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Charlotte LennoxA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Arabella is a young woman who suffers many tragedies at an early age. Her father, disgraced from the royal court and living in self-imposed exile, raises her alone after her mother’s death. She grows up in seclusion, raised by a man who has little idea of how to raise her and no support network to help him. Nevertheless, Arabella emerges as a very intelligent young woman. She cannot hide her alienation, however, as the world into which she emerges has marked her life by tragedy. This early experience of alienation and tragedy explains why she is so fascinated by French romantic novels. They provide her with an understanding, comforting place in which to exist. She can ignore the travails and tragedies of her life and disappear into a world that makes sense to her. The little girl who lost her mother and has very few friends finds comfort in a fictional world that operates according to the rules of good versus evil. Rather than the chaos and tragedy of reality, she prefers the comfort of her delusion, where the villains are punished and the heroes are rewarded. This is why Arabella turns to her books at difficult moments in her life, as she seeks the comfort and security provided by such a clear moral dichotomy.
While other characters mock Arabella’s fascination with a fake reality, she is utterly sincere in her belief. This sincerity gives her power. The real world presents challenges to her, and as she grows up, she must deal with a string of annoying suitors who do not want to credit her with any intelligence. She chases away many men who are shocked by her beliefs and unwilling to treat her with respect. Edward and Mr. Hervey suffer in part due to her delusions but mostly because they are not willing to sincerely engage with her. They are sent away, amused, while Arabella is, again, left alone. Arabella is eloquent and insightful, even if she must frame everything in romantic, chivalric terms. When she is introduced to society, she steals people’s hearts with the same unconventional behavior that drives others away. The cynical frustration of the real world crumbles when presented with her earnestness, illustrating the disingenuousness that is at the heart of society. Arabella refuses to conform, which reveals the conformity of others. Many people hate her for this, while others love her.
At the end of the novel, Arabella’s sincere conviction becomes dangerous when she throws herself into a river, convinced that Ravishers are approaching. Afterward, she is treated by a doctor who, at last, has the kind patience needed to dismantle her delusions. Gradually, she comes to accept a mediated version of reality. By this time, however, she already has the love of her brave knight. Mr. Glanville has fought for her honor and stood vigil by her bedside, accidentally adhering to her model of a romantic hero. In the end, Arabella gets her heroic husband and puts aside her delusions as she no longer needs their protection from her past tragedies. She changes right at the moment when her old view of the world is no longer necessary.
Throughout the novel, Mr. Glanville plays the role of the straight man to the delusional protagonist. Through fate and circumstance, he is bonded to Arabella. Unlike her, however, his life has not been marked by tragedy. He does not need the comfort of French romance novels to alleviate his pain and grief. Instead, he is a standard English middle-class gentleman. He is intelligent and charming, though not particularly outstanding in any respect. He is simply competent and considerate. In this novel, his regular disposition is unique.
Despite his considerate attitude and care for Arabella, he does try to change her. At times in the novel, he tries to be cunning. He makes legal arguments, for example, hoping that his logic and rules will allow Arabella to finally see sense. He believes that she can be reasoned out of her delusion with a sensible argument. This shows how much, at least at the beginning of the novel, he misunderstands Arabella’s worldview. She cannot be logically argued out of a position that she did not logically argue herself into. Arabella easily shuts down his attempts to reason with her.
Through sheer force of will and commitment, however, Mr. Glanville persists in his romantic pursuit of Arabella. He quickly falls in love with her, and the Marquis had long hoped that he and Arabella would marry. When the man dies, Mr. Glanville stands to financially gain from a relationship with Arabella. Despite this material benefit, however, his commitment to her is almost entirely emotional. He sincerely loves her, as he explains to his father. Sir Charles is equally sure that his son is responsible for Arabella, which frames her as Mr. Glanville’s burden. Throughout Arabella’s many delusions, Mr. Glanville apologizes to other people or explains that Arabella is unique in her worldview. He spends so much time sighing and excusing the woman he loves, but he cannot deny his love for her. Mr. Glanville frames his love as a burden that he alone must bear, yet none of his actions suggest anything other than a true commitment to her.
While Mr. Glanville spends so much of the novel trying (and failing) to change Arabella, the reality is that she succeeds in changing him. At first, Mr. Glanville has a disparaging and cynical attitude toward the chivalric principles of romance that form the foundation of Arabella’s worldview. When she talks about heroes, heroines, knights, and duels, he pays little attention. The more time he spends with her, however, the more he begins to internalize these ideas. On several occasions, people insult Arabella in conversation with Mr. Glanville. He takes offense to their comments. For example, he challenges Mr. Hervey to a duel, accidentally acceding to Arabella’s request that he defend her honor. Later, he challenges Sir George to a duel for a similar reason. Sir George emerges from the duel with a terrible injury, and in Arabella’s view, Mr. Glanville successfully defends her honor. When Arabella becomes very sick, Mr. Glanville stands vigil beside her, concerned for her recovery in a way that demonstrates his profound love for her. Quite by accident, Mr. Glanville is changed by his relationship with Arabella. He may not intend to become a chivalric hero, but he performs the role through his actions. Whether dueling the men who offend his love or standing beside his beloved while she recovers, he becomes the hero Arabella always wanted.
As the other foremost female character in The Female Quixote, Miss Glanville provides a natural foil for Arabella. Though Miss Glanville scorns Arabella’s beliefs and actions, she cannot help but envy her beauty and charisma. Arabella possesses a sincerity and a charm that Miss Glanville cannot match because there is nothing in her life that she cares about as much as Arabella cares about her French romances. This jealousy drives Miss Glanville to plot and conspire against Arabella, casting her as a minor antagonist. These plots are not particularly sinister, at least in comparison to Sir George’s elaborate schemes, but she seeks to embarrass and shame Arabella for the same values that make her unique. By continually pointing out that Arabella is different, however, she only succeeds in reminding herself how similar she is to everyone else. Her attempts to embarrass Arabella reflect off her and rebound into self-inflicted wounds.
Miss Glanville also harbors an affection for Sir George. Whereas he is chiefly interested in Arabella, he makes sure to flirt with Miss Glanville as a backup plan should his primary target turn him down. As much as Arabella is immune to Sir George’s charms, Miss Glanville struggles to comprehend how she is being manipulated. In this respect, she emerges as a more sympathetic character. While she may envy Arabella and plot against her, she is also a victim of others’ lies. Sir George treats Miss Glanville badly, yet she continues to love him, showing that she can maintain a delusion that is at least as strong as Arabella’s.
Despite her many schemes to embarrass Arabella, Miss Glanville does develop an unexpected affection for her cousin. Much in the same way that her brother unwittingly comes to resemble the heroic figures from Arabella’s beloved stories, Miss Glanville’s schemes become increasingly elaborate like Arabella’s novels. When she learns of Sir George’s plot, for example, she disguises herself in Arabella’s veil and tricks Sir George into believing that she is Arabella, which in turn causes her brother to challenge Sir George to a duel. This illustrates the effect that her sincerity has had on Miss Glanville, encouraging her to be more assertive, more innovative, and less willing to tolerate Sir George’s schemes.
Sir George is a cynical manipulator who tries to win Arabella’s affection. Though he claims to be friends with the Glanville family, he has no particular loyalty to them. He flatters Sir Charles while attempting to seduce Arabella, even though he knows that Sir Charles plans to marry Arabella to his son. Ultimately, Sir George flatters and deceives everyone to get whatever he wants. He convinces Miss Glanville that he is mocking Arabella so she can be his backup romance, should his seduction falter. Sir George is a self-interested liar and an antagonist; in the romance genre, he is the archetypal rake.
Important to Sir George’s seduction is his knowledge of French romances. Of all the main characters, he alone possesses a knowledge of the romances that comes close to Arabella’s. He has read many of the same books and remembers many names and stories, which he uses to endear himself to Arabella. Unlike Arabella, however, he does not love these stories and only uses them to win her affection. His shallow understanding of the romances is evident in his frequent missteps. He performs the actions expected of a romantic hero but misjudges them slightly, compelling Arabella to criticize him. The most obvious example is his history; he tells a fake life story to the group, forcing Sir Charles to laugh at his obvious lies and exaggerations. His story frames him as a hero, winning the hearts of numerous beautiful women and performing great deeds to win their favor. When he reaches the end of the story, he expects Arabella to compliment him, but she criticizes him for being unfaithful to so many women. The story he thought presented him as a hero actually presents him as a villain. He performs the aesthetics of a French romance without understanding the ideological framework of duty and honor that forms its foundations.
Sir George’s elaborate schemes reach a peak in the final chapters of the novel when he hires an actress to deceive Arabella into believing that she is a princess and that Mr. Glanville is her enemy. The outlandish plot is an extension of Sir George’s elaborate performances. Like his own story, the concoction is cynically arranged to win Arabella’s heart without understanding the ramifications. The plot nearly results in Arabella’s death and a duel between Sir George and Mr. Glanville, in which Sir George is stabbed. The wound is a symbolic punishment for Sir George’s many trespasses, but he is ultimately forgiven by the Glanville family and marries Miss Glanville.