47 pages • 1 hour read
Philip PullmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Compasses act as a symbol that represents the highest truth throughout the novel. The most obvious mention of compasses comes in the title, The Golden Compass, which refers literally to the alethiometer. This mystical tool gives Lyra the ability to ask and learn about the truth, while it symbolically represents the moral struggles of Lyra’s journey. The alethiometer is a rare device invented to track the movements of planets, but, instead, it possesses the power to help the user ascertain the truth, because “the mechanism…clearly respond[s] to something, even if no one know[s] what it [i]s” (173). This implies that the compass has a supernatural or divine ability to connect with forces humans do not understand. Though this is an incredible invention, very few of these golden compasses, or alethiometers, were made, and the ability to interact with and read the alethiometer is anything but easy—discerning core truths rarely is.
Lyra seems particularly suited to read her compass, since it largely communicates through symbols that require interpretation. As she is guileless and trusts in herself, these symbols speak to her clearly, reinforcing the theme of Clear Perception and Truth in Children—she is gifted at “reading” the truth. The compass acts as a guide for Lyra, and her internal compass helps her act when needed, despite her fears or the directives of others. Lyra’s highest truth is being kind to others while embracing a spirit of adventure, but there is also the undercurrent that truths can be ugly and adventure is not always fun and games, even when both of those elements point north.
The North serves as an important motif throughout the story. Paralleling the way the compass acts as a symbol of the highest truth, the north appears as a motif that encapsulates the journey toward that highest truth. Lyra and her companions venture north toward Svalbard, which is their literal destination. Meanwhile, Lyra is fascinated by the idea of the north, of the city in the sky, and the Aurora. When Lyra reaches the north, the highest truth reveals itself: Lyra sees Lord Asriel for how terrible he is, and she fulfills her part in her destiny by accidentally betraying Roger.
Dæmons represent the soul of humans and appear throughout the story, thus acting as both a symbol and a motif. The idea of connectedness between humans and their dæmons is an important point of tension throughout the story, as the Gobblers snatch children and sever them from their dæmons and effectively their souls, leaving them half-alive. The daemon often settles in a form that speaks to aspects of the adult’s personality, with dangerous and powerful people’s dæmons manifesting as predators, gyptians and witches paired with birds and migratory animals, and servant-class adults accompanied by docile creatures. Children’s dæmons are constantly trying out new forms, as children have yet to really settle into an identity, a moral code, an occupation, or an ambition. Balancing out aspects of the human, dæmons always take the form of the opposite gender of the person and settle into their final form around puberty. As such, Lyra and her friends have dæmons who can change at any moment, which often works to their advantage.
Likewise, children have absolutely no desire to separate from their dæmons, while many adults struggle with the codependent dynamic of human and daemon. This drive to deny parts of the self is only toxic and leads to corruption rather than resolves it. Similarly, because only humans have dæmons, Iofur, who is insecure in his status as a bear and wishes to be as close to humans as possible, wants a dæmon more than anything else, even though the armored bears represent their own souls through armor. He is defeated in battle because he turns away from his own nature, which leaves him at a deficit.
By Philip Pullman