

Beatrice has made wedding dresses since she lived in Haiti and has always hand-sewn the dresses alone. She explains that all the girls who come requesting dresses call her “Mother,” and accordingly she behaves imperiously toward Aline. For example, she replies to a question about whether she’s been married by saying the question is an inappropriate one to ask someone her age.

The interview takes a bizarre turn when they go for a walk. Beatrice points out her various neighbors’ homes, including one that she says belongs to a prison guard from Haiti. When they get back to Beatrice’s house, she is clearly distracted. She explains that she plans to move again, then abruptly transitions into a story about the dew breakers. One of them, she says, asked her to dance at a party. She said no and, as revenge, he had her taken to prison, where her feet where whipped raw. She then explains that wherever she moves, the man follows her and moves in nearby.

Incredulous about the idea of the guard following her, Aline questions Beatrice’s account. Nevertheless, she is intrigued, and after the interview, she spends some time investigating the house of the accused dew breaker. After some poking around, she realizes that this home is uninhabited; its most recent occupant was a woman named Dolly. She confronts Beatrice with this information, but Beatrice simply replies that the guard lives in abandoned houses. She suspects that he follows her using the letters she sends to the owners of her dresses, informing them of her new address. Instead of believing Beatrice is crazy, Aline resolves that these are the sort of people she should learn more about, to try to understand them and tell their stories.

Part 6 Analysis

When we hear of the imaginary prison guard on Beatrice’s block, we immediately think of Ka’s father. Previous parts have pinned the dew breaker down to a specific figure, Ka’s father. But a theme of this story is the tension between the specific example of Ka’s father and the larger historical phenomenon, whereby the dew breaker is not simply a person who acted badly but also a cultural figure from a certain historical era.

While Aline waits for Beatrice to make them both coffee, she skims an article from her newspaper on Gabrielle Fonteneau, the actress from Part 1. This brief connection to Part 1 is a sort of winking evocation of the more intense connections between the preceding parts.

The most important theme here centers on stories that cannot be told accurately, or stories that defy our comprehension. Beatrice’s story of being tortured is quite simple, but this small story clearly goes much deeper and has more extensive consequences than can readily be put into words. The same is true of Aline’s journalistic assignment: She is assigned to write a fluff piece about a retiring seamstress but stumbles on to much more. Because it is unlikely that the editor will allow such a substantial alteration to the scope of the piece, and because Aline fails to discover anything concrete, Part 6 suggests that we have difficulty dealing with the aspects of stories that defy our expectations or previous experience. On the other hand, Aline’s resolution to retell complicated stories underpins The Dew Breaker’s objective of depicting elusive and complex aspects of reality.

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