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47 pages 1 hour read

Dorothy Hoobler, Thomas Hoobler

The Ghost In The Tokaido Inn

Fiction | Novel | YA | Published in 1999

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Themes

The Deceptiveness of Appearances

One of the most important lessons Seikei learns is how deceptive appearances can be; this knowledge prevents Judge Ooka from making assumptions that could impede a successful investigation. Trusting appearances often leads to confusion and further obfuscation of the truth, so Seikei must learn to question even things that seem obvious.

Seikei encounters people who are not what they seem to be or what they should be according to society; he also learns to discern actions that are designed to deceive observers. He himself is not quite as he appears: Though he is technically just a merchant’s son, his bravery reveals that he has the heart of a “true samurai,” something the discerning judge recognizes and rewards. On the Tokaido Road, his own appearance leads others to believe that he is a robber, though he’d never steal. Hakuseki is another such individual: He is a powerful daimyo, so one might assume that he would conduct himself with dignity and honor. However, even a short interaction with him reveals his lack of virtue or concern for others. During Ooka’s investigation, the innkeeper’s actions also suggest that he is more than meets the eye; his choice to commit death by seppuku rather than confess to being involved in the theft exposes his loyal, samurai identity.

Furthermore, Ooka’s revelation that the jewel found in Michiko’s room is a glass imitation prevents Tomomi’s deception from derailing the investigation. Thus, Ooka is not fooled when he learns that Tomomi left the jewel at Amaterasu’s shrine because he knows not to trust appearances. His claim that “the theft […] is not as simple as it first appeared” (51) proves true in multiple ways. Tomomi’s real identity as Genji, the son of a Kirishitan daimyo, remains hidden for much of the novel, and his motivations for pursuing Hakuseki are ultimately revealed to be honorable. Even his failure to commit death by seppuku—which the shogun initially interprets as evidence of cowardice—turns out to be the result of Tomomi’s Kirishitan values, which he had to keep secret because they can conflict with samurai ideals. Finally, Tomomi isn’t just a common thief; upon closer inspection, his motives are much more nuanced and even culturally respectable, as he seeks to retrieve his family’s property.

Ooka’s ability to notice things that others overlook establishes him as a wise judge of people and things, even more so than the shogun (57). Thus, Seikei’s development of a similar skillset bodes well for his future as a samurai. Seikei’s deepening understanding of the importance of looking past appearances also speaks to his developing emotional maturity, reinforcing his aptitude for adaptation in his quest to be a true samurai.

The Importance of Honor

Personal honor and family honor are of paramount importance to the novel’s characters and the culture of Edo Japan. Over the course of the narrative, Seikei learns more about the importance of honor, especially the role of honor in the samurai way of life.

Even though Seikei longs for a different life than the one into which he’s been born, he never disobeys his father or rejects the education his father gives him. He knows that doing so would dishonor his family. Nonetheless, he holds himself to a far more rigid code of honor, the bushido, than is expected of him, and when his personal honor comes into conflict with other obligations, Seikei prioritizes personal honor. For example, though he knows it will upset his father, he tells the truth about what he saw at night in the inn in Kameyama. When Judge Ooka commends him for this, Seikei humbly responds, “It is honorable to speak the truth without regard for the consequences” (54). Though Seikei’s dedication to a code he has no obligation to follow initially amuses Ooka, the judge quickly comes to respect Seikei’s nearly unwavering dedication to honor.

The stories depicted by the kabuki theater also demonstrate how important honor is to 18th-century Japanese culture. Tomomi selects The Forty-Seven Ronin and The Double Suicide at Sonezaki because their plots reinforce his rationale for pursuing revenge on Hakuseki. The ronin prioritize their personal honor above all else, including their reputations and lives. The lovers in The Double Suicide at Sonezaki will not dishonor their families by disobeying their parents, nor will they dishonor themselves by prioritizing survival over love. All 47 ronin and both lovers die by seppuku, the ceremony of ritual death by suicide meant to preserve one’s honor by demonstrating that loss of honor is more horrible even than death. Before the last ronin dies, he claims that the 47 are “the spirit of Japan,” and in response the “audience began to clap so loudly that the actors reappeared to bow and accept the applause” (84) after the play’s conclusion. The audience’s enthusiasm illustrates the widespread societal acceptance of this conception of honor.

Although Seikei regrets these deaths, he understands why they occur. He realizes that proving honor is of cultural importance, not just personal importance. Such realizations help to strengthen Seikei’s own resolve to live honorably and bravely as he comes of age and seeks the path of the samurai.

Personal Ambition Versus Societal Expectations

The strictly hierarchical system of Edo Japanese society creates a deep dilemma for Seikei. His birth status as a merchant’s son means that he must follow in his father’s footsteps in taking over the family’s tea business. However, his traits and desires leave him longing to be a samurai instead. The novel thus explores the dilemma of personal ambition clashing with societal expectations.

Seikei faces mockery and resistance whenever he attempts to step outside of the social expectations for his class. Bunzo’s jibes about Seikei being “lazy” like other merchants demonstrates how little society expects in terms of honor from those in Seikei’s caste. Seikei’s father cannot understand why his son insists on writing poetry when the skill is so superfluous to a merchant’s life, and this makes Seikei feel isolated and misunderstood until his conversation with Michiko. Seikei also sees reflections of his father’s attitude in some of the other characters: Kazuo willingly accepts the expectations of and limitations on his caste, desiring nothing more than to remain in the kabuki in which he was raised. He believes that “Everyone is born into their proper place,” and that society would become chaotic and difficult if people tried to “become something they were not meant to be” (99-100). However, the reverse is true for Seikei, as he actively suffers because of the belief that he was born a merchant and should remain one.

The shogun also has a vested interest in maintaining the caste system that empowers him and his family. He only considers elevating Seikei’s status if Ooka has “thought of some way to make this possible” (212) within the current system. He will not simply give Seikei samurai status without some socially acceptable way to do so, and, luckily for Seikei, there is one: adoption by Ooka. The fact that such a loophole exists suggests that the shogun possesses some understanding that “fate” doesn’t always put people in the right place, as does his admission that there “aren’t many true samurai anymore” (210). If people truly were “born into their proper place,” as Kazuo claims, then those who are born into samurai families would grow up and become “true samurai” without exception.

Seikei’s elevation at the novel’s close as Ooka’s adoptive son thus resolves this dilemma, at least on a personal level. In recognizing Seikei’s merit and consenting to the adoption, the shogun implies that it is possible for someone to deserve the status of samurai through merit instead of by birth alone.

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