42 pages • 1 hour read
Pip WilliamsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Esme returns home from boarding school for summer break and peers into the Scriptorium, but finds herself unable to enter, feeling unwanted and ashamed because she was sent away for stealing. She discovers a letter from Ditte and reads it in secret. It contains new suggestions for words and their definitions. Esme grows angry at Ditte’s role in sending her away.
Esme and Lizzie talk about education and freedom. Lizzie thinks Esme is lucky to be able to attend school. Esme writes to Ditte asking to be tutored by her rather than return to school, but Ditte kindly declines. Neither Harry nor Ditte know what boarding school is actually like for Esme because her teacher dictated all the words of her letters home, forcing her to lie about her time there. At night, Esme takes a candle to the Scriptorium and looks for words to describe what she’s feeling: “Abandon” and “Alone.” Harry finds her there and grows concerned about her intentions with the open flame. Esme leaves for school.
Harry visits Esme at school and is horrified to find her hands bruised from school beatings. He immediately withdraws her and they return to Oxford together for the Easter holiday. While they’re at home, Ditte comes to visit. Ditte and Harry tell Esme they’ll send her to a local high school, but Esme refuses to speak to Ditte.
Esme does poorly at her new school. Ditte writes to Esme continuously, but Esme ignores her letters. Finally Harry convinces her to read one, which apologizes for not seeing the ongoing abuse, which is so bad that a teacher has recently been fired for sending a student to the hospital.
Esme asks Harry if she can become his assistant. She has no interest in marriage because she correctly believes she’ll have fewer options as a wife. Harry and another editor, Mr. Sweatman, agree to give Esme a job going back and forth between colleges and libraries, carrying messages and studying reference texts for the editors. Dr. Murray arranges for Esme to become a member of the Bodleian library; Esme also gets to know the editor Mr. Bradley at the Oxford University Press, which is publishing the Dictionary. Mr. Hart, the Controller and manager of the Press, often argues with Mr. Bradley about the spelling and origin of words. When Esme realizes she has not been trusted with carrying individual word slips, Dr. Murray allows her to bring a parcel of words to the Press. However, when Esme arrives, she stumbles and sends the slips flying. A young print compositor, Gareth, helps her retrieve them. Later, Harry and Dr. Murray give Esme her own desk and a wage. She begins sorting through words and letters as she watched her father do, and the trauma of boarding school fades.
Esme receives a letter from Ditte with a word slip—“Love”— and begins to thaw towards Ditte. At the Scriptorium, a letter causes Dr. Murray great anger: Someone has noticed that the word “Bondmaid”—an archaic term for an enslaved woman—is missing from the Dictionary. Dr. Murray examines Esme with suspicion. After he leaves, Esme goes to Lizzie’s room and together they look through her stolen word slips—including “Bondmaid.” Lizzie considers herself a bondmaid, but Esme finds the word repulsive and believes it never should have been included in the Dictionary. Finally she writes to Ditte, who responds with the word “Forgivenness.” In their letters, they discuss why certain words are considered acceptable inclusions and others are not.
The motif of violence previously hinted at with Esme’s burned hand and Lizzie’s destroyed hatpin recurs in this section, as Esme is torn away from her home and sent to boarding school. She suffers physical abuse at the hands of teachers, and intense psychic distress when neither Harry nor Ditte understand the extent of the situation and fail to intuit that Esme’s letters home are not written in her voice. Feeling shame and abandonment, Esme goes to the Scriptorium hoping that the words will somehow bring her peace, but Harry again fails to grasp her inner turmoil. Instead, he suspects her of contemplating burning the papers collected there with the candle flame. This experience of seeking help and being turned away forces Esme to leave a piece of her childhood behind, a kind of painful maturation that influences her dynamic with the dictionary moving forward in the novel.
Esme develops a new relationship with the Scriptorium—one of the novel’s key settings. Instead of a place of childish games or mischievous word slip theft, it becomes a place of intellectual engagement and purpose. Esme takes on professional responsibilities, finding a new place in her father’s workspace and thus in his life. Esme is rewarded for her work with a desk of her own, and Ditte now addresses her with the title “Assistant” in her letters. Tellingly, however, the novel refuses to allow Esme to forget that she is a woman and thus considered inferior or mainly suitable for marriage, invoking the theme of Gender Dynamics: Her initial tasks are menial and deeply subordinate, and she meets Gareth, who is clearly positioned as a romantic prospect.
This section also again draws attention to the word “Bondmaid,” or a female enslaved person. This word plays a recurring role in Esme’s life, forcing readers to ask which women in the novel can escape the feeling of being bonded in the way it suggests. Esme feels a visceral disgust at the idea that this word exists at all; keeping it out of the Dictionary gives her “a feeling of accomplishment. I had been the cause of something that seemed to really matter” (112). Esme considers the morality of having words for ideas that should not exist, and what it means for these ideas to be included in the Dictionary—issues that are part of the theme The Relationship between Language and Community. In the letter that closes Part 2, Aunt Ditte also ruminates on the fact that only some words become part of the Dictionary—what does it mean for one word to be intrinsically worth more than another? Williams suggests that the worth and emotional responses ascribed to certain words reflect both personal and societal values. Language is not a neutral force, but one that both shapes and is shaped by culture.
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